Covers tend to get better after a few dozen covers as
long as the indie publisher is paying a lot of attention to learning cover design and font layout and blurb use.
Not exact matches
I became intrigued by this topic when
as an author with two dozen e-books on Smashwords I read founder Mark Coker's «2013 Book Publishing Industry Predictions —
Indie Ebook Authors Take Charge,» Among other things, Coker noted that «If Amazon could invent a system to replace the author from the equation, they'd do that,» and went on to describe how one innovative
publisher, ICON Group International has already patented a system that automatically generates non-fiction books, and he worries that
as the field of artificial intelligence increases, «how
long until novelists are disinter - mediated by machines.»
As long as indie authors and publishers are being fairly compensated and making a comparable percentage of what they would in the typical e-book market, I think subscription services will be a succes
As long as indie authors and publishers are being fairly compensated and making a comparable percentage of what they would in the typical e-book market, I think subscription services will be a succes
as indie authors and
publishers are being fairly compensated and making a comparable percentage of what they would in the typical e-book market, I think subscription services will be a success.
While progress has certainly been made — namely in the fact that more and more readers don't care how the book came about so
long as it's a great read — there are still a few holdouts where
indie authors don't garner the same respect or privileges that
publishers and their authors can find.
Obviously, there's been lots of «hooting and hollering» from many authors,
indie -
publishers as well
as long - time industry professionals within the publishing space.
But I would like to know how
long it will take me to get that money
as an
indie publisher, and then keep making more.
Maybe
indie publishers can no
longer effectively use price
as a competitive advantage, but that's not really bad news.
As I mentioned to my husband once, the
longer I've been
indie published, and the more I understand how bookselling in the digital age works, the more clearly I see the inflexibilities that hinder large
publishers.
As a long - time editor for independent authors (more than ten years now) and as an indie publisher since 2011, I think what would tremendously help this checklist would be to mention at what stage of book production these steps should be don
As a
long - time editor for independent authors (more than ten years now) and
as an indie publisher since 2011, I think what would tremendously help this checklist would be to mention at what stage of book production these steps should be don
as an
indie publisher since 2011, I think what would tremendously help this checklist would be to mention at what stage of book production these steps should be done.
While I've certainly held dreams of being traditionally published for many years,
as an author, I wouldn't be thrilled if I were signed to a
long - term deal with a
publisher who was trying to kill e-books and giving me lower and lower e-book royalties, while
indie authors are about to get 70 %.
As an indie publisher you have to explore other opportunities as well, how to make your ebook publishing efforts more profitable on the long ter
As an
indie publisher you have to explore other opportunities
as well, how to make your ebook publishing efforts more profitable on the long ter
as well, how to make your ebook publishing efforts more profitable on the
long term.
As an
indie publisher, you have to explore other opportunities to make your ebook publishing efforts more profitable on the
long term — you can't simply rely on one big distributor.
So far I have made more money from trad, but I firmly believe in the freedom of
indie publishing (my latest book, Joe Coffin, will be
indie published
as I can not see how it would fit with a regular
publisher) and I also believe that in the
long run I will make more money down the
indie route.
As a long - time freelance editor working solely with self - publishing authors (since 2005) and now as an indie publisher (and still an editor), I am not surprised at these stats, but here is what I'm wonderin
As a
long - time freelance editor working solely with self - publishing authors (since 2005) and now
as an indie publisher (and still an editor), I am not surprised at these stats, but here is what I'm wonderin
as an
indie publisher (and still an editor), I am not surprised at these stats, but here is what I'm wondering: