Sentences with phrase «location in a print book»

Not exact matches

All Wegmans in Erie & Niagara counties All Buffalo & Erie County Public Libraries The Buffalo News, corner of Washington and Scott streets, downtown Buffalo All Dipson Theaters All WNY Mattress Firm locations All Raymour & Flanigan locations Tom's Restaurant, 3221 Sheridan Drive, Amherst Monetary donations to purchase new books for children with special needs are also welcome and will be used to buy Braille, large - print and other specialized books.

Another reason your trad pubbed books may sell well in print versions is because there are lots and lots of readers in that market — by the accounts I have read 60 - 70 % of total — and many of them prefer print, or to find reads in physical locations.

One suggestion is for temporary locations to sell ebooks and a limited selection of print books to holiday shoppers who are weary of waiting for friends or family members in the holiday rush, although audiobooks and noise - cancelling headphones to block out the endless loops or recorded Christmas carols might prove to be an even bigger sell.

Consumers have demonstrated that they enjoy having all of their books in one location, to the extent that ebooks have been outselling print editions for quite some time.

Promotion of authors and their work - book signings, discussions, and interviews - through channels in close proximity to the author's current location Recruitment of reviewers - both online and in print - for editorial suggestions and promotion

Last July the company ironed out an agreement that will allow its authors the opportunity to have print editions of their books placed in select B&N physical locations.

The first was very similar to OnDemand Books» Espresso Business Machine, in which individual titles of books can be printed, bound, and covered on - site in any location that it services with the HP proBooks» Espresso Business Machine, in which individual titles of books can be printed, bound, and covered on - site in any location that it services with the HP probooks can be printed, bound, and covered on - site in any location that it services with the HP product.

The platform, which is set to launch in July 2013, gives publishers the tools to manage their print books and e-books in one location.

This move will go a long way towards curing the ill that many experts seem to believe led to the death of the Borders chain of bookstores, namely, browsing in the brick - and - mortar location then heading home empty handed in order to purchase the book online, either in print or digital editions.

In some locations, though, the EBMs that are in use are doing quite well, especially for niche markets like specific textbook or academic titles, out of print titles, and for customers who don't want to wait for a book to arrive — again, especially if it's a title that is needed for academic worIn some locations, though, the EBMs that are in use are doing quite well, especially for niche markets like specific textbook or academic titles, out of print titles, and for customers who don't want to wait for a book to arrive — again, especially if it's a title that is needed for academic worin use are doing quite well, especially for niche markets like specific textbook or academic titles, out of print titles, and for customers who don't want to wait for a book to arrive — again, especially if it's a title that is needed for academic work.

The first was very similar to OnDemand Books» Espresso Business Machine, in which individual titles of books can be printed, bound, and covered on - site in any location that it services with the HP... [Read morBooks» Espresso Business Machine, in which individual titles of books can be printed, bound, and covered on - site in any location that it services with the HP... [Read morbooks can be printed, bound, and covered on - site in any location that it services with the HP... [Read more...]

Titles are stored electroncially, printed for demand in customer locations and then seamlessly distributed as though books were available on - hand.

To make an image go to the edge of the paper you must print it an eighth inch beyond the trimmed edge to cover unavoidable variances in cut locations when the printer trims the books after they are printed.

The rest is spread very unevenly as follows: 25 % in second - hand and car - boot sale locations (Ravenbooks features here and I suspect in 2010 will feature even more) which is made up almost exclusively of out of print and pre-2000 books, the last 5 % or so gets spent fairly randomly everywhere from good independents, to local shops with self published titles and random online direct purchases and ebooks (I'm still primary print and suspect I will always be so, despite a belief and passion for digital text).

At the bottom of the page, you get your current location range in the center, your percentage of progress through the book on the left, and the total number of locations on the right (the e-book equivalent of the number of pages in print).

Since you can change the text size and other aspects of an e-book, there are no fixed «pages» like in a printed book, so «locations» are used to track your progress in a book instead (as a rough guideline, about 15 locations would correspond to the average printed book page, so a decent - sized e-book novel would have 2,500 — 7,500 locations).

One - Stop - Shop All In - House All books are printed here at our location.

As a leading U.S. book printer, Bookmasters has invested in the equipment our publishers and authors need so they can access all of the book printing services they need in one location.

Be sure to visit Hopkins Observatory, the oldest extant observatory in the US and Williams College Chapin Library of Rare Books, the only location outside of the National Archives to publicly display original printings of our nation's four founding documents.

Texts by Lawrence Weiner (born 1942, USA) have appeared in all sorts of locations over the last five decades: as vinyl or paint on walls and windows of galleries and public spaces, spoken as audio, video or performance, printed in books and on posters, cast or carved as letters and even turned into tattoos, graffiti, lyrics and so on, ad infinitum.

2006 The Downtown Show, The New York Art Scene 1974 - 1984, New York University Grey Art Gallery, New York, US Onestar Shop by Hans Schabus, Art Metropole, Toronto, CA Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR

Books and prints from Unnatural Kingdom will be available in two locations: SAT & SUN, October 21 - 22, 12 pm - 6 pm - Photographer Miska Draskoczy's home...

McCarney's work has been exhibited internationally, including at the Center for Book Arts and Printed Matter Inc. in New York City; Tower Fine Arts Gallery in Brockport, NY; Minnesota Center for Book Arts in Minneapolis; University of the West of England; and other locations throughout the United States, United Kingdom, Australia and more.

Scott McCarney's work has been exhibited internationally, including at the Center for Book Arts and Printed Matter Inc. in New York City; Tower Fine Arts Gallery in Brockport, NY; Minnesota Center for Book Arts in Minneapolis; University of the West of England; and other locations throughout the United States, United Kingdom, Australia, and more.

About the Artist McCarney's work has been exhibited internationally, including at the Center for Book Arts and Printed Matter Inc. in New York City; Tower Fine Arts Gallery in Brockport, NY; Minnesota Center for Book Arts in Minneapolis; University of the West of England, Bristol, UK; and other locations throughout the United States, the UK, Australia and more.

Gagosian does all of this on an unprecedented scale, with 16 locations from Hong Kong to New York's Chelsea, around 200 employees, a publishing arm that produces 40 books a year, a quarterly magazine and an in - house newspaper — even a retail storefront that sells Warhol Campbell's Soup candles and butterfly - print deck chairs by Gagosian artist Damien Hirst.

Resources in this section focus on what a charity is required to do to keep proper books and records, general requirements such as format (print and / or electronic), number of copies, location and retention, as well as questions about what Canada Revenue Agency means when it says that charities must keep «adequate books and records».