Sentences with phrase «long film is made»

Not exact matches

«I think my movie, personally, is one of the most important films that have ever been made in America... I don't know if anyone is going to see it, but I feel the film is going to take care of itself in time and be around as long as there are films.»

That runtime makes it the longest movie in the Marvel Cinematic Universe, of which «Infinity War» is the 19th film in the franchise.

Whether or not the critical acclaim already experienced by O.J.: Made in America means that television viewers can expect more long - form, multi-part films from ESPN remains to be seen, as Schell said the longer format is difficult to sustain without the right subject matter.

The most expensive and technically ambitious film ever made, James Cameron's long - gestating epic pitting Earthly despoilers against a forest - dwelling alien race delivers unique spectacle, breathtaking sights, narrative excitement and an overarching anti-imperialist, back - to - nature theme that will play very well around the world, and yet is rather ironic coming from such a technology - driven picture.

The film, however, is only half the story the stage musical on which it's based has been playing continually in the West End for 28 years, making it London's longest running show.

Hollywood has long given film artists permission to live and make in ways that are not desirable for creatures made in the image of God.

Martin Scorsese's adaptation of the controversial and acclaimed novel Silence may be the most ambitious of his career: According to reports, it will run well over three hours, the longest film he's ever made.

Jen, you're right: Polaroid is no longer making film, but a group called The Impossible Project is currently working on bringing out a new instant film to replace it.

A long weekend of eating tons of chocolate and watching films non stop (this is actually a normal weekend for me, only on this occasion it's more socially acceptable...) So here is one recipe I will be making again before the weekend, chocolate cake baked in egg shells!

Our roll film lift mounts feature a roll pipe that is 14 ″ long and 1.5 ″ in diameter, making it durable enough to handle heavy film and bag rolls.

I was a subject of the film due to my work with Better School Food which existed long before Amy made her movie.

After getting some blowback for criticizing a program that indirectly benefited her as Miranda Hobbes in the two Sex and the City movies (actors» salaries are not eligible for the subsidies, and the long - running TV show completed filming before the program was created), she made it clear she was serious about the issue, as the New York Post reported:

Thin - film ferroelectrics have for a long time been used to make non-volatile memory devices, however it is extremely difficult to miniaturize them in order to achieve high density / storage capacity and, in addition to this, they are made of materials that are «incompatible» with the production processes used in modern microelectronics.

Time - lapse footage, which creates small files that can be quickly shared across computers, allows supervisors to review an hour - long procedure film via fast - forward in just a few minutes, scanning it make sure proper protocols were followed.

«As a result, we were able to make long and narrow gaps using atomic layer deposition (ALD), which is a robust manufacturing technique for coating ultra-thin films to construct insulating gaps in the sidewalls of patterned metals (see figure 1).

This mascara is a film type fiber mascara, which is supposed to volume and curl your lashes and make them look longer on top.

It wasn't long after her 1998 graduation that the aspiring actress made her feature debut in the 2000 drama Our Song, with nominations for the film at the Independent Spirit Awards and the Sundance Film Festival serving to increase her exposure among cinephiles, even if the film did go largely unseen by the masses.

A higher budget and a longer running time would have made this even better, but even as it stands, it's a satisfying film in the Saturday - matinee mold.

Trying to underplay conventional plotting as much as it can, this film is seriously meditative upon the life of a man who we barely known anything about, and makes matters worse by portraying gradual exposition in too abstract of a fashion for you to receive the impact of the would - be remedies for characterization shortcomings that do indeed go a very long way in distancing you from a conceptually sympathetic and worthy lead.

The inclusion of a few admittedly energetic interludes - eg Ronny confronts Geneva's tattooed, high - on - oxycontin boyfriend (Channing Tatum's Zip)- goes a long way towards sustaining the film's watchable atmosphere, yet it's hard to deny that the whole thing is, in the final analysis, far too sedate and uneven to make a wholeheartedly positive impact on the viewer.

But it's the true story that makes the film, delivered well, and crafted to stick with you long after the credits roll.

That movie took a long time to get off the ground and before she ever appeared as Nova, Harrison served as a stand - in in the role of Dr. Zira (the part ultimately played by Kim Hunter) in the screen tests and extensive make - up tests through which the project evolved, even participating in a test for Edward G. Robinson in the role of Dr. Zaius (Robinson was forced to withdraw from the project because of a heart condition that prevented him from working under the heavy make - up and in the high altitude location where much of the film was to be made).

Harrelson and Foster have great chemistry on screen together, both give amazing performances, and go a long way in making the movie the powerful film it is.

No longer was the film a soulful animated comedy that was targeted at children, while having the makings of something that anyone could enjoy; instead it was a film that got too big for its own good.

That film was similarly shy of new ideas, but the characters were colourful enough to make the mandatory sequels seem promising, as long as there's a good story to go with them.

The film is by no means terribly long, at least when you compare it to its 1969 musical counterpart, so it's not like storytelling drags its feet for ages, but make no mistake, the fact of the matter is that plotting's structure is something of a mess that meanders along repetitiously and, well, is to be expected, because, really, where does this story have to go?

The details will remain secret as to why because if you have been in a long term relationship there are usually only a few things that make a marriage go sour; and if you still decide to see the film I will let you discover it yourself.

Of course one hopes that before long a Deluxe edition of this score — akin to Varese's expanded Total Recall score — or a complete rerecording (by a more able performing group) may be made available to film score fans.

This film is excellent, best film of all, but it's too short, so score is 0, they shouldve made it 10 hour long, for such an excellent film even 6 hours is not enough

Sure it's still quite funny, but the laughs no longer come from the main characters, the trend began in the second film and now the Shrek series is entirely about how funny you can make the extras.

Soon Rob started a web site called Movieolla and before long was being chased by lawyers for the people who make the Moviola editing equipment that is the film industry work horse for cutting and splicing.

This film is excellent, best film of all, but it's too short, so score is 0, they shouldve made it 10 hour long, for such an excellent film

That's all well and good but Sony's Anniversary Edition DVD from 2004 had a lot more: an hour - long documentary on the making of the film, a lengthy doc about real - life AIDS victims, and Bruce Springsteen's «Streets of Philadelphia» music video.

Unfortunately, he has only made a handful of films, though, and there is often long periods inbetween.

It's adapted by Tracy Letts from his 1993 play (Friedkin also turned Letts's play Bug into a film in 2006), and its theatrical origins do become obvious in the way certain characters are left disconcertingly off screen; the movie is concluded with a long, slow and single - location sequence, which makes it looks oddly like a filmed stage play.

Handsomely mounted by Creed director Ryan Coogler and starring an enviable slate of black actors that makes cameoing comics godhead Stan Lee almost seem lost, the film is provocative and satisfying in ways that are long overdue, like its ornate, culturally dense production design and the deeper subtexts of honor, compassion and destiny.

By no means can I promise that everyone will embrace this film, as its script is so problematic, and its strengths aren't particularly upstanding, but their subtle impact goes a long way in overcoming shortcomings through quality aesthetic and dramatic value which make this a worthy epic.

You Don't Know Jack is a well crafted picture that in the end, might make you ask some important questions, and it's a film that will stay with you long after you've seen it.

With it being even longer, and lacks some adventure, the film has good performances, thrills and a strong story making it somewhat an improvement and somewhat not.

Cliche piles on top of cliche to make a nearly two - hour film feel twice as long, simply because we see so many things coming that we feel as though we're watching each section twice.

Not only is it a long - overdue embrace of diversity and representation, it's a film that actually has something to say — and it's able to do so without stepping away from the superhero dynamics that make the larger franchise work.

But by far the biggest blunder is in how seriously it takes itself; a little campiness and a self - deprecating sense of humour would have gone a long way to making the film a lot more likeable.

A native of Garden City, Long Island, NY, who was a mere four years old when he got his start in the film industry as a child model, Masterson subsequently moved to Los Angeles, where he made the leap to television with appearances in numerous commercials.

It is this ability to crossover from potential niche status - a huge risk for a film with a mammoth budget - to billion dollar behemoth should light a fire under the asses of studios to show them that stories about anyone can be successful as long as they are well made and engaging.

Even though it relies on a gripping feel of intense paranoia, this is an overlong sci - fi / horror movie that suffers from certain problems in logic and kills its tension with long passages that make the pacing irregular, not even being smart enough as an allegory like the original film.

What makes The Post his best film in a long time is in the masterful way it tells this story.

These extra few minutes make the substantial film feel significantly longer, and could easily have been omitted.

It's as rudimentary as slasher films go, and although it may not be fair to make the comparison, that will no longer cut it after Get Out proved that the horror genre is capable of a lot more than mechanically depicting people getting stabbed to death.

The Strangers» pared - down style makes it particularly unsuited for the sequel treatment: Absent some Aliens - style conceptual twist, the best a 10 - years - later follow - up could hope to do is ably copy the original, and it doesn't take long for the new film to indicate it's incapable of doing even that.

Basically, I think that Ebert is just afraid of what could be a long string of bad films made for the wrong reasons, each trying to outdo each other in shocking subject matter, not for any discernable aesthetic reason, or even to make some Corman style exploitation film bucks, but simply to be cool like Quentin, and gain indie film hipster status.