Sentences with phrase «long dialogue scenes»

Some good moments, but the pacing was wrong and many long dialogue scenes added nothing to the story.

Working with a smaller budget, it's basically a four - character film which wouldn't suffer too much from being staged in a theatre — featuring unusually long dialogue scenes in diners, restaurants and motel rooms, with staccato rhythms and masculine posturing borrowed from David Mamet, another of Anderson's key, acknowledged influences.

Not exact matches

A Western short on dialogue and long on pomposity, is little more than an extended chase scene down a snow - filled mountaintop to a desert floor.

There's a naked, drunken stumble through woods and Violet suffers a few painful slapstick moments, but there are also long scenes of dialogue while the couple gently argues in bed, moments of domesticity that feel quite real despite the glossy romcom surroundings.

Uprising is long, has yawn - inducing action scenes, terrible dialogue, a contrived plot that makes ZERO sense, and commits that most hated crime of horror movie sequels - returning beloved characters from the original only to kill them or turn them into forgettable villains.

The film had plenty of potential to being great, but instead it suffers from long, tired scenes of painful dialogue and the film's story just lingers and goes no where and when there's something that actually is interesting that happens, it's too little too late.

Watching «The Room» on your own, and struggling through the banal dialogue and non sequiturs, the dreary sets, the elevator Muzak score, and the long, cringe - inducing sex scenes in which Wiseau bares his all for our appreciation isn't funny but sad.

Criterion, of course, provides the latter, which according to Wikipedia runs 30 seconds longer and contains more blood in the elevator scene, more pubic hair in the shower opening, and some racier dialogue in a later doctor's office scene.

Deliberately awkward moments which are funny at first, are allowed to drag into eternity; dialogue scenes run on; and it takes far too long to get to the punch - line.

Ridley shot and edited the movie with lots of long takes, overlapping dialogue, some challenging non-linear editing during certain scenes, and used historical footage and old photos from the period.

This is my long winded way of saying that bad guys and good guys face one another with loads of juicy dialogue and even juicier action scenes that are filmed with absolute precision.

Playing the younger version of Michael B. Jordan's nuanced villain for only a few minutes, the young lad was only on screen briefly at the start of the movie, in a flashback scene and for a longer - speaking part in a poignant dialogue in the ancestral plain (trust us, it makes sense in the movie).

Take away the love it or hate it score (it's jarring, but in its own way, it almost feels like it's a character itself) and the long stretches of dialogue - free footage (again, the praise for these scenes reeks of movie snobbery to me — five minutes is good, twenty minutes is puffed - up filler), and what you're left with is a film that showcases the downward descent of one man.

This so - called director's cut doesn't feature any new scenes as such, just longer ones with more dialogue.

In another exhilarating scene, also with no dialogue, Lili visits a strip - tease joint, and we can feel her sense of discovery and joy and pain and longing as she imitates the dancer's every move.

«The Hateful Eight» has the things audiences expect from a Quentin Tarantino movie - long scenes, superb dialogue, an imaginative take on a classic genre (this time it's the Western) and the casting of neglected actors worthy of rediscovery.

First we know in a Tarantino we will get a scene or two with long dialogue BUT... I would not have it any other way.

Instead, the dialogue scenes are hollow and overly long, bringing the momentum to a near stop.

Reynor has a strong screen presence and can hold the attention of the viewer in long scenes without dialogue or a manipulating score.

The 1977 scenes, which also have long stretches without dialogue, appear to visually imitate the work of William Friedkin and others from that time.

Even if longer scenes become lugubrious without much dialogue and an already clear trajectory, its Perkins's icy control that never relents.

Pacing issues aside — the filmmaker's love of long, dialogue - heavy scenes isn't ideal for the genre — the cackling, crackling madness of «Tusk» is the perfect antidote to a wayward career.

He lingers on long uncomfortable silences, focuses on facial distaste by the characters, and sometimes lets inconsequential dialogue envelop the scene.

The negative (and variant takes of dialogue scenes) and original soundtrack recordings are long lost and the surviving prints are slightly different from one another (not just because of language differences, but censorship, damage, and even Dreyer's own recutting after the disastrous premiere) and incomplete, not to mention well worn and scratched and faded.

The interesting aspect of work on The Young Pope is that, despite the limited production times, we managed to come out of the constrictions of the TV series: fast editing and elaborate camera movements alternate with scenes in which the importance of the dialogues allows a longer and less action - filled framing.

The long running time, with heavy periods of dialogue might prove dull for some younger children, although scenes of villains eating eyeballs will wake them up and give them nightmares.

Shrew's Nest is a film containing many scenes heavy on dialogue, many of them going on far too long.

He cherishes the form (even the way the dialogue sounds in those long exposition scenes that bridge the eruptions of song and dance) the way Todd Haynes cherishes the tropes of the woman's picture.

And it lets you do something that most don't, which is have long dialogue free scenes of people just driving around.

With altered scenes, dialogue and costumes this is no longer Dragon Quest VIII.

Whether it's a localisation issue or just the game's style, cutscenes also feel overly long and dialogue not natural enough in flow — awkward pauses, silences and irritatingly slow scene transitions (all of which are not skippable) bring down what otherwise are, for the most part, interesting developments in the main storyline of protecting NLA.

Expect to sit back and listen to a lot of dialogue for the first hour in a scene that goes on a bit too long without much meaningful player interaction.

These games are VERY story driven so if you don't like following a story or listening to extensive dialogue and watching long cut scenes then go off to look for something else because that is what you are getting here.

With a nod to the long lost divide between abstraction and figuration their divergent works take positions of figure, foreground, background, and architecture as a scene of unrelated moments forced into dialogue.

The performance accompanies a long - ago sex scene in a film starring his parents, using the dialogue as lyrics.