Sentences with phrase «location footage shot»

A great deal of the film is drawn from location footage shot by Coppola's wife Eleanor, as well as from some tape recordings she made of private conversations with her husband during the same period.

It's noteworthy for some electrifying performances, transplanted from the stage — playwright Mart Crowley adapted his own hit play — and location footage shot at Julius, now the oldest surviving gay bar in Manhattan.

Not exact matches

Knowledge of the shooting angle could also be used to pinpoint a sniper's location, and to determine the identity of the shooter in military investigations involving «friendly fire» incidents, when video footage or eyewitnesses are unavailable.

Live and studio recordings of the band's finest tracks from this period; Rare footage, archive interviews; location shoots, news clips, bonus material and lots more besides.

Producer Mike Kaplan has gone the extra distance to find interviews and behind - the - scenes footage shot during filming on location in Maine, conducted new interviews and shared his own vivid memories of making this lovely picture with director Lindsay Anderson and a once - in - a-lifetime cast: Bette Davis, Lillian Gish, Ann Sothern, Vincent Price, and Harry Carey, Jr..

Blu - ray Highlight: In addition to an excellent six - part documentary that runs the entire gamut of production — from location shooting in Romania, to Nicolas Cage's (creepy) performance capture of the Ghost Rider, to special effects and more — the Blu - ray also includes a feature similar to Warner Bros.» Maximum Movie Mode where directors Mark Neveldine and Brian Taylor dissect the film (sometimes pausing it to discuss certain scenes in more detail) with the help of behind - the - scenes footage.

The soundtrack preserves the careful mixing of diegetic and non-diegetic effects, most notably in how urban street sounds, particularly of traffic, are used to bridge studio - shot footage with location shooting.

He never rehearsed a shot with his cinematographer, and he often used «stolen» footage of people on the street and locations.

But if it's a B - movie by definition — it runs a mere 65 minutes and makes the most of minimal resources: New York is a stock street set surrounded by stock footage, hobo camps and rail - side meadows are tiny studio sets with painted backdrops, and the few location shots are surely just down the street from the studio lot — it's a B - movie with ambition.

Utilizing clips of interviews with the cast and crew plus a good amount of production footage, this program covers a number of facets of the film's production including casting, plot / character changes, shooting in locations around the world, the numerous cameos, and designing Phileas» inventions.

They rely greatly on natural light to capture a real feel for the times and shot much of the footage in North Carolina in forested areas felt to be indicative of the New York locations and times being depicted.

A short making - of documentary eschews talking heads in favor of stitched - together footage of the production's evolution from location scouting and rehearsals to the actual shoot.

Other production sections include «Sequence Breakdowns,» covering 6 key fight scenes and locations, and offers viewers the chance to read the scene in Goyer's screenplay, compare it with the final shooting script, view the scene through storyboards, jump to the scene in the finished film, and view video footage from the set.

That dedication pays off tremendously, as Everest seamlessly combines the on - location footage with scenes shot in studio, and embellished with CGI, for an experience that is frighteningly in your face, never showing any cracks in where the real environments end and the generated ones begin.

A comprehensive behind - the - scenes section offers a look at preliminary visual effects footage and video from location scouts and the actual shoot, which can also be viewed on a split screen (a nice, if needless, option in some cases — the footage doesn't always easily match up, sometimes not at all, making for fractured Timecode - like viewing).

Shooting in 1080p Full HD video can be rewarding if in the right conditions, particularly in brightly lit locations as footage can look at little washed out otherwise, but it nonetheless does a decent job of capturing video.

Video — this can include «talking head» videos, live footage, behind the scenes clips, book trailers, author or book promo clips, interviews, location shots or day - in - the - life footage.

The film includes footage shot on location at archaeological sites in Greece — Delphi, Corinth, and Olympia — and was made possible by the HRH Foundation.

This documentary surveys his career and includes original footage shot on location in New York and Gloucester, Massachusetts; interviews with scholars and a musician; images of Davis's paintings; and archival footage and photographs of the artist.

Recently on view as part of Okwui Enwezor's All the World's Futures exhibition at the 56th Venice Biennale, the artwork unites newly shot footage from remote locations on the Isle of Skye, the Faroe Islands and the Northern regions of Norway with archival material and readings from classical sources.

Artist, filmmaker and theatre director Christoph Schlingensief is represented by a video installation, one that uses footage that the artist gathered in 2005 as part of his project The African Twin Towers — the story of a megalomaniac theatre director attempting to stage the 9/11 story in Namibia, shot on location with a cast of locals as well as Schlingensief's regular «family» of performers.

The team shot footage at each location and relayed it instantaneously to an editor who was stationed in a student's house, where the group convened for a party at 7:00 p.m. «I want to see the whole story before my dream!»

Shooting in 1080p Full HD video can be rewarding if in the right conditions, particularly in brightly lit locations as footage can look at little washed out otherwise, but it nonetheless does a decent job of capturing video.

«The Gates»; Maysles Films, Inc. 2003 — 2005 Associate Producer, Production Manager Hired and managed 76 - person crew; lead fundraising; uncovered personal stories of «The Gates» for each shooting team to follow; served as Field Producer with several teams in Central Park over 60 shooting days; secured all locations; coordinated press; supervised Music and Stock Footage research and licensing.