Sentences with phrase «long passage through»

The controversial bill, which proposes certain NHS services be provided by the private sector, has been mired in controversy since its inception, and had been extensively amended during its long passage through parliament.

Not exact matches

If, however, you want to become one of those long - term investors that executes a buy - and - hold strategy that ends up becoming richer even through the passage of recessions and depressions, then I encourage you to focus on business performance.
The book was long, and it included some tedious passages that we had to encourage each other through, but it also included many passages that seemed acutely relevant.
There are long passages where the history of the people through a whole period is told as if it were the biography of an individual.
The engines have sung to him for too longthrough 35 years and 200 major stock car racing wins and passage into blue - collar legend.
Their rate of reading may be very, very slow; which impacts reading because it takes so long to get through the passage, it's hard to recall the information that you first read.
Passage through the birth canal during childbirth can cause a newborn's head to look pointy or too long.
Some of the proposals and the timing of their likely passage have raised concerns, though, that the Council is weakening the city's model campaign finance system, pushing some reforms through after too long a wait and rushing other, newer bills through just in time for the next
-- On the multi-million year time scale, passages through the spiral arms of the milky way correlate with climate on earth (e.g., this discussion), and on longer time scale, glacial activity correlates with star formation in the milky way.
Operating long past its original mission of 90 Martian solar days — also known as «sols» — NASA's Opportunity rover has survived another passage through the deepest part of the Martian winter.
These gradual shifts take place over long periods of time and their subtle nature guides us gently and intuitively through the passages of life.
Moving in together is, at least, an adventure; it's a near - essential rite of passage for every couple and, as long as you're there to support each other through the sticky moments, an exciting new chapter in your lives together.
A complete lesson on chapter 13 of Achebe's No Longer at Ease with focus on language analysis and a passage question on duality in Obi represented through his mother and father.
It's a right of passage for any high - horse street car to drive through the long turn - one tunnel under the track and, um, demonstrate what the car sounds like under heavy acceleration.
Eventually, depending on the size of the hairball, how rapidly it forms, and how sensitive the stomach is, the hairball comes back up, looking more like a sausage than a ball because of its passage up through the long narrow food pipe, the esophagus.
Michelozzo, Antonio da Sangallo il Vecchio, Baldassarre Peruzzi, Vignola are only some of the names contributing to the urban aspect of Montepulciano, whose main buildings are mostly included within its city walls: the elegant Piazza Grande with its Palaces and the Cathedral; the long artery that under different names winds through the city, ranging along its sides sixteenth century or medieval façades, renaissance churches, and even sculptured stones dating back from the etruscan times; the charming little squares and the narrow, romantic passages.
This day is the longest but also the most impressive and beautiful due to the number of archaeological sites and the lush Andean flora and fauna that we will appreciate during our passage through the cloud forest.
It takes about 20 minutes to climb up through the steep rocks, pass through narrow passages and on a hot humid day that can seem longer.
After getting a guided tour of the ruins, we explored stalactites and stalagmites as we swam through the Blue Creek inside the 8 - mile long passages of the Hokeb Ha and Tiger Caves while wearing headlamps on so we could see.
«The Short and the Long of It» is a multi-part installation based on an event that is mostly absent from official histories: the failed passage of 14 international cargo ships through the Suez Canal on 5 June 1967.
Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.
Unlike purely conceptual artworks which may exist as ideas or proposals, Long's texts remain focused on the artist's physical passage through the landscape — in the artist's words, on «real stones, real time, real actions.»
The unveiling coincides with the artist's first solo show in the Middle East at Al RIWAQ DOHA Exhibition Space and QMA Gallery at Katara where visitors can see an ambitious new large - scale work, Passage of Time, which is made up of two 66.5 m long and 4.1 m tall steel curves that snake diagonally through the exhibition space, and works from different periods of Serra's fifty year career of sculptures and drawings.
In the long, blurred exposures of Melting Down 1 and 2 (behind you), we can sense the swift passage of time, as if looking through a suddenly rustled curtain.
Others may snooze through the long, nearly silent passages that Belz lavishes on Richter as he brushes color on canvas, mutely ponders the results, drags paint over surfaces with large squeegees or scrapes it off with palette knives.
Explorers and other seafarers had long recognized that this passage, through the straits of the Canadian Arctic Archipelago, represented a potential shortcut from the Pacific to the Atlantic.
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