Sentences with phrase «long location shoot»

Although his parents made their living in showbiz, his director father and screenwriter mother were cautious when a young Gyllenhaal expressed an interest in acting, forbidding him to take a role in 1992's The Mighty Ducks because it required a long location shoot.

Not exact matches

This is another long shot — and one unlikely to affect most locations — but Niccol's leadership could mean that Chipotle will more seriously consider adding alcohol to the menu.

from where i'm sitting, conor's strengths: - long and athletic - great power in his hands and feet - throws with speed & accuracy - uses all 8 points of contact (and uses them all in multiple ways)- uses good footwork to circle away from power shots and to control pace / location of fight - has shown good to great TD defense (until tired)- has good chin (tested several times and the proof appears to be in the pudding, as they say)- displays good head movement which allows him to absorb fewer strikes while within range - excellent counter puncher (able to get in and out fast using his karate style stance)- has shown better conditioning at lw than fw or ww - has incredible fight iq (lone exception in the ufc was against nate in first fight when he was clearly fatigued)

UPDATE: It is, however, the same location at which the photo of Long shooting was taken.

Shot in the Nevada desert near Las Vegas, this location is a long way from North Africa but the styling details such as... Read more»

Great location and you sure out - dotted me by a long shot (I am posting my rather plain single dotness tomorrow)!

We started roaming my new neighborhood on one of those perfect May days looking for shoot locations and before long, I felt like I was just hanging out with a dear friend I hadn't seen in a long time.

The story involves a dangerous journey on horseback in 1892, and intriguing location shots in Colorado, New Mexico and Arizona make us feel like we're riding along with the people taking this perilous trip so long ago.

Teen - assassin movie Hanna from Atonement's Joe Wright has the goods: a Chemical Brothers score, gorgeous locations (perfect for Wright's long shot), immense talent, fairy - tale undertones, and action.

Smith had played Marjorie in Los Angeles and was in rehearsals for the stage version in New York as shooting began, juggling her schedule between the movie locations in Long Island and New York City.

Ravishingly shot on location in the eponymous Portuguese coastal city (long deserving of just such a cinematic valentine) in an...

Given how long it typically takes to shoot a Bond movie (there are always multiple locations involving intricate stunts) they probably want to get started sooner rather than later so as to avoid the tight production turnaround that they worked with on Spectre.

Stuart has interviewed, with few exceptions, all involved with the 1974 production in some capacity (associate producer Scott Bushnell declined comment because her words have betrayed her in the past; indeed, if The Nashville Chronicles has an antagonist, it's the Lady Macbeth - like Bushnell), and with their quotes he has compiled a linear oral history that begins long before the location shoot (Altman's time in the service) and ends long after: Stuart concludes with his own critique of the screenplay to Nashville 12, the aborted sequel that would've reunited the entire Nashville cast save Keenan Wynn (dead), Dave Peel (born - again), and Scott Glenn (written out because his Pfc. Kelly had such an opaque personality).

Darius Khondji, the cinematographer of Seven, imports a palpably humid Long Island mustiness to Haneke's frame; the film is shot on location.

Shot over the course of 18 days at the Savernam Estate's cavernous Tottenhouse House in the English countryside — a location that effectively doubles as an extra character in the otherwise spare, intimate psychological drama — the movie unfolds in mostly long - take wide shots, though Rumley also isn't afraid to stage a canted angle for art's sake.

Still, it is the elaborate location shots that are truly remarkable and linger in the mind long after the film's close.

Some of the film's most moving moments find Mara simply peering out at the great nocturnal expanse of Manhattan — nicely played by Cincinnati locations, and shot, at times, in an almost Wong Kar - wai-esque neon blur — while Carter Burwell's haunting score, with its two - step progressions and occasional repetitions, seems an almost perfect distillation of her longing.

Inti Creates has revealed further gameplay details for Gal Gun 2, including aiming at weak points to fire an «Ecstasy Shot,» moving to other locations, changing your posture to shoot around obstacles, long - distance shots, shooting a girl that has been pushed down, fighting Mini Demons that attach themselves to girls, upgrading your Demon Sweeper to tear off clothes for an «Undressing Ascension,» and making eye contact to enable an «Eye - Heart Ascension.»

«The 12 - foot - deep infinity saltwater pool overlooking the Pacific was just the studio I longed for,» says Sweet of the shooting location of this image.

2006 The Downtown Show, The New York Art Scene 1974 - 1984, New York University Grey Art Gallery, New York, US Onestar Shop by Hans Schabus, Art Metropole, Toronto, CA Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR

In «So long as they are wild», Catherine Opie's first solo exhibition in Hong Kong, are on presentation a series of photographs shot in one of the United States» most revered and naturally beautiful locations, Yosemite National Park in California.

@Brandon Turner I have a number of properties within your location requirements and would be great to see you and you are welcome to snap a few shots or take a short or long video.