Sentences with phrase «long painting installation»
The rear room of the exhibition is dominated by an overwhelming nine - metre long painting installation, which at first glance seems to block the passage of the viewer.
https://anti-utopias.com/ Not exact matches
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The diverse meanings placed on the horizon — which includes a symbol of longing, containment or desire — radiate across the additional works in the exhibition that include painting, sculpture, drawing, video, and installation.
We view this space as a temporal solo exhibition, with each large work staying on the wall for at least 6 months, before being painted over and recommissioned for the next show.The site specific installation pushes the artists craft and practice to create something beyond their normal scale — the wall being 20 foot long and 14 foot high.
Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition, Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the Arts
9, 04179 Leipzig, Germany Find this event on Facebook: https://www.facebook.com/events/1614069195373254/ ARTISTS International residents Alejandro Londono (Painting, Mixed Media; Bogotá, Colombia) Web: https://www.londonourdaneta.com/ Anna Ill & Steph Huang (Installation, Sculpture, Video, Photography; London, UK) Web: - Benjamin Leal & Henry Bell (Sound, Performance; Long Beach, California, USA) Web: http://highpriest.site/ Eva Macali (Mixed Media, Poetry; Roma, Italy) Web: http://www.evamacali.info/ Fatima Nadeem (Printmaking, Painting; Karachi, Pakistan) Web: - Ivan Cremer (Sculpture, Photography; Los Angeles, California, USA) Web: http://ivanattila.com/ Jackson Akitt (Photography; Brighton, UK) Web: http://cargocollective.com/jacksonakitt John Berry (Painting; Bloomington, USA) Web: http://www.johngberry.com/ Leonardo Ciocchini (Painting; Buenos Aires, Argentinia) Web: http://cargocollective.com/leonardociocchini Maryam Abedi (Painting; Teheran, Iran) Web: - Sasha Nikitina (Conceptual, Installation; Kyiv, Ukraine) Web: https://sashanikitina.com/ Silvina Rodriquez (Painting, Drawing, Sculpture; Montevideo, Uruguay) Web: http://www.sirodriguez.com/ Tegwen Evans (Photography, Multimedia; Berlin, Germany) Web: https://www.tegwenevans.com/ Local ParticipantsMarlet Heckhoff (Painting; Leipzig, Germany) Web: http://www.marlet-heckhoff.de/ Claudia Vonderlind (Video, Performance, Photography, Drawing, Mixed Media; Leipzig, Germany) Web: https://www.claudia-vonderlind.de/
He works with a wide range of genres, such as sculpture, installation, painting, performance, and interactive multimedia, and has participated in several international exhibitions, including Shanghai Biennale, Shenzhen Sculpture Biennale, Gwangju Biennale in South Korea, Chinese Contemporary Sculpture Documenta, with exhibitions presented at the National Art Museum of China, China Central Academy of Fine Arts Museum, Shanghai Long Museum, Today Art Museum, Songzhuang Art Center, Museum of the Orient in Portugal, Iberia Center for Contemporary Art, C5 Art, Central Institute of Fine Arts in Beijing, Central Academy of Fine Arts Sculpture Center, Times Art Museum, White Rabbit Gallery in Australia, Centro Cultural Providencia in Chile, and Bonn Museum of Modern Art in Germany, and also solo exhibitions held at Ullens Center for Contemporary Art in Beijing, and Phoenix Art Palace.
Behind - the - scenes: The arrival and installation of Cy Twombly's monumental painting Treatise on the Veil (Second Version), which measures nearly thirty - three feet long.
In September of 2013, the Foundation opened a long - term installation of sculpture and paintings by Anselm Kiefer in a specifically repurposed, 10,000 square - foot building on the MASS MoCA campus.
A long, covered breezeway reminiscent of a delivery ramp or loading dock now hosts installations, and several wall paintings by L.A. graffiti artists have been preserved or expanded.
Known for his investigations of identity and a career - long engagement with ideas of power, authority, artifice and illusion, Mark Wallinger works in a wide range of media, covering painting, sculpture, photography, film, installation, performance and public art.
«The 2017 Whitney Biennial, the seventy - eighth installmentof the longest running survey of American art, features sixty - three individuals and collectives whose work takes a wide variety of forms, from painting and installation to activism and video - game design.
It is also, like Frank Gillette's video installation, Aransas (in the collection of the University Art Museum and shown here in 1978), an extension of the long tradition of landscape painting into the relatively new medium of video.
The installation consists of two paintings on poured concrete and a series of 36 graphite drawings on paper mounted directly onto the wall in one long sequence.
An Os Gemeos installation can include elements of live and recorded video, audio recordings, sculpture, painting, live musical performances and anything else they want as long as it helps bring their world, they way they see reality, to the rest of us.
Selected by Victoria Miro, who has a long association with the academy, the exhibition showcases a cross section of work including painting, photography, sculpture and video installation by former members of this prestigious European institution.
-- Lucas Samaras «During the first three decades of his long career, American artist Lucas Samaras (b. 1936 in Greece) turned to pastel to produce small, intimate works that explored themes present in his better - known paintings, sculptures, and installations.
The installation which combines two bodies of work; a 15 meter long painting by Reynolds and a thirty - two minute, six channel audio composition by Riegler, has been a moving experince for visitors and is a must see for those able to get to the gallery.
Although it is a long time since Kounellis has exhibited anything resembling a conventional painting, he still describes himself not as an installation artist or sculptor, but as a painter.
In addition to his newly commissioned Bob Rauschenberg puppet / installation and related opening night performance, the exhibition will also include a selection of the artist's now iconic and humorous «Word» paintings, as well as a series of recent watercolor drawings and collages produced during Wayne White's month - long Robert Rauschenberg Foundation Residency on Captiva Island in 2013.
Best known as a sculptor, Long uses a variety of media in his work which includes photography, drawing, painting, print making, installation, and personal performance.
An installation dedicated to Robert Gober, showcasing works on long - term loan from Irma and Norman Braman, and exhibitions of newly commissioned paintings by Chris Ofili and emerging Miami - based artist Tomm El - Saieh are also on view.
Jessica Wozny (b. 1978), a German - born artist who is a long - time resident of Oaxaca, realized a room - sized installation that combines over 15 individual mixed media sculptures with a group of acrylic paintings on paper.
From the get - go, Stark's exhibition, featuring 125 drawings, collages, paintings, and video installations, had me enthralled with My Best Thing (2011), a 100 - minute - long episodic animation based on the artist's -LSB-.....]
The presentation features the U.S. debut of an 80 - foot long painting by Rodney McMillian — created for the 12th Sharjah Biennial and which visitors experience as a tunnel — as well as an installation of tempera paintings and related photographic images by Doug Ashford, previously presented at Documenta 13.
His multiscreen installations often unite elements from dance, painting, sculpture, theater, and music and include Ten Thousand Waves, Vagabondia, Frantz Fanon: Black Skin, White Mask, and Long Road to Mazatlan.
Debra Ramsay's installation in the Mary Sommer Room comprises four abstract paintings, each corresponding to a season, and an assemblage of long strips of painted polyester resin film.
Time Machine / Hippie Dandy at Meliksetian Briggs is comprised of Gray's new photo - based sculptural work, an installation of the original paintings made by the Ghanaian sign painters, as well as, ephemera from the artist's year long performance piece, Ray.
The work «Untitled (I Am Not Tragically Colored)» is an overture to Ligon's three - decades - long practice of using text, painting, installation and video to investigate the rhetorical power of the black voice.
This organic decomposition that inevitably results in a stain on the floor, ties in with Galuzin's long standing engagement with bodily processes through installations, paintings and sculpture.
Palmsonntag (Palm Sunday) is a monumental installation consisting of a 30 - foot - long palm tree cast in fiberglass and resin, its roots clotted with mud, surrounded by a cycle of 44 large paintings encased in glass and framed in lead.
Long March gallery represents leading contemporary Chinese artists working in a variety of media including painting, sculpture, installation and video.
Throughout her long career, Kusama has worked in painting, collage, scat sculpture, performance art, and environmental installations.
With a 53 foot long, decommissioned wind turbine blade, paint, glitter, and his own vision for the desert valley, Gibson has created ALIVE, a site - specific installation that he could not make in New York and one that manages to avoid the hackneyed and cliché notions of the desert.
The artist was commissioned to create a site - specific installation for Bank BNP Paribas in London in 1997; a 13 - metre mural for the Tate Triennial in 2003; a wall painting for the Department of Mathematics and Statistics at Warwick University; and most notably, a 48 - metre long painting for Southwark Council and Land Securities in 2006.
The Hall Art Foundation has also formed an exhibition partnership with the Massachusetts Museum of Contemporary Art, in North Adams, Massachusetts, to present monumental outdoor sculpture, in addition to a long - term installation of sculpture and paintings by Anselm Kiefer.
In 2013, the Hall Art Foundation opened a long - term installation of sculpture and paintings by Kiefer in a specifically repurposed 10,000 square - foot building on the campus of the Massachusetts Museum of Contemporary Art that will be on view through 2025.
Focusing on a ten - year period between mid «40s and forth, Paintings New York at Hauser & Wirth brings attention to possibly the least - known aspect of Kaprow's decades - long career, bringing together a body of works at the gallery's uptown outpost, a location where the former Martha Jackson Gallery housed the artist's first Yard installation in 1961.
Butler's trees can be viewed as individual paintings, fragments of a forest, works in dialogue within an installation, or as part of the artist's larger, long - term project.
The exhibition is organized by NSU Art Museum under the direction of Bonnie Clearwater in conjunction with the Hall Art Foundation, which in 2013 opened a long - term installation of sculpture and paintings by Kiefer in a specifically repurposed 10,000 - square - foot building on the campus of the Massachusetts Museum of Contemporary Art that will be on view through 2025.
Viewers then passed through a door surrounded by Ian Hamilton Finlay's Four Guillotine Blades, 1987, to encounter Malcolm Morley's long horizontal work New York City Postcard, 1971, an enormous installation by Christian Boltanski, and a political painting by the late Dick Bengtsson (one of the few Swedes in this ambitious survey show).
This one was painted white and was empty, save for McEwen's beautiful and spare installation of fluorescent - light fixtures fitted with machined - graphite tubes and hung from the ceiling on long silvery chains.
The Other nominees for the inaugural year included sculptor Richard Deacon, the collaborative duo Gilbert & George, abstract painter Howard Hodgkin and sculpture and installation artist Richard Long — but unlike his fellow nominees Morley just did not fit into any one particular genealogy; with his connection to Photorealism, or Super-realism — as he named it — later being discarded by the artist in favour of a more expressive method of painting — that critics deemed a kind of Neo-expressionism.
A highlight of the exhibition is Zhu Jinshi's monumental installation, Boat, which is 12 meters long, made from 8,000 sheets of paper commonly used in Chinese calligraphy and painting.
The exhibition, based on paintings, sculptures, installations and photographs from the Sonnabend collection, granted on long - term loan to the Foundation Civic Museum of Venice, affords a comprehensive view of the contemporary art panorama, through artworks by Robert Rauschenberg, Andy Warhol, Roy Lichtenstein, Jim Dine, Tom Wesselmann, Robert Morris, Sol Lewitt, Anselm Kiefer and Jeff Koons, just to name a few, and including works never exposed in Venice, like None Sing / Neon Sign by Bruce Nauman and Inflatable Flower (Yellow) by Jeff Koons.
The installation features newly created paintings, sculptures and photographs near historical objects, and includes the works of Cara Barer, Rob Carter, Judith Condon, Elizabeth Duffy, Katherine Frey, Susan Hoeltzel, Keith Long, Judy Richardson, Donna Sharrett, Karen Shaw and Andy Warhol.
Anchoring the exhibition will be a site - specific installation of The Clouds, a 100 - foot - long woven painting modeled after Monet's triptych Les Nuages (1922).
February's programming features Charles Harlan's minimalist installations and sculptures made from industrial materials and the detritus of suburban environments; Adam Stennett's realistic Survival Paintings, which he made while residing in a sustainable - living tent on Long Island (the artist currently has his tent pitched in the backyard of Pioneer Works); and live music from Bil Afrah Project and Lions, a seven - piece group playing classic 1960s and «70s» Ethiopian music.
ALEX BRAVERMAN Chicago, IL LARRY SIMONS Brattleboro, VT NATE BURBECK Minneapolis, MN MARYLOU UTTERMOHLEN New Orleans, LA JENNIFER DAY Tucson, AZ BETH DAVILA WALDMAN Mill Valley, CA SARAH KNOUSE Lewisburg, PA CHRISTINA WEST Marietta, GA BEN LONG + JACK SCHOONOVER New Orleans, LA JASON WILLAFORD Dallas, TX TI - ROCK MOORE New Orleans, LA CHRISTOPHER RICO Clinton, SC MIA YOON Raleigh, NC Comprised of painting, sculpture, drawing, photography, conceptual, mixed - media, installation, video and technology, NO DEAD ARTISTS is an exhibition known for a great diversity in media but with a cohesive cross-section of the pulse of Contemporary Art.
Rosenquist's painting and room - installation F - 111 (1964 — 65) is the sole work to represent the year 1964 in the Museum of Modern Art's year - long exhibition, From the Collection: 1960 — 69, opening in March.