Sentences with phrase «long cinema history»

Not exact matches

That's because it is partially a museum — one that is dedicated to the long and storied history of French cinema.

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All that goes a long way to securing the film its status in cinema history but, in addition to how the passage of time is beginning to erode its impact, there are others drawbacks, not least of which is the stilted acting style of both Lockwood and Dullea.

They are the longest 35 mm Steadicam shots in cinema history — each using nearly an entire film reel.

Stone joins a long line of powerful femmes fatale in the history of cinema, and Basic Instinct is one of the few classics in the neo-noir revival (Body Heat [Lawrence Kasdan, 1981] is the only other one that comes to mind).

Co-written by Dekker and Shane Black («Lethal Weapon,» «The Long Kiss Goodnight»), «The Monster Squad» has got to be the most politically incorrect «kids movie» in the history of cinema.

«We have a long history of supporting first time filmmakers from around the world, and we felt that this film comes from a director with a fresh voice in cinema, and that it tells a new story in a particularly vibrant way,» commented Michael Rosenberg, president of Film Movement.

It became one of the most famous flops in British cinema history mostly due to the long list of cameos, which include Tom Conti, Maureen Lipman and Judi Dench.

Nicholas Godfrey on The long game: Conversations with independent iconoclasts Roger Corman, George A. Romero, and Charles Burnett Douglas Gomery on America's Corporate Art: The Studio Authorship of Hollywood Motion Pictures Richard Martin on The Cinema of Michael Haneke Tessa Chudy on Polanski and Perception Cassandra Lovejoy on Deleuze and World Cinemas Martin Potter on Challenge for Change Ryan Taylor on Terrorism TV Vrasidas Karalis on Greek Cinema, Texts, Histories, Identities Ravi Sundaram on Shadow Economies of Cinema

Returning to the rushes of their failed film, Mateo's longing for a restored history is a touching tribute to the potential that cinema has.

Since then, Dolby and the legendary space - opera saga have shared a long history as their own Rebel Alliance of sorts — one that's continuously innovated to push cinema sound and vision to new heights.

The Toronto festival, which turns 40 in 2015, has a long history of championing Canadian cinema; this year it offers a spot to Atom Egoyan following his misjudged double bill of festival flops (2013's The Devil's Knot in Toronto; The Captive at Cannes last year) for Remember, a revenge thriller starring Christopher Plummer.

Horror cinema has a long history of scenes of extreme bodily violence that dare us to look away from the screen.

But Bill Morrison's «Dawson City: Frozen Time» is a major work in any category, a historical spelunking expedition that dives into a long - buried trove of films discovered in a Canadian mining town and comes up with a conjoined history of the Gold Rush and American cinema.

Scaramouche is one of his better films, and does boast the longest sword fight in cinema history.

Half an hour into Tom Hooper's adaptation of the long - running stage musical Les Miserables, he fixes his camera on Anne Hathaway's tortured, tear - streaked face, and she delivers what ought to become one of the great moments in musical cinema history — right up there with Dorothy singing wistfully of a land far away, Gene Kelly swinging happily around damp lamp poles, and a problem like Maria singing to the grassy Austrian hillsides.

Scorsese has long been a champion of film preservation and with his love letter to the cinema this year, «Hugo», he continues to show his admiration for film history and the many pursuits to keeping those records alive.

2017 TORONTO INTERNATIONAL FILM FESTIVAL: Movies about «triumphs over adversity» have long been a staple of cinema throughout the history of the artform.

«Boyhood» A candidate for the longest duration between the start of a production and its eventual completion in the history of cinema (the film shot a few weeks every year for the last 12 years), the arrival of Richard Linklater «s intimate epic «Boyhood» proved to be very much worth the wait.

But for a long time, film was the thorn of art history after that thing called «Hollywood» came along, which threatened the avant - garde film's separation from mainstream cinema.

They find their corollary in Godard's four - and - a-half-hour miniseries Histoire (s) du cinéma (1988 — 98), which is less a history of filmmaking than it is a long - form essay about all the theories and concepts that were bound together when cinema came into existence.

2011 Postcards from the Edge, CRG Gallery, New York, US Litos Grafere, Danish Art Center Silkeborg Bad, Silkeborg, DE; Museum of Stavanger, NO Freeriding, East / West Galleries, Woman's University, Denton, Texas, US Sculpture in So Many Words: Text Pieces 1960 - 75, Ziehersmith, New York, US Intrusions, Galerie Michèle Chomette, Paris, FR Compagni Di Viaggio - Traveling Companions, Mestna Galerija Ljubliana, SI L'Insoutenable Légéreté de L'Être, Yvon Lambert, VIP Art Fair, Online Art Fair, New York, US Box is a Box is a Box, Librairie Florence Loewy, Paris, FR Drawn / Taped / Burned Abstraction on Paper, Kotonah Museum of Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market Art Fair, The Royal Swedish Academy of Fine Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female: Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvedere.

Other works on view include a suite of watercolors by Guo Hongwei, combining his renderings of American iconography with his father's calligraphy of Chinese classical poems; Chen Wei's staged photographs in the traditions of Gregory Crewdson and Cindy Sherman; a thick - imexhibitionso floral - patterned diptych by Liang Yuanwei, exhibitionsly featured in the Chinese pavilion at the 54th Biennale di Venezia; Cheng Ran's romantically staged photos of the Hollywood sign, commenting on the role cinema has played in shaping the image of America in the psyche of younger Chinese generations; the American premiere of Sun Xun's 21 Grams, a four - year long animation project reflecting on history, social struggles and dystopia; and Hu Xiangqian's Art Museum, a video presentation of the «collection» of Western artworks that have inspired the artist's creative language but that he's never seen in person or fully understood.

With a particular focus on art since 2000, Abstract Video addresses a longer history of experimentation in video, net art, installation, new media, expanded cinema, visual music, and experimental film.

I don't want to downplay America's long history of black cinema (a history that already includes a handful of black superheroes).