In studying those topics they learn about many a congregation's life, and they learn too that there are alternatives to the merely contemporary and
local stories of a church.
Not exact matches
When she's not writing creative non-fiction, short
stories, and poetry, Erin spends her time working on her Masters
of Arts in Urban Studies online through Eastern University, fighting for the last carrot in the house with her two rabbits, Bug and Sage, and enjoying mentoring time with
local youth both in and out
of church settings.
Rather, the setting
of my
story and the congregation's portrays my own body and that
of the
local church essentially in human terms, but my factual portrait
of the world is darkly shaded by the tragic inevitability
of God's inexorable plan.
But Williams reports that being an observing participant is both possible and rewarding.3 Diligent members
of a
local church can learn a great deal about its language and
story.
Tales in a
local church tend to travel in packs: one good
story evokes another, one member's account
of an illness, for example, is usually reciprocated in kind.
Telling the
story develops the identity and mission
of a congregation by establishing the setting
of the
story of a
local church, its picture
of the world; narrative proclaims corporate nature.
It is in these events, which often seem to be parenthetical moments in
church life, that the
local church represents its participation not only in its own
story but also in that
of God.
Paradoxically, the
church must diminish the particularism
of its various
local, regional and national histories, but at the same time include them in the
stories it tells, reinforcing its own authority as it does so.
True
story from a pastor friend
of mine: apparently the day after his paternal great - grandfather's death, the
local priest dropped by Granddad's house... and the first words out
of said priest's mouth were, «how much money did he leave to the
church?»
Marcus could read and write — though he could not write well, and had no inclinations to authorship, even in that publishing center
of the western Mediterranean in the days
of Nero — and so, as one
of the few in the
local congregation
of Christians who could both read and write, he was commissioned to put together in his free time — probably late evenings, after the assembly
of the Christians had broken up — the fragmentary translations
of narratives from the
story of Jesus and his teaching which were in circulation in the Roman
church.
Each year, the WACC, which provides funding for communication development worldwide on behalf
of churches throughout the world, is channeling less
of its funds into large shortwave services and large publishing houses, and more into the development
of small printing presses, the production
of audiocassettes,
local drama and music groups, and the use
of communication forms indigeneous to the village life, such as
story telling, puppets and mime.
Landry then helped the committee match its own
story with its denominational heritage, noting where the people at Faith
Church had cherished its sacred deposit from its total past and where it had gone its own way in the shaping
of its
local tradition.
A good myth, from the perspective
of this study
of parish
story, would be one that leads us into the thick
of local church characterization.
If through greater sensitivity to its
stories a
local church better discerns its constitution and mission, the effort
of narrative analysis will have a significant result.
Understanding the
local church story is subversive: this act
of apparent self - reference brings to consciousness the symbolic forms and processes that bind together all humanity.
Both scientific theory and
story address the future
of a
local church.
Through characterization,
story reflects the specific configuration
of moral choice and historical circumstance that identifies each
local church.
By establishing the setting
of the
story of a
local church, its picture
of the world, narrative proclaims corporate nature.
For a fuller exposition
of the consonance between the Zeus myth and the Wiltshire
story, see James F. Hopewell, «The Jovial
Church: Narrative in
Local Church Life,» in Dudley, Building Effective Ministry, 68 - 83.
In his 1994 apostolic letter Tertio Millennio Adveniente, Pope John Paul II urged the faithful, both in
local churches and at the highest levels
of the hierarchy, to make a serious effort to recover those
stories.
Two
stories, one
of Eros and one
of Christ, occur in the
local church.
Story may be more than the mere play
of children or the protoscience
of primitives; it may relate the essential negotiation
of the
local church in realizing its own identity.
Essential as abstractions are to the analysis
of the congregation, however, a greater use
of story is today required to round out an understanding
of the
local church.
In the plot
of the
local church the
story of Christ weaves itself throughout the erotic narrative, sometimes accepting and affirming the
church's
story as it stands (thus linking Christ and Eros), sometimes teasing (or unfolding) the congregational narrative toward the promise
of the kingdom, sometimes prophetically contradicting the erotic
story by disputing (thus thickening) its development, and sometimes actually transforming congregational culture by twisting its plot.
SYNOPSIS: The true
story of how the Boston Globe uncovered the massive scandal
of child molestation and cover - up within the
local Catholic Archdiocese, shaking the entire Catholic
Church to its -LSB-...]
«Spotlight «centers around the true
story of how the Boston Globe uncovered the massive scandal
of child molestation and cover - up within the
local Catholic Archdiocese, shaking the entire Catholic
Church to its core.
In «Spotlight» they recreate the true - life
story of how the Pulitzer - Prize - winning team
of Boston Globe Spotlight reporters in 2002 exposed the Catholic
Church's systematic cover - up
of widespread pedophilia perpetrated by more than 70
local priests.
Hoskins and Schaub, who had no inkling that anything was ever amiss at their idyllic high school, serve as ready - made characters through which «Keepers» director Ryan White («The Case Against 8») can sort through a
story that is painfully tangled up in broader, awful details
of ritual rape and a coverup by both
church officials and
local police.
When the
story circulates about the
church's kid gloves treatment
of molester Father John Geoghan, the paper's editor - in - chief Marty Baron (Liev Schreiber, «Pawn Sacrifice»), newly arrived from The Miami Herald and not bound by
local «traditions» or religious loyalties, assigns the Spotlight unit to dig into the
story.
The
story starts when the teacher announces that the
local priest has asked Years 1 & 2 to provide a tree for the Christmas Tree Festival in his
church but the tree has to tell the
story of the nativity.
There was standing room only as 350 people crowded into the Uniting
Church hall on Tuesday evening to hear Mick Dodson, Aboriginal and Torres Strait Islander Social Justice Commissioner, and Barbara Nicholson, a
local Indigenous woman, speak
of the past policies
of forcibly removing Indigenous children from their families and to share
stories of their own removal.