Sentences with phrase «long cultural project»

Not exact matches

It is redesigning its deepwater oil platforms and onshore shale - gas projects to simplify them, a major cultural change at a firm that has long prided itself more for engineering prowess than for economic discipline.

The culture community fit section in Amazon's request for proposals reads: «The Project requires a compatible cultural and community environment for its long - term success.

One elected official who expressed reservations about the proposed Casa Duarte Cultural and Performing Arts Center as far back as 2003 said he didn't think the project would have stayed alive this long if not for the clout of local Assemblyman Adriano Espaillat, who is now running for state Senate.

The Uptown Print Project was created to provide a cultural resource for the diverse Washington Heights and Inwood communities of Upper Manhattan through a month - long series of printmaking activities, ending on Jun. 27th...

Research has long shown that people prefer to be in groups that are thought to have higher status or cultural value as a way of boosting self - image and projecting an impressive image to others.

Whenever the Board of Directors of SKS Netherlands (Stichting Kebon Sepatu NL) presents her activities to the relevant International communities like the Indonesian Embassy in the Netherlands to raise awareness in relation to socio - cultural and educational issues, we stress the uniqueness of having such a large group of volunteers realising projects through a «long - distance relationship».

«This will be a # 160m boost for schools to invest in projects that will support cultural activities for schools over the longer - term.»

Long - term projects can go wrong for a lot of reasons — cultural change, technological change, economic change, competitive change, change in the ability to keep the company as a whole financed, and more.

2004 Open House: Working in Brooklyn, Brooklyn Museum of Art, Brooklyn, NY Beginning Here: 101 Ways, Curated by Jerry Saltz, Visual Arts Gallery, New York, NY Tokyo - Chicago - New York, Tokyo National University of Fine Art and Music, Japan Sympathetic Nerve, Capsule Gallery, New York, New York The Truck Stops Here, Plus Ultra Gallery, Brooklyn, New York Six Outdoor Projects, Long Island University, NY Slice and Dice, Visual Arts Gallery, New York, NY Transmotion, Lower Manhattan Cultural Council, NY 1800 Frames 2004, City Without Walls, Newark, NJ

Current partners include: A Blade of Grass, American Folk Art Museum, Bad at Sports, Bronx Museum of Art, Bureau of General Services — Queer Division, Community Access Art Collective, Eyebeam, Fourth Arts Block, Interference Archive, International Center of Photography, Knockdown Center, Lesbian Herstory Archives, Maker Park Radio, New York City Department of Cultural Affairs, New York Hall of Science, No Longer Empty, Recess, Social Justice Tours, Studio Museum in Harlem, Swale, Decolonize This Place, Discwoman, Sylvia Rivera Law Project, The 8th Floor, and Visual AIDS.

The project incorporated multidisciplinary cultural events and the next editions of No Longer Empty's signature education programs — the Y.Dot Youth Docent Program, Teens Curate Teens in partnership with ArtsConnection, and No Longer Bored Family Days.

The Pompidou hailed the deal as «the most important long - term cultural exchange project» between France and China and said it would give «an important place to contemporary Chinese art» in the new gallery.

It centralises resources and provides a comprehensive organisation for the development of museums and cultural projects, with a long term ambition of creating a strong and sustainable cultural infrastructure for Qatar.

«As Franklin Furnace approaches its 40th anniversary in 2016, collaborating with a formidable educational institution like Pratt will make it possible for us to provide public and pedagogical access to emerging artists, and for Pratt and Franklin Furnace to undertake long - term preservation and documentation projects that will have cultural impact long into the future,» said artist Martha Wilson, Franklin Furnace founding director and visiting associate professor of Fine Arts at Pratt Institute.

Current partners include: A Blade of Grass, American Folk Art Museum, Bad at Sports, BRIC, Bronx Museum of Art, Bureau of General Services — Queer Division, Caribbean Cultural Center African Diaspora Institute, Community Access Art Collective, Decolonize This Place, Discwoman, El Museo de Los Sures, Eyebeam, Flux Factory, Fourth Arts Block, Interference Archive, International Center of Photography, Knockdown Center, Maker Park Radio, New York City Department of Cultural Affairs, New York Hall of Science, No Longer Empty, Recess, Social Justice Tours, Social Practice Queens, Studio Museum in Harlem, Swale, Sylvia Rivera Law Project, The 8th Floor, and Visual AIDS.

4731 Gallery and Studios 555 Gallery and Studios 71 POP ART EFFECT GALLERY ArtRage Gallery Arts League of Michigan Virgil H. Carr Cultural Art Center Cass Cafe CCS Center Galleries City Bird Contemporary Art Institute of Detroit Dell Pryor Gallery Detroit Artists Market Detroit Industrial Gallery Detroit Institute of Arts Museum Eric's I've Been Framed The Heidelberg Project Inner State Gallery Jo's Gallery Ellen Kayrod Gallery Kunsthalle Detroit Liberal Arts Gallery Long - Sharp Curis Museum of Contemporary Art Detroit

Bonniers Konsthall is also involved in more long - term research projects along with other cultural institutions and universities.

2008 Alex Hubbard and Oscar Tuazon, Contemporary Art Museum St. Louis, Saint Louis / MO, USA September Show, Tanya Leighton, Berlin, Germany Degrees of Remove: Landscape and Affect, Sculpture Center, Long Island / NY, USA Sommerakademie, Paul Klee Zentrum, Bern, Switzerland You Complete Me, Western Bridge, Seattle / WA, USA Transformational Grammar, Francesca Kaufmann, Milan, Italy Sack of Bones (Los Angeles), Peres Projects, Los Angeles / CA, USA Group show, Dependance, Brussels, Belgium Contemporary Northwest Art Awards, Reed College, Portland / OR, USA Rendez - Vous Nowhere, Centro Cultural Montehermoso, Vitoria - Gasteiz, Spain The Station (curated by Shamim Momin), Miami / FL, USA Suddenly: Where We Live Now, Douglas F. Cooley Memorial Art Gallery, Portland / OR, USA

She has participated in group shows at Roman Susan Gallery (Chicago, IL, MoMA PS1 (Long Island City, NY), Gallery Kayafas (Boston, MA), Gallery Frank Pages (Geneva, Switzerland), The Munich Cultural Center at Pasinger Fabrik (Munich, Germany), and Mottahedan Projects (Dubai, UAE).

2014 Ayelet Danielle Aldouby, Curator & Co-Founder, Artea Projects Harutyun Alpetyan, Independent Curator, Armenia Marco Antonini, Executive Director & Curator, NURTUREart Rocio Aranda - Alvarado, Curator, El Museo del Bario Karen Archey, Independent Curator & Critic, NYC and Berlin Nova Benway, Assistant Curator, The Drawing Center Boshko Boskovic, Program Director, Residency Unlimited Marie Burns, Program Manager, apexart Ethan Cohen, President & CEO, Ethan Cohen Fine Arts Irina Danilova, Independent Curator Eva Diaz, Critic & Assistant Professor of Contemporary Art, Pratt Institute Erin Donnelly, Independent Curator & Programs Manager, Smack Mellon Juliana Driever, Independent Curator, Writer, and Educator Shlomit Dror, Independent Curator Jason Duval, Artist & Independent Curator Alessandro Facente, NARS Special Projects Curator Jane Farver, Independent Curator Elizabeth Ferrer, Director of Contemporary Art, BRIC Arts Carter Foster, Steven and Ann Ames Curator of Drawing, Whitney Museum of American Art Anna Frost, Independent Curator, Berlin andCopenhagen Asya Geisberg, Owner & Director, Asya Geisberg Gallery Jessica Gildea, Programs Director, CUE Art Foundation Jan Hanvik, Executive Director, Clemete Soto Velez Cultrual Center Larissa Harris, Curator, Queens Museum Eric Heist, Founder & Director, Momenta Naomi Hersson - Ringskog, Executive Director, No Longer Empty Felicity Hogan, Artist, Independent Curator & Senior Program Officer, New York Foundation for the Arts (NYFA) Learning Jin Young Hwang, Co-Founder, K&H Art Advisory Inc Tzu - chieh Jian, Independent Curator & Critic, Taiwan Paddy Johnson, Founding Editor, Art Fag City Rhiannon Kubicka, Co - Owner / Co-Director, Blackston Gallery Omar Lopez - Chahoud, Independent Curator & Artistic Director, UNTITLED Stephen Maine, Artist, Critic & Independent Curator Julie McKim, Director, Kunsthalle Galapagos John Moore, Independent Curator & Critic Isabelle Normand, Independent Curator, Paris & Los Angeles Isin Önol, Independent Curator, Vienna Douglas Paulson, Residency Director, Flux Factory Vittoria Pavesi, Independent Curator, Italy Laurel Ptak, Director, Triangle Arts Association Sara Reisman, Director, Percent for Art, NYC Department of Cultural Affairs David A. Ross, Independent Curator & Chair, MFA Program in Art Practice, School of Visual Arts Cindy Rucker, Owner & Director, Cindy Rucker Gallery Sebastien Sanz Santamaria, Director of Operations, Residency Unlimited Krista Saunders, Curator & Co-Founder, Ground Floor Gallery Keith Schweitzer, Co - Founder / Director, The Lodge Gallery and Director of Public Art, Fourth Arts Block Bernard Schutze, Independent Curator & Critic, Montreal Felipe Scovino, Independent Curator Eric Shiner, Director, Andy Warhol Museum Carolyn Sickles, Director of StudioLab, Abrons Arts Center Sarah Suco Tores, Independent Curator Yulia Tikhonova, Independent Curator Jodi Waynberg, Executive Director, Artists Alliance Inc..

She has participated in group exhibitions at MoMA PS1 (Long Island City, NY), Roman Susan Gallery (Chicago, IL), Gallery Kayafas (Boston, MA), Gallery Frank Pages (Geneva, Switzerland), The Munich Cultural Center at Pasinger Fabrik (Munich, Germany), and Mottahedan Projects (Dubai, UAE).

What to make of the detailed 1998 proposal for The Long March Project, which enacted a curatorial experiment by founder Lu Jie and artist Qiu Zhijie involving thousands of participants, exhibitions and performances staged along the Red Army's route to collectively «reinterpret historical consciousness and develop new creative approaches to political, social, economic and cultural realities».

Even this kind of project is no longer new in our increasingly globalised cultural sphere, but «Other Primary Structures» is no less absorbing for being part of a well - established paradigm shift.

A months - long project culminated on Thursday when children from four New York public schools saw their own work on the walls and the gallery floors of a major cultural institution.

Consisting of sixteen large - scale silver, black, and white flags encircling Collins Park, the flags further Pendleton's «Black Dada» project, a long - term exploration pairing two previously unrelated concepts: Dada, the early twentieth - century absurdist cultural movement, and the notion of «black» as an open - ended signifier.

A year after the crackdown on pro-democracy demonstrators in Tiananmen Square and the emigration of some of China's most progressive cultural forces, four Canton - based artists — Liang Ju Hui, Xu Tan, Chen Shao Xiong, and Lin Yilin — began a collaborative project under the name «Long - Tail Elephant.»

To support the cultural and artistic development of Chongqing regions, to invigorate the artistic atmosphere of this land, and to invite more people to visit Long Museum (Chongqing) for appreciating art, Long Museum (Chongqing) decided to contribute our part to this extraordinary cultural project.

The series is part of his Long March Project, which tracks Chinese history and cultural development.

SELECTED GROUP SCREENINGS 2016 Greater New York, MoMA PS1, Long Island City 2015 UnionDocs Collaborative Projects, Spectacle Theater, Brooklyn 2015 Slideluck LA VII, The Space, Los Angeles 2014 Convergence, New York Film Festival, NYC 2014 Slideluck NYC XVIII, Photoville, Brooklyn 2013 Aberrations of Time, 14 Lilienblum Street, Tel Aviv 2013 7th Annual Red Hook Film Festival, Brooklyn Waterfront Artist's Coalition, Brooklyn 2013 Distrital 2013, District Film Festival, Mexico City 2013 Video Dumbo, Eyebeam, NYC 2012 ExDox, Cologne Art and Moving Image Awards, Cologne 2012 Endless Plain, Armory Center for the Arts, Pasadena 2012 Our Haus, Austrian Cultural Forum, NYC 2012 End Tymes Fest, Outpost Artist Resources, Brooklyn 2012 Videorover: Season 3, Contemporary Arts Center, New Orleans 2012 Videorover: Season 3, Manhattan Neighborhood Network, NYC 2012 Videorover: Season 3, Nurture Art Gallery at IndieScreen Cine Club, Brooklyn 2011 UnionDocs» Looking at Los Sures, Carpenter Center for the Visual Arts, Cambridge 2011 Visible Evidence, Tisch School of the Arts, New York University, NYC

In 2015, Kwok was awarded the Asia Cultural Council Fellowship to carry out a five - month - long research on participatory and engagement projects in the US.

This could entail long - term projects to exhibits of cultural ephemera.

Recent projects include a year - long fellowship with the Greater Baltimore Cultural Alliance in the Urban Arts Leadership Program.

Her work has been supported by Los Angeles Contemporary Exhibitions (LACE), MOCA in Los Angeles, Los Angeles County Museum of Art, Santa Monica Museum of Art, The Luckman Center, Exit Art and Hallwalls in New York, Molndal Konsthall, Sweden, Long Beach Museum, the Skirball Center, Kappa Museum, Prague, and the Los Angeles Cultural Affairs Department as well as commercial galleries including Western Project, Andrew Shire, Deep River and POST.

Since 2013, together with Julie Crooks and Dominique Fontaine, she is responsible for the Of Africa project, a multiplatform project aimed to support a sustained and long - term promotion of the cultural and creative diversity of Africa and its diaspora through an engagement with the collections in the museum and in dialogue with artists and creators active today.

The exhibition with Zuecca Projects represents a new chapter in the long - standing historical relationship - founded on trade, as well as religious and cultural exchange - that exists between China and Venice.

The Rapid Response Unit is a year - long art project and cultural experiment that began in March 2018, inviting artists to respond creatively to global events and current affairs, to «interpret, create and challenge how we receive news».

Born 1977, Mexico City, Mexico Solo Exhibitions 2018 «Under the immortal skin», T293, Rome 2018 «Temazcal», Michael Benevento, Los Angeles 2017 «Works and Days», Atlantis, Chevalier Roze, Marseille 2016 «Retrospectiva», Lulu, Mexico City 2016 «Chambres aver vue sur le champ», Untilthen, Paris 2016 «Paradise», DREI, Cologne 2016 «Frenetic Gossamer», Palais de Tokyo, Paris 2016 «Huellas de la Revolución Industrial», Museo Pietro Canonica a Villa Borghese, Rome 2015 «La bella durmiente», Museo Universitario del Chopo, Mexico City 2015 «Caramel Huysmans», Proyectos Monclova, Mexico City 2015 «The Contemporary Comedy: Glossy Mist», Clifton Benevento, New York 2014 «Luster Butterfly», T293, Rome 2014 «All That I Never Was», Michael Benevento, Los Angeles 2013 «Mariposas Migratorias», Clifton Benevento, New York 2012 «I miss my thread», Karma International, Zurich 2012 «The Equation of Desire», Kunsthalle Winterthur 2012 «The Bright of the Whisper», Kunstraum, Innsbruck 2012 «La Alcoba Doble», T293, Rome / Naples 2010 «Martin Soto Climent — A bridge between two towers», Clifton Benevento, New York 2010 «A Long Chapter One», Sorcha Dallas, Glasgow 2009 «El Mago», Martin Van Zomeren, Amsterdam 2009 «Laberintome», T293, Naples 2009 «Impulsive Chorus», X Initiative, New York 2009 «The Intimate Revolt», Karma International, Zurich 2009 «For your eyes only», La Sala, Mexico City 2009 «Martin Soto Climent», Michael Benevento, Los Angeles 2008 «Hidden Symmetries», Broadway 1602, New York 2008» Parabolic Dust», Broadway 1602, New York 2008 «01.18.08», T293, Naples 2007 «Vacio Contenido», Museo de Arte Carrillo Gil, Mexico City 2006 «Checkmate», Broadway 1602, New York 2006 «Study Objects», Nina Menocal Gallery, Mexico City 2005 «Other Objects», The Other Gallery, The Banff Center, Alberta 2005 «Biotic Project», Subway Station Tacuba, Mexico City 2004 «Cotton Candy Doves», MUCA, Mexico City 2004 «Throw Balls», UNAM — The University Cultural Building, Mexico City 2003 «Curious objects vol1», Curious objects vol2», The space, Mexico City 2003 «03-03-03», installation in Jardín Hidalgo, Coyoacán, Mexico City 2002 «It was green», Museum Desierto de los Leones, Mexico City 2001 «Empty Spaces (Journey Sensations)», Casa de la Cultura Malinalxochitl, Malinalco, Mexico 2001 «One of so Many, Young Artist Collective», Sebastián Foundation, Mexico City Group exhibitions 2018 «Dwelling Poetically: Mexico City, a case study», ACCA, Australian Centre for Contemporary Art, Melbourne 2017 «Deseo.

Regardless of cultural or operational pressures to spend long hours at work, I've never heard anyone complain about a well run project meeting.

Approach the project of effecting cultural change with the longer term in mind.

Professional Duties & Responsibilities Highly trained geophysics student with an extensive background in petroleum geology Educated in economics with an emphasis in business operations and management Contributed to a North American geology mapping project with a consortium of colleges Responsible for set up, use, removal and maintenance of «Texan» seismometers Analyzed raw, unprocessed seismographs for cultural noise and teleseisms Utilized Incorporated Research Institutions for Seismology technology Directed SPEC data log correlation to acquisition travel logs and maps Managed information database ensuring accurate, organized, and accessible information Participated in coal and oil reservoir rock geological study throughout Utah Attended year - long lecture series focused on topics related to the energy industry Studied Shell Energy's trading floor operations Observed nanotechnology development at Rice University

The Project identifies five main features of good governance: real self determination or sovereignty; the building of effective governing institutions; an effective cultural match between these institutions and Indigenous traditions; long - term strategic thinking; and leadership from individuals or groups, in the community's interest.

This project aims to ensure that schools undertake evidence - based, whole - school approaches to positive behaviour support and student wellbeing which supports cultural change required to sustain long - term system changes.