Bracketed chronologically by Rosler's well - known photo - text work The Bowery in two inadequate descriptive systems (1974/75) and her highly influential essay In, around and afterthoughts (on documentary photography)(1981), this series takes its place alongside Rosler's photographs of airports, roads, shop windows, and public transportation as part of a career -
long photographic practice.
Not exact matches
Through the use of a 19th - century
photographic process that pre-dates silver - based
practices, the artist employs its naturally rich, blue tones to endeavor to express his thoughts on the beauty and mystery of the vast seas and his
long - felt fascination with the power and danger of deep waters.
Walking in the landscape is the basis of
Long's
practice but over the past 40 years he has extended his concerns to encompass
photographic and text - based work, sculptures made in stone and wood, small - scale works using handprints and fingerprints on paper and driftwood, and monumental wall drawings made using mud and clay.
Having earned an international reputation, mostly for his paintings, Polke's photographs have
long been somewhat overlooked, even though to the artist, his
photographic practice was equally important.