Sentences with phrase «long game in mind»

Lacking the ability to dive into Mr. Ollivier's brain and sift through his thought processes, we can only assume that his votes was cast with the long game in mind.

Not exact matches

«The game has been played — legally — in New York for years and years, but after the Attorney General realized he could now get himself some press coverage, he decided a game that has been around for a long, long time is suddenly now not legal... The only thing that changed today is the Attorney General's mind.»

Although the Gunners have a woeful record in the big games and a change of approach was certainly a long time coming, Wenger admitted later that he showed an open - mindedness to listen to his players as they requested that the team curb its usual attack - minded instincts.

The state's attorney blew snot when he saw me grimace from the blow, after which I proceeded to tell the judge about the beautiful game of golf and how it had been a long and winding road for me since that first purely struck two - wood in 1973, but that I'd finally discovered the proper way to grip a club, and would His Honor really mind if the sheriff would be so kind as to fetch my driver out on the county road and bring it to the courthouse so my new grip could be photographed from all angles for my peace of mind.

The No. 2 seed gets a seven - game tilt against a Grizzlies team no one wants to meet in the playoffs, a Clippers team that's long had a chip on its shoulder from untimely post-season injuries, an up - and - coming, defensive - minded Jazz team with nothing to lose, or an emotionally charged Thunder squad featuring Russell Westbrook.

The game has been evolving to something more European in nature for a long time, so bringing in a mind that has coached that style of ball and has coached on a bigger stage might be worth a shot.

We the Fans were overconfident about this game after having a few good games, we had to keep in mind that this was the team (SPUDS) that massacred the CHELSKIS not too long ago scoring 5 goals against arguably the best team in the league, in all fairness we came out fine, the SPUDS could have scored at least 2 more if it was not for OSPINA.

«It's OK,» said McDermott, «for the mind to wander in practice, in a game, as long as you can get it back to where it needs to be.

Before that memory was created for me to retell to friends for years to come, I created my own memory that might last even longer in my mind, and may grow in stature as my game continues to deteriorate while Smotherman's has the potential to raise him to great heights.

Time for some brutal honesty... this team, as it stands, is in no better position to compete next season than they were 12 months ago, minus the fact that some fans have been easily snowed by the acquisition of Lacazette, the free transfer LB and the release of Sanogo... if you look at the facts carefully you will see a team that still has far more questions than answers... to better show what I mean by this statement I will briefly discuss the current state of affairs on a position - by - position basis... in goal we have 4 potential candidates, but in reality we have only 1 option with any real future and somehow he's the only one we have actively tried to get rid of for years because he and his father were a little too involved on social media and he got caught smoking (funny how people still defend Wiltshire under the same and far worse circumstances)... you would think we would want to keep any goaltender that Juventus had interest in, as they seem to have a pretty good history when it comes to that position... as far as the defenders on our current roster there are only a few individuals whom have the skill and / or youth worthy of our time and / or investment, as such we should get rid of anyone who doesn't meet those simple requirements, which means we should get rid of DeBouchy, Gibbs, Gabriel, Mertz and loan out Chambers to see if last seasons foray with Middlesborough was an anomaly or a prediction of things to come... some fans have lamented wildly about the return of Mertz to the starting lineup due to his FA Cup performance but these sort of pie in the sky meanderings are indicative of what's wrong with this club and it's wishy - washy fan - base... in addition to these moves the club should aggressively pursue the acquisition of dominant and mobile CB to stabilize an all too fragile defensive group that has self - destructed on numerous occasions over the past 5 seasons... moving forward and building on our need to re-establish our once dominant presence throughout the middle of the park we need to target a CDM then do whatever it takes to get that player into the fold without any of the usual nickel and diming we have become famous for (this kind of ruthless haggling has cost us numerous special players and certainly can't help make the player in question feel good about the way their future potential employer feels about them)... in order for us to become dominant again we need to be strong up the middle again from Goalkeeper to CB to DM to ACM to striker, like we did in our most glorious years before and during Wenger's reign... with this in mind, if we want Ozil to be that dominant attacking midfielder we can't keep leaving him exposed to constant ridicule about his lack of defensive prowess and provide him with the proper players in the final third... he was never a good defensive player in Real or with the German National squad and they certainly didn't suffer as a result of his presence on the pitch... as for the rest of the midfield the blame falls squarely in the hands of Wenger and Gazidis, the fact that Ramsey, Ox, Sanchez and even Ozil were allowed to regularly start when none of the aforementioned had more than a year left under contract is criminal for a club of this size and financial might... the fact that we could find money for Walcott and Xhaka, who weren't even guaranteed starters, means that our whole business model needs a complete overhaul... for me it's time to get rid of some serious deadweight, even if it means selling them below what you believe their market value is just to simply right this ship and change the stagnant culture that currently exists... this means saying goodbye to Wiltshire, Elneny, Carzola, Walcott and Ramsey... everyone, minus Elneny, have spent just as much time on the training table as on the field of play, which would be manageable if they weren't so inconsistent from a performance standpoint (excluding Carzola, who is like the recent version of Rosicky — too bad, both will be deeply missed)... in their places we need to bring in some proven performers with no history of injuries... up front, although I do like the possibilities that a player like Lacazette presents, the fact that we had to wait so many years to acquire some true quality at the striker position falls once again squarely at the feet of Wenger... this issue highlights the ultimate scam being perpetrated by this club since the arrival of Kroenke: pretend your a small market club when it comes to making purchases but milk your fans like a big market club when it comes to ticket prices and merchandising... I believe the reason why Wenger hasn't pursued someone of Henry's quality, minus a fairly inexpensive RVP, was that he knew that they would demand players of a similar ilk to be brought on board and that wasn't possible when the business model was that of a «selling» club... does it really make sense that we could only make a cheeky bid for Suarez, or that we couldn't get Higuain over the line when he was being offered up for half the price he eventually went to Juve for, or that we've only paid any interest to strikers who were clearly not going to press their current teams to let them go to Arsenal like Benzema or Cavani... just part of the facade that finally came crashing down when Sanchez finally called their bluff... the fact remains that no one wants to win more than Sanchez, including Wenger, and although I don't agree with everything that he has done off the field, I would much rather have Alexis front and center than a manager who has clearly bought into the Kroenke model in large part due to the fact that his enormous ego suggests that only he could accomplish great things without breaking the bank... unfortunately that isn't possible anymore as the game has changed quite dramatically in the last 15 years, which has left a largely complacent and complicit Wenger on the outside looking in... so don't blame those players who demanded more and were left wanting... don't blame those fans who have tried desperately to raise awareness for several years when cracks began to appear... place the blame at the feet of those who were well aware all along of the potential pitfalls of just such a plan but continued to follow it even when it was no longer a financial necessity, like it ever really was...

As long as we've been playing like we have these last few games (except the second half of Brighton), there's no doubt in my mind we will beat them Spurs.

This is a decent article, yet the negatives from fans are still there, I would love to see arsenal like I did at the end of the 90's and at the beggining of the 2nd millennium but it doesn't mean in order to do so I would buy all the best players in world, I would get a rich owner to put his filthy money in, change the manager every 2 years to do so, there's so much wrong in football nowadays that yes it's still a sport but there's more focus on the filthy amounts of money being spent on clubs and players that I think attracts more attention than the game itself, now that is wrong and it's very wrong, even our owner though not like the arabs or Russians, yet the yank is clueless about the tradition of our game, it's just sad, so the fact that Wenger has remained for this long through all these changes that have occurred whilst the money game has elvolved, it makes me happy that arsenal do not spend stupid amounts of money on players, we don't try and buy the league, hell we even tight with wages and transfer fees, I'm glad it's like that, though our season ticket is a rip off I still don't mind it because at least we are not like the other supreme teams, there's a bit of tradition left at our club, yet you go to man shitty or Chelski, there is no tradition, it's all about buying ur way all the way to the top, on the other hand spuds don't know what to make of them besides how the heck have they finished above us?

Bear in mind that by «long term injury» I do not mean three weeks out for a hamstring, or missing a few games with some knock or other.

This will be just the third ever Premiership meeting between the two sides yet already, just five games into the season, it's a pivotal one between free - falling Bolton, who have now lost three games on the spin in the league following their emphatic 5 - 0 home defeat at the hands of Manchester United last weekend, and a Norwich side still looking for their first Premiership victory for well over six years − it has been a great deal longer since they were victorious on their travels, mind.

Available free of charge on MomsTEAM's new SmartTeams concussion website, the #TeamUp4ConcussionSafetyTM program, developed by MomsTEAM Institute as part of its SmartTeams Play SafeTM initiative with a Mind Matters Educational Challenge Grant from the National Collegiate Athletic Association and Department of Defense, is designed to do just that: to increase reporting by athletes of concussion symptoms by engaging coaches, athletes, parents, and health care providers in a season - long, indeed career - long program which emphasizes that immediate reporting of concussion symptoms - not just by athletes themselves but by their teammate «buddies» - not only reduces the risk the athlete will suffer a more serious brain injury - or, in rare cases, even death - but is actually helps the team's chances of winning, not just in that game, but, by giving athletes the best chance to return as quickly as possible from concussion, the rest of the season, and by teaching that honest reporting is a valued team behavior and a hallmark of a good teammate.

In an email to supporters sent out yesterday afternoon, WFP State Director Bill Lipton reiterated that the party has been playing a «long game» with its «Progressive Pipeline» program by nuturing candidates at the local level in hopes of seeing them either 1) start a trend that results in more like - minded candidates running for — and winning — elected office, or 2) rising to a higher post with more clouIn an email to supporters sent out yesterday afternoon, WFP State Director Bill Lipton reiterated that the party has been playing a «long game» with its «Progressive Pipeline» program by nuturing candidates at the local level in hopes of seeing them either 1) start a trend that results in more like - minded candidates running for — and winning — elected office, or 2) rising to a higher post with more clouin hopes of seeing them either 1) start a trend that results in more like - minded candidates running for — and winning — elected office, or 2) rising to a higher post with more clouin more like - minded candidates running for — and winning — elected office, or 2) rising to a higher post with more clout.

But Javid has made up his mind to play a longer game, and told friends his currently strategy is to move in behind Osborne.

Just be my friend and talk to me and I promise you won't regret it (as long as you had a game we could play in mind - If you don't want to play a game with me than ajsiofjeiovnekrj389a2847u5a09!

In any case, Kormákur would likely not have been involved beyond the pilot and maybe a couple of episodes thereafter, though he did claim to have an eye on the long game when he told Collider, «you've got ta have in mind where the show is gonna go... that the cast can go to the places that the show is going tIn any case, Kormákur would likely not have been involved beyond the pilot and maybe a couple of episodes thereafter, though he did claim to have an eye on the long game when he told Collider, «you've got ta have in mind where the show is gonna go... that the cast can go to the places that the show is going tin mind where the show is gonna go... that the cast can go to the places that the show is going to.

A brilliant game if experienced in short bursts... the game was obviously not designed with long term play in mind.

This added to the longer style of game playing but keep in mind some actually can't be achieved unless you have completely finished the game and gotten all the power ups

Despite the film no longer being on Universal's calendar, that's not stopping director Guillermo del Toro from fan - casting the film as he wrote on Twitter that he's got on particular «Game of Thrones» star in mind.

And the film's mind games demand you stay in its world long after the credits roll.

While I wouldn't mind playing with some of these side characters and superfluous plotlines in a video game, as an adaptation of a beloved work that has enchanted many millions of readers, young and old, I'm left longing for a different kind of fan film — the inevitable one in which someone edits out all of the stuff not from the writings of Tolkien — and makes it the movie it always should have been from inception.

The end result is one of the best games of the year, with an excellent gameplay experience and a story that will stay in players» minds for a very long time.

«The passthrough works great with no noticeable lag at all; I was able to play Wii U and PlayStation 4 games through my Xbox One without even noticing there was anything in the way (you can even have one person play a game on the Xbox while another plays on another system snapped to the side, as long as the second player doesn't mind squinting a bit).»

Speedrunning has been around almost as long as video games, but the fact that someone can complete a game as punishingly difficult as Dark Souls in under 50 minutes is mind boggling.

Outstanding Achievement in Sound Editing — Animation Short Form - Overwatch Outstanding Achievement in Sound Editing — Student Film (Verna Fields Award)- Homegrown Outstanding Achievement in Sound Editing — Special Venue - Carne Y Arena Outstanding Achievement in Sound Editing — Computer Interactive Game Play - Call of Duty: WWII & Star Wars: Battlefront II (TIE WINNER) Outstanding Achievement in Sound Editing — Computer Cinematic - Halo Wars 2 Outstanding Achievement in Sound Editing — Non-Theatrical Feature - In Search of Fellini Outstanding Achievement in Sound Editing — Non-Theatrical Documentary - Becoming Bond Outstanding Achievement in Sound Editing — Non-Theatrical Animation Long Form - Lego DC Super Hero Girls Outstanding Achievement in Sound Editing — Single Presentation - Oasis Outstanding Achievement in Sound Editing - Episodic Long Form — Effects / Foley - Godless Outstanding Achievement in Sound Editing - Episodic Long Form — Dialogue / ADR - Black Mirror «USS Callister» Outstanding Achievement in Sound Editing - Episodic Long Form — Music / Musical - The Get Down «Only from Exile Can We Come Home» Outstanding Achievement in Sound Editing - Episodic Short Form — Effects / Foley - Game of Thrones «The Spoils of War» Outstanding Achievement in Sound Editing - Episodic Short Form — Dialogue / ADR - Game of Thrones «The Spoils of War» Outstanding Achievement in Sound Editing - Episodic Short Form — Music / Musical - Stranger Things «Chapter Eight: The Mind Flayer» Outstanding Achievement in Sound Editing — Live Action Under 30:00 - Superstore «Tornado» Outstanding Achievement in Sound Editing — Effects / Foley - Blade Runner 2049 Outstanding Achievement in Sound Editing — Dialogue / ADR - War for the Planet of the Apes Outstanding Achievement in Sound Editing — Musical - The Greatest Showman Outstanding Achievement in Sound Editing — Music Score - Dunkirk Outstanding Achievement in Sound Editing — Foreign Language Feature - Loveless Outstanding Achievement in Sound Editing — Feature Documentary - Jane Outstanding Achievement in Sound Editing — Feature Animation - Coin Sound Editing — Animation Short Form - Overwatch Outstanding Achievement in Sound Editing — Student Film (Verna Fields Award)- Homegrown Outstanding Achievement in Sound Editing — Special Venue - Carne Y Arena Outstanding Achievement in Sound Editing — Computer Interactive Game Play - Call of Duty: WWII & Star Wars: Battlefront II (TIE WINNER) Outstanding Achievement in Sound Editing — Computer Cinematic - Halo Wars 2 Outstanding Achievement in Sound Editing — Non-Theatrical Feature - In Search of Fellini Outstanding Achievement in Sound Editing — Non-Theatrical Documentary - Becoming Bond Outstanding Achievement in Sound Editing — Non-Theatrical Animation Long Form - Lego DC Super Hero Girls Outstanding Achievement in Sound Editing — Single Presentation - Oasis Outstanding Achievement in Sound Editing - Episodic Long Form — Effects / Foley - Godless Outstanding Achievement in Sound Editing - Episodic Long Form — Dialogue / ADR - Black Mirror «USS Callister» Outstanding Achievement in Sound Editing - Episodic Long Form — Music / Musical - The Get Down «Only from Exile Can We Come Home» Outstanding Achievement in Sound Editing - Episodic Short Form — Effects / Foley - Game of Thrones «The Spoils of War» Outstanding Achievement in Sound Editing - Episodic Short Form — Dialogue / ADR - Game of Thrones «The Spoils of War» Outstanding Achievement in Sound Editing - Episodic Short Form — Music / Musical - Stranger Things «Chapter Eight: The Mind Flayer» Outstanding Achievement in Sound Editing — Live Action Under 30:00 - Superstore «Tornado» Outstanding Achievement in Sound Editing — Effects / Foley - Blade Runner 2049 Outstanding Achievement in Sound Editing — Dialogue / ADR - War for the Planet of the Apes Outstanding Achievement in Sound Editing — Musical - The Greatest Showman Outstanding Achievement in Sound Editing — Music Score - Dunkirk Outstanding Achievement in Sound Editing — Foreign Language Feature - Loveless Outstanding Achievement in Sound Editing — Feature Documentary - Jane Outstanding Achievement in Sound Editing — Feature Animation - Coin Sound Editing — Student Film (Verna Fields Award)- Homegrown Outstanding Achievement in Sound Editing — Special Venue - Carne Y Arena Outstanding Achievement in Sound Editing — Computer Interactive Game Play - Call of Duty: WWII & Star Wars: Battlefront II (TIE WINNER) Outstanding Achievement in Sound Editing — Computer Cinematic - Halo Wars 2 Outstanding Achievement in Sound Editing — Non-Theatrical Feature - In Search of Fellini Outstanding Achievement in Sound Editing — Non-Theatrical Documentary - Becoming Bond Outstanding Achievement in Sound Editing — Non-Theatrical Animation Long Form - Lego DC Super Hero Girls Outstanding Achievement in Sound Editing — Single Presentation - Oasis Outstanding Achievement in Sound Editing - Episodic Long Form — Effects / Foley - Godless Outstanding Achievement in Sound Editing - Episodic Long Form — Dialogue / ADR - Black Mirror «USS Callister» Outstanding Achievement in Sound Editing - Episodic Long Form — Music / Musical - The Get Down «Only from Exile Can We Come Home» Outstanding Achievement in Sound Editing - Episodic Short Form — Effects / Foley - Game of Thrones «The Spoils of War» Outstanding Achievement in Sound Editing - Episodic Short Form — Dialogue / ADR - Game of Thrones «The Spoils of War» Outstanding Achievement in Sound Editing - Episodic Short Form — Music / Musical - Stranger Things «Chapter Eight: The Mind Flayer» Outstanding Achievement in Sound Editing — Live Action Under 30:00 - Superstore «Tornado» Outstanding Achievement in Sound Editing — Effects / Foley - Blade Runner 2049 Outstanding Achievement in Sound Editing — Dialogue / ADR - War for the Planet of the Apes Outstanding Achievement in Sound Editing — Musical - The Greatest Showman Outstanding Achievement in Sound Editing — Music Score - Dunkirk Outstanding Achievement in Sound Editing — Foreign Language Feature - Loveless Outstanding Achievement in Sound Editing — Feature Documentary - Jane Outstanding Achievement in Sound Editing — Feature Animation - Coin Sound Editing — Special Venue - Carne Y Arena Outstanding Achievement in Sound Editing — Computer Interactive Game Play - Call of Duty: WWII & Star Wars: Battlefront II (TIE WINNER) Outstanding Achievement in Sound Editing — Computer Cinematic - Halo Wars 2 Outstanding Achievement in Sound Editing — Non-Theatrical Feature - In Search of Fellini Outstanding Achievement in Sound Editing — Non-Theatrical Documentary - Becoming Bond Outstanding Achievement in Sound Editing — Non-Theatrical Animation Long Form - Lego DC Super Hero Girls Outstanding Achievement in Sound Editing — Single Presentation - Oasis Outstanding Achievement in Sound Editing - Episodic Long Form — Effects / Foley - Godless Outstanding Achievement in Sound Editing - Episodic Long Form — Dialogue / ADR - Black Mirror «USS Callister» Outstanding Achievement in Sound Editing - Episodic Long Form — Music / Musical - The Get Down «Only from Exile Can We Come Home» Outstanding Achievement in Sound Editing - Episodic Short Form — Effects / Foley - Game of Thrones «The Spoils of War» Outstanding Achievement in Sound Editing - Episodic Short Form — Dialogue / ADR - Game of Thrones «The Spoils of War» Outstanding Achievement in Sound Editing - Episodic Short Form — Music / Musical - Stranger Things «Chapter Eight: The Mind Flayer» Outstanding Achievement in Sound Editing — Live Action Under 30:00 - Superstore «Tornado» Outstanding Achievement in Sound Editing — Effects / Foley - Blade Runner 2049 Outstanding Achievement in Sound Editing — Dialogue / ADR - War for the Planet of the Apes Outstanding Achievement in Sound Editing — Musical - The Greatest Showman Outstanding Achievement in Sound Editing — Music Score - Dunkirk Outstanding Achievement in Sound Editing — Foreign Language Feature - Loveless Outstanding Achievement in Sound Editing — Feature Documentary - Jane Outstanding Achievement in Sound Editing — Feature Animation - Coin Sound Editing — Computer Interactive Game Play - Call of Duty: WWII & Star Wars: Battlefront II (TIE WINNER) Outstanding Achievement in Sound Editing — Computer Cinematic - Halo Wars 2 Outstanding Achievement in Sound Editing — Non-Theatrical Feature - In Search of Fellini Outstanding Achievement in Sound Editing — Non-Theatrical Documentary - Becoming Bond Outstanding Achievement in Sound Editing — Non-Theatrical Animation Long Form - Lego DC Super Hero Girls Outstanding Achievement in Sound Editing — Single Presentation - Oasis Outstanding Achievement in Sound Editing - Episodic Long Form — Effects / Foley - Godless Outstanding Achievement in Sound Editing - Episodic Long Form — Dialogue / ADR - Black Mirror «USS Callister» Outstanding Achievement in Sound Editing - Episodic Long Form — Music / Musical - The Get Down «Only from Exile Can We Come Home» Outstanding Achievement in Sound Editing - Episodic Short Form — Effects / Foley - Game of Thrones «The Spoils of War» Outstanding Achievement in Sound Editing - Episodic Short Form — Dialogue / ADR - Game of Thrones «The Spoils of War» Outstanding Achievement in Sound Editing - Episodic Short Form — Music / Musical - Stranger Things «Chapter Eight: The Mind Flayer» Outstanding Achievement in Sound Editing — Live Action Under 30:00 - Superstore «Tornado» Outstanding Achievement in Sound Editing — Effects / Foley - Blade Runner 2049 Outstanding Achievement in Sound Editing — Dialogue / ADR - War for the Planet of the Apes Outstanding Achievement in Sound Editing — Musical - The Greatest Showman Outstanding Achievement in Sound Editing — Music Score - Dunkirk Outstanding Achievement in Sound Editing — Foreign Language Feature - Loveless Outstanding Achievement in Sound Editing — Feature Documentary - Jane Outstanding Achievement in Sound Editing — Feature Animation - Coin Sound Editing — Computer Cinematic - Halo Wars 2 Outstanding Achievement in Sound Editing — Non-Theatrical Feature - In Search of Fellini Outstanding Achievement in Sound Editing — Non-Theatrical Documentary - Becoming Bond Outstanding Achievement in Sound Editing — Non-Theatrical Animation Long Form - Lego DC Super Hero Girls Outstanding Achievement in Sound Editing — Single Presentation - Oasis Outstanding Achievement in Sound Editing - Episodic Long Form — Effects / Foley - Godless Outstanding Achievement in Sound Editing - Episodic Long Form — Dialogue / ADR - Black Mirror «USS Callister» Outstanding Achievement in Sound Editing - Episodic Long Form — Music / Musical - The Get Down «Only from Exile Can We Come Home» Outstanding Achievement in Sound Editing - Episodic Short Form — Effects / Foley - Game of Thrones «The Spoils of War» Outstanding Achievement in Sound Editing - Episodic Short Form — Dialogue / ADR - Game of Thrones «The Spoils of War» Outstanding Achievement in Sound Editing - Episodic Short Form — Music / Musical - Stranger Things «Chapter Eight: The Mind Flayer» Outstanding Achievement in Sound Editing — Live Action Under 30:00 - Superstore «Tornado» Outstanding Achievement in Sound Editing — Effects / Foley - Blade Runner 2049 Outstanding Achievement in Sound Editing — Dialogue / ADR - War for the Planet of the Apes Outstanding Achievement in Sound Editing — Musical - The Greatest Showman Outstanding Achievement in Sound Editing — Music Score - Dunkirk Outstanding Achievement in Sound Editing — Foreign Language Feature - Loveless Outstanding Achievement in Sound Editing — Feature Documentary - Jane Outstanding Achievement in Sound Editing — Feature Animation - Coin Sound Editing — Non-Theatrical Feature - In Search of Fellini Outstanding Achievement in Sound Editing — Non-Theatrical Documentary - Becoming Bond Outstanding Achievement in Sound Editing — Non-Theatrical Animation Long Form - Lego DC Super Hero Girls Outstanding Achievement in Sound Editing — Single Presentation - Oasis Outstanding Achievement in Sound Editing - Episodic Long Form — Effects / Foley - Godless Outstanding Achievement in Sound Editing - Episodic Long Form — Dialogue / ADR - Black Mirror «USS Callister» Outstanding Achievement in Sound Editing - Episodic Long Form — Music / Musical - The Get Down «Only from Exile Can We Come Home» Outstanding Achievement in Sound Editing - Episodic Short Form — Effects / Foley - Game of Thrones «The Spoils of War» Outstanding Achievement in Sound Editing - Episodic Short Form — Dialogue / ADR - Game of Thrones «The Spoils of War» Outstanding Achievement in Sound Editing - Episodic Short Form — Music / Musical - Stranger Things «Chapter Eight: The Mind Flayer» Outstanding Achievement in Sound Editing — Live Action Under 30:00 - Superstore «Tornado» Outstanding Achievement in Sound Editing — Effects / Foley - Blade Runner 2049 Outstanding Achievement in Sound Editing — Dialogue / ADR - War for the Planet of the Apes Outstanding Achievement in Sound Editing — Musical - The Greatest Showman Outstanding Achievement in Sound Editing — Music Score - Dunkirk Outstanding Achievement in Sound Editing — Foreign Language Feature - Loveless Outstanding Achievement in Sound Editing — Feature Documentary - Jane Outstanding Achievement in Sound Editing — Feature Animation - CoIn Search of Fellini Outstanding Achievement in Sound Editing — Non-Theatrical Documentary - Becoming Bond Outstanding Achievement in Sound Editing — Non-Theatrical Animation Long Form - Lego DC Super Hero Girls Outstanding Achievement in Sound Editing — Single Presentation - Oasis Outstanding Achievement in Sound Editing - Episodic Long Form — Effects / Foley - Godless Outstanding Achievement in Sound Editing - Episodic Long Form — Dialogue / ADR - Black Mirror «USS Callister» Outstanding Achievement in Sound Editing - Episodic Long Form — Music / Musical - The Get Down «Only from Exile Can We Come Home» Outstanding Achievement in Sound Editing - Episodic Short Form — Effects / Foley - Game of Thrones «The Spoils of War» Outstanding Achievement in Sound Editing - Episodic Short Form — Dialogue / ADR - Game of Thrones «The Spoils of War» Outstanding Achievement in Sound Editing - Episodic Short Form — Music / Musical - Stranger Things «Chapter Eight: The Mind Flayer» Outstanding Achievement in Sound Editing — Live Action Under 30:00 - Superstore «Tornado» Outstanding Achievement in Sound Editing — Effects / Foley - Blade Runner 2049 Outstanding Achievement in Sound Editing — Dialogue / ADR - War for the Planet of the Apes Outstanding Achievement in Sound Editing — Musical - The Greatest Showman Outstanding Achievement in Sound Editing — Music Score - Dunkirk Outstanding Achievement in Sound Editing — Foreign Language Feature - Loveless Outstanding Achievement in Sound Editing — Feature Documentary - Jane Outstanding Achievement in Sound Editing — Feature Animation - Coin Sound Editing — Non-Theatrical Documentary - Becoming Bond Outstanding Achievement in Sound Editing — Non-Theatrical Animation Long Form - Lego DC Super Hero Girls Outstanding Achievement in Sound Editing — Single Presentation - Oasis Outstanding Achievement in Sound Editing - Episodic Long Form — Effects / Foley - Godless Outstanding Achievement in Sound Editing - Episodic Long Form — Dialogue / ADR - Black Mirror «USS Callister» Outstanding Achievement in Sound Editing - Episodic Long Form — Music / Musical - The Get Down «Only from Exile Can We Come Home» Outstanding Achievement in Sound Editing - Episodic Short Form — Effects / Foley - Game of Thrones «The Spoils of War» Outstanding Achievement in Sound Editing - Episodic Short Form — Dialogue / ADR - Game of Thrones «The Spoils of War» Outstanding Achievement in Sound Editing - Episodic Short Form — Music / Musical - Stranger Things «Chapter Eight: The Mind Flayer» Outstanding Achievement in Sound Editing — Live Action Under 30:00 - Superstore «Tornado» Outstanding Achievement in Sound Editing — Effects / Foley - Blade Runner 2049 Outstanding Achievement in Sound Editing — Dialogue / ADR - War for the Planet of the Apes Outstanding Achievement in Sound Editing — Musical - The Greatest Showman Outstanding Achievement in Sound Editing — Music Score - Dunkirk Outstanding Achievement in Sound Editing — Foreign Language Feature - Loveless Outstanding Achievement in Sound Editing — Feature Documentary - Jane Outstanding Achievement in Sound Editing — Feature Animation - Coin Sound Editing — Non-Theatrical Animation Long Form - Lego DC Super Hero Girls Outstanding Achievement in Sound Editing — Single Presentation - Oasis Outstanding Achievement in Sound Editing - Episodic Long Form — Effects / Foley - Godless Outstanding Achievement in Sound Editing - Episodic Long Form — Dialogue / ADR - Black Mirror «USS Callister» Outstanding Achievement in Sound Editing - Episodic Long Form — Music / Musical - The Get Down «Only from Exile Can We Come Home» Outstanding Achievement in Sound Editing - Episodic Short Form — Effects / Foley - Game of Thrones «The Spoils of War» Outstanding Achievement in Sound Editing - Episodic Short Form — Dialogue / ADR - Game of Thrones «The Spoils of War» Outstanding Achievement in Sound Editing - Episodic Short Form — Music / Musical - Stranger Things «Chapter Eight: The Mind Flayer» Outstanding Achievement in Sound Editing — Live Action Under 30:00 - Superstore «Tornado» Outstanding Achievement in Sound Editing — Effects / Foley - Blade Runner 2049 Outstanding Achievement in Sound Editing — Dialogue / ADR - War for the Planet of the Apes Outstanding Achievement in Sound Editing — Musical - The Greatest Showman Outstanding Achievement in Sound Editing — Music Score - Dunkirk Outstanding Achievement in Sound Editing — Foreign Language Feature - Loveless Outstanding Achievement in Sound Editing — Feature Documentary - Jane Outstanding Achievement in Sound Editing — Feature Animation - Coin Sound Editing — Single Presentation - Oasis Outstanding Achievement in Sound Editing - Episodic Long Form — Effects / Foley - Godless Outstanding Achievement in Sound Editing - Episodic Long Form — Dialogue / ADR - Black Mirror «USS Callister» Outstanding Achievement in Sound Editing - Episodic Long Form — Music / Musical - The Get Down «Only from Exile Can We Come Home» Outstanding Achievement in Sound Editing - Episodic Short Form — Effects / Foley - Game of Thrones «The Spoils of War» Outstanding Achievement in Sound Editing - Episodic Short Form — Dialogue / ADR - Game of Thrones «The Spoils of War» Outstanding Achievement in Sound Editing - Episodic Short Form — Music / Musical - Stranger Things «Chapter Eight: The Mind Flayer» Outstanding Achievement in Sound Editing — Live Action Under 30:00 - Superstore «Tornado» Outstanding Achievement in Sound Editing — Effects / Foley - Blade Runner 2049 Outstanding Achievement in Sound Editing — Dialogue / ADR - War for the Planet of the Apes Outstanding Achievement in Sound Editing — Musical - The Greatest Showman Outstanding Achievement in Sound Editing — Music Score - Dunkirk Outstanding Achievement in Sound Editing — Foreign Language Feature - Loveless Outstanding Achievement in Sound Editing — Feature Documentary - Jane Outstanding Achievement in Sound Editing — Feature Animation - Coin Sound Editing - Episodic Long Form — Effects / Foley - Godless Outstanding Achievement in Sound Editing - Episodic Long Form — Dialogue / ADR - Black Mirror «USS Callister» Outstanding Achievement in Sound Editing - Episodic Long Form — Music / Musical - The Get Down «Only from Exile Can We Come Home» Outstanding Achievement in Sound Editing - Episodic Short Form — Effects / Foley - Game of Thrones «The Spoils of War» Outstanding Achievement in Sound Editing - Episodic Short Form — Dialogue / ADR - Game of Thrones «The Spoils of War» Outstanding Achievement in Sound Editing - Episodic Short Form — Music / Musical - Stranger Things «Chapter Eight: The Mind Flayer» Outstanding Achievement in Sound Editing — Live Action Under 30:00 - Superstore «Tornado» Outstanding Achievement in Sound Editing — Effects / Foley - Blade Runner 2049 Outstanding Achievement in Sound Editing — Dialogue / ADR - War for the Planet of the Apes Outstanding Achievement in Sound Editing — Musical - The Greatest Showman Outstanding Achievement in Sound Editing — Music Score - Dunkirk Outstanding Achievement in Sound Editing — Foreign Language Feature - Loveless Outstanding Achievement in Sound Editing — Feature Documentary - Jane Outstanding Achievement in Sound Editing — Feature Animation - Coin Sound Editing - Episodic Long Form — Dialogue / ADR - Black Mirror «USS Callister» Outstanding Achievement in Sound Editing - Episodic Long Form — Music / Musical - The Get Down «Only from Exile Can We Come Home» Outstanding Achievement in Sound Editing - Episodic Short Form — Effects / Foley - Game of Thrones «The Spoils of War» Outstanding Achievement in Sound Editing - Episodic Short Form — Dialogue / ADR - Game of Thrones «The Spoils of War» Outstanding Achievement in Sound Editing - Episodic Short Form — Music / Musical - Stranger Things «Chapter Eight: The Mind Flayer» Outstanding Achievement in Sound Editing — Live Action Under 30:00 - Superstore «Tornado» Outstanding Achievement in Sound Editing — Effects / Foley - Blade Runner 2049 Outstanding Achievement in Sound Editing — Dialogue / ADR - War for the Planet of the Apes Outstanding Achievement in Sound Editing — Musical - The Greatest Showman Outstanding Achievement in Sound Editing — Music Score - Dunkirk Outstanding Achievement in Sound Editing — Foreign Language Feature - Loveless Outstanding Achievement in Sound Editing — Feature Documentary - Jane Outstanding Achievement in Sound Editing — Feature Animation - Coin Sound Editing - Episodic Long Form — Music / Musical - The Get Down «Only from Exile Can We Come Home» Outstanding Achievement in Sound Editing - Episodic Short Form — Effects / Foley - Game of Thrones «The Spoils of War» Outstanding Achievement in Sound Editing - Episodic Short Form — Dialogue / ADR - Game of Thrones «The Spoils of War» Outstanding Achievement in Sound Editing - Episodic Short Form — Music / Musical - Stranger Things «Chapter Eight: The Mind Flayer» Outstanding Achievement in Sound Editing — Live Action Under 30:00 - Superstore «Tornado» Outstanding Achievement in Sound Editing — Effects / Foley - Blade Runner 2049 Outstanding Achievement in Sound Editing — Dialogue / ADR - War for the Planet of the Apes Outstanding Achievement in Sound Editing — Musical - The Greatest Showman Outstanding Achievement in Sound Editing — Music Score - Dunkirk Outstanding Achievement in Sound Editing — Foreign Language Feature - Loveless Outstanding Achievement in Sound Editing — Feature Documentary - Jane Outstanding Achievement in Sound Editing — Feature Animation - Coin Sound Editing - Episodic Short Form — Effects / Foley - Game of Thrones «The Spoils of War» Outstanding Achievement in Sound Editing - Episodic Short Form — Dialogue / ADR - Game of Thrones «The Spoils of War» Outstanding Achievement in Sound Editing - Episodic Short Form — Music / Musical - Stranger Things «Chapter Eight: The Mind Flayer» Outstanding Achievement in Sound Editing — Live Action Under 30:00 - Superstore «Tornado» Outstanding Achievement in Sound Editing — Effects / Foley - Blade Runner 2049 Outstanding Achievement in Sound Editing — Dialogue / ADR - War for the Planet of the Apes Outstanding Achievement in Sound Editing — Musical - The Greatest Showman Outstanding Achievement in Sound Editing — Music Score - Dunkirk Outstanding Achievement in Sound Editing — Foreign Language Feature - Loveless Outstanding Achievement in Sound Editing — Feature Documentary - Jane Outstanding Achievement in Sound Editing — Feature Animation - Coin Sound Editing - Episodic Short Form — Dialogue / ADR - Game of Thrones «The Spoils of War» Outstanding Achievement in Sound Editing - Episodic Short Form — Music / Musical - Stranger Things «Chapter Eight: The Mind Flayer» Outstanding Achievement in Sound Editing — Live Action Under 30:00 - Superstore «Tornado» Outstanding Achievement in Sound Editing — Effects / Foley - Blade Runner 2049 Outstanding Achievement in Sound Editing — Dialogue / ADR - War for the Planet of the Apes Outstanding Achievement in Sound Editing — Musical - The Greatest Showman Outstanding Achievement in Sound Editing — Music Score - Dunkirk Outstanding Achievement in Sound Editing — Foreign Language Feature - Loveless Outstanding Achievement in Sound Editing — Feature Documentary - Jane Outstanding Achievement in Sound Editing — Feature Animation - Coin Sound Editing - Episodic Short Form — Music / Musical - Stranger Things «Chapter Eight: The Mind Flayer» Outstanding Achievement in Sound Editing — Live Action Under 30:00 - Superstore «Tornado» Outstanding Achievement in Sound Editing — Effects / Foley - Blade Runner 2049 Outstanding Achievement in Sound Editing — Dialogue / ADR - War for the Planet of the Apes Outstanding Achievement in Sound Editing — Musical - The Greatest Showman Outstanding Achievement in Sound Editing — Music Score - Dunkirk Outstanding Achievement in Sound Editing — Foreign Language Feature - Loveless Outstanding Achievement in Sound Editing — Feature Documentary - Jane Outstanding Achievement in Sound Editing — Feature Animation - Coin Sound Editing — Live Action Under 30:00 - Superstore «Tornado» Outstanding Achievement in Sound Editing — Effects / Foley - Blade Runner 2049 Outstanding Achievement in Sound Editing — Dialogue / ADR - War for the Planet of the Apes Outstanding Achievement in Sound Editing — Musical - The Greatest Showman Outstanding Achievement in Sound Editing — Music Score - Dunkirk Outstanding Achievement in Sound Editing — Foreign Language Feature - Loveless Outstanding Achievement in Sound Editing — Feature Documentary - Jane Outstanding Achievement in Sound Editing — Feature Animation - Coin Sound Editing — Effects / Foley - Blade Runner 2049 Outstanding Achievement in Sound Editing — Dialogue / ADR - War for the Planet of the Apes Outstanding Achievement in Sound Editing — Musical - The Greatest Showman Outstanding Achievement in Sound Editing — Music Score - Dunkirk Outstanding Achievement in Sound Editing — Foreign Language Feature - Loveless Outstanding Achievement in Sound Editing — Feature Documentary - Jane Outstanding Achievement in Sound Editing — Feature Animation - Coin Sound Editing — Dialogue / ADR - War for the Planet of the Apes Outstanding Achievement in Sound Editing — Musical - The Greatest Showman Outstanding Achievement in Sound Editing — Music Score - Dunkirk Outstanding Achievement in Sound Editing — Foreign Language Feature - Loveless Outstanding Achievement in Sound Editing — Feature Documentary - Jane Outstanding Achievement in Sound Editing — Feature Animation - Coin Sound Editing — Musical - The Greatest Showman Outstanding Achievement in Sound Editing — Music Score - Dunkirk Outstanding Achievement in Sound Editing — Foreign Language Feature - Loveless Outstanding Achievement in Sound Editing — Feature Documentary - Jane Outstanding Achievement in Sound Editing — Feature Animation - Coin Sound Editing — Music Score - Dunkirk Outstanding Achievement in Sound Editing — Foreign Language Feature - Loveless Outstanding Achievement in Sound Editing — Feature Documentary - Jane Outstanding Achievement in Sound Editing — Feature Animation - Coin Sound Editing — Foreign Language Feature - Loveless Outstanding Achievement in Sound Editing — Feature Documentary - Jane Outstanding Achievement in Sound Editing — Feature Animation - Coin Sound Editing — Feature Documentary - Jane Outstanding Achievement in Sound Editing — Feature Animation - Coin Sound Editing — Feature Animation - Coco

Party game Quiplash, Team 17's Beyond Eyes, ice covered adventure Never Alone (Kisima Ingitchuna) and shoddy sequel Costume Quest 2 won't take you long to 100 % either, although bear in mind that Never Alone has an additional add - on (Foxtales — # 3.19) to play through before putting it on ice.

I have been playing video games for a really long time (longer than I like to admit, truth be told), but few stick out in my mind like Sim City.

If you are in it for the long - game, and don't mind opening multiple credit card accounts, the Chase Sapphire Preferred ® Card will serve your needs better.

If you are in it for the long - game, and don't mind opening multiple credit card accounts, the Chase Sapphire Preferred ® Card will serve your needs better.

As long as you don't mind targeted advertising showing up on every surface you see in - game.

It actually looks like it could be a neat and fun little game in the future, as long as the development team progresses with a more distinct goal in mind and spruces up a few confusing / lacklustre design elements.

As a long - time gamer, I find it incredibly difficult to keep an open mind about the use of motion controls in gaming — After more than three decades of using various joysticks and controllers, why to anything else?

Never mind the fact that games as we know them are likely to be turned on their head in the near future when polygons are phased out for things like ray - tracing, and we all know that such technology will be on PC long before any console, even if consoles don't die out.

Written by Lee Garbutt As a long - time gamer, I find it incredibly difficult to keep an open mind about the use of motion controls in gaming — After more than three decades of using various joysticks and controllers, why to anything else?

Of course there are some factors to be taken into account: Skyrim is a multiplatform game and has been out far longer, therefore meaning it has been played by a lot more people, while The Last of Us is a PS3 exclusive and has only been out a few weeks, but is also fresher in people's minds.

this was the one thing with move that seemed to stand on its own... I don't mind the idea of HD wii sports either, as long as it really is 1:1... that was my only real complaint with the wii when it released... there was motion control, but it was gimmicky and registered «wiggles» into canned animations... not to mention the gamecube visuals... still not sold on Move though... for me to really want one, I want to see what they are doing with shooters... Socom 4 and killzone 3 could be very special for core gamers and motion controls if they are done right... if you can aim on screen in true 1:1 fashion while sitting comfortably at a «normal» gaming distance... it could rearrange how I play first person shooters on a console... developers are saying the Move has input latency of 21ms, which is roughly half of a DS3... and second only to a wired mouse / keyboard... need to see how it works though, as it is not always that simple... just saying that if it does what its supposed to... it could end up being the answer to shooters on a console... as much as I like playing shooters with 2 sticks... I can't argue that I miss the days of a mouse and keyboard (as well as PC being the only platform to get the best shooters on... no longer the case by any means)... but with a first person shooter, there is no wiggle room... pun intended... it has to register every mm of movement on screen... and do it quickly... not sure if it can yet...

The game starts off slow, with simple puzzles, lots of text and an introduction to the new characters, but not too long in and you will begin to see Suda51's creative mind take effect with a few twists and surprises.

The dungeons could have been much more interesting to explore and look at, which would have gone a long way in helping Mind Zero feel like a complete experience rather than two completely separate parts of the same game.

Nintendo's flagship fighting - game series has a rich history of pitting Nintendo icons against special guest stars, with Mario, Sonic, Mega Man and even Cloud Strife all having thrown down in 2014's Super Smash Bros. for Wii U. With that in mind, we've compiled the 18 characters we want to see most in Smash Bros. for Switch when it hits later this year, from practical predictions to complete long shots.

As long as you don't mind the added price of the game on Switch and the slight graphical pop - in, you'll enjoy this version of the game going forward.

, bare in mind that the game is still a long way from finished.

It's certainly a game that evokes fond memories of Sony's long dormant Destruction Derby series, and it's definitely a game that has been made with a broad audience in mind.

OMG im pretty sure there is going to be a mother 4 because in Nintendo Power magazine vol 275 january february issue there was an interview with the creator of the new kid icarus game masahiro sakurai (he is known for giving revivals to games) and he was asked if he wanted to give a revival to a long dormant game or character what would it be, to which he replied that he might have something in mind to be released before the new smash bros and since itoi said he wanted to be the player of the game, not the creator maybe masahiro sakurai is taking over the series!!!!!!!!!!!!!!!!

This may support what I've long suspected: that in most gamers» (and hence game designers») minds, there isn't a very formalized or well - understood strategic «triangle».

The one thing I really hate in modern gaming is loading times — I don't mind it if a game takes a while to start up but then it runs great, or if we have the occasional few seconds here or there — but Monster Energy Supercross seems to take a little too long to load up.

None of the games are overly long mind, with most lasting roughly a minute or so and even though it would be nice to have a little longer in each match, there is no shortage of action as things turn hectic within mere seconds of a match starting up.

Sure, there'll be times when you'll furiously peg your controller at the wall but you'll take a break, calm down and come back to the game with a clear mind and attempt a new tactical approach, eventually overcoming the obstacle that had you flummoxed for so long and making incremental, but steady, progress in the game.