Sentences with phrase «long public performance»

In 1969, she helped organize «Street Works,» a months - long public performance series that included contributions from Adrian Piper, Vito Acconci, and Strider herself.

Not exact matches

«With their own sizable investment portfolios, most public companies could use their power as shareholders to urge public companies and asset managers to take a relentlessly long - term focus... That may mean using performance benchmarks over three -, five - and even 10 - year periods, in addition to shorter period benchmarks.»

'' [Public companies] can continue to resist pressures to focus on the short term at the expense of long - term strategy, growth and sustainable performance.

There already exists an active federal agency - PPP Canada - committed to «a long - term performance - based approach to procuring public infrastructure where the private sector assumes a major share of the risks in terms of financing and construction...»

In contrast to your board of directors (the «Board»), which has taken — and will continue to take — substantial steps to further drive high performance and long - term profitable growth at your Company, this dissident group has offered no specific plan to enhance shareholder value and is proposing to install as CEO a candidate with no experience managing a public company and no C - suite experience at any company.

But at the same time it makes longer - term assessment of performance possible — enabling just the sort of independent evidence - based policy for public management that governments constantly say they want.

Now the NY Times reports that he hid from the public the role his administration played in leaving the Long Island Power Authority (LIPA) short staffed, which contributed to its disastrous performance in Hurricane Sandy.

I agree with you, Calix, that public outrage at sky - high wages often comes with poor performance, as the claim that the wages reflect and reward excellence is no longer possible.

He says his vision will help alleviate the city's long - standing issues with poverty, public safety, vacant properties, and poor school performance.

If nothing else, a summer of collapsing subway service stands to prompt a long - overdue look at the gap between spending and performance in New York's public schools.

Not long ago, she appeared on Public Radio International's Studio 360 to discuss her long career (born in 1939, she made her initial mark on Rowan & Martin's Laugh - In in 1970), and I was reminded of all of the quirky humor she brings to most of her performances.

The first teachers» union contract approved for one of Massachusetts» 57 charter schools that operate outside a local public school district will allow performance - based teacher pay and a longer school day.

As NPR's Cory Turner reports, the study finds that public school students in Indiana who used a voucher to switch to a private school tended to backslide academically after switching schools, but if the students remained in the private school long enough, their performance improved.

Score inflation helped them ignore it; as long as the press and public didn't become skeptical, it looked like student performance was improving substantially, even when it wasn't.

So, she left her position as chief executive officer and lead tutor to become a long - term substitute teacher in the New York City Public Schools, hoping to have a greater impact on the academic performance of students of color.

As long as it remains so, traditional public schools are unlikely to feel much pressure from charter schools to improve their academic performance.

Ms Raymond says traditional public schools no longer have the excuse that they can not be blamed for the poor performance of children because of their background; so competition from charters may improve standards in non-charters, too.

Long overlooked as a vehicle for improving public education, attendance is increasingly viewed as a fundamental first step in boosting student performance — especially among early learners.

Parents might have seen Cheatham as a scapegoat in an ill - conceived «reform» scheme, but a labor negotiator for the Chicago Public Schools said it was Cheatham who helped devise controversial plans for both a longer day and to use student test scores in teacher performance evaluations.

Among the many strategies for improving public school teaching — performance pay, alternative certification, licensing exams, and professional practice schools — reformers have long neglected a potentially powerful one: teacher evaluations.

«While these Report Cards provide some helpful information to parents, the general public, and school administrators about school performance, the Department has long acknowledged that we can do a much better job of providing actionable information for the purposes of school improvement,» Cerf said in releasing the information.

Assemblyman Felipe Fuentes (D - Sylmar) had revived a long - dormant bill, AB 5, in the last few weeks of the legislative session to push forward his plan for a statewide uniform teacher evaluation system featuring more performance reviews, classroom observations, training of evaluators and public input into the review process.

Students are eligible for the program if the student's resident district is not a school district in which the pilot project scholarship program is operating and the student satisfies one of the following conditions: the student attends a local public school that has received a grade D or F by the state's performance index score, the student is assigned to a community school but would otherwise be assigned to a qualifying school, the student attends a local public school that was ranked in the lowest 10 percent of public schools in two of the three most recent rankings and the public school was not declared to be excellent or effective in the most recent rating system, or the student is enrolling in grades K — 12 for the first time and would be assigned to a qualifying school as long as they are at least 5 years old by Jan. 1 of the school year.

AB 1951, authored by Assemblyman Patrick O'Donnell, D — Long Beach, would require the state superintendent of public instruction to approve a nationally recognized high school assessment — such as the SAT or ACT — that districts can administer to students instead of the grade 11 California Assessment of Student Performance and Progress.

But beyond the hubbub around the A-F school grading system's formula, which many agree overemphasizes student performance on standardized tests, there are larger questions about what the A-F school grading system will do for public schools in the long term.

Federal accountability policy (embodied in No Child Left Behind) has long emphasized status measures of student achievement and assumed that public reporting of information on performance, coupled with consequences, will motivate individuals to work harder to improve performance.

«The public can't tell you what lights are going off, but they like the performance - oriented proportions,» General Motors designer Michael Simcoe said of the look that includes a long hood with its large space between the dashboard and front axle.

«We believe this publishing sequence will benefit the performance of all the different formats in which these titles are published,» the S&S statement said, «and in the long term will contribute to a healthier retail environment for the greater book buying public.»

However, we also see that in spite of the headwinds of overvaluation, that this company's long - term performance was significantly above - average since it went public.

Regarding performance since Dresser - Rand went public; we see the typical overvaluation as an IPO resulted in long - term performance being lower than the company's operating earnings growth.

We believe that the public market does not adequately value small companies such as Kona, and by staying public, the Company will continue to be subject to undue regulatory burdens and pressure to maximize short - term results at the expense of long - term performance.

Many are now at least 2 - 3 year old ** positions, so each deserves a good long hard look (both winners & losers) to determine what stays & what goes... [** Yes, I now have a 3 year plus (public) performance record.

Studio Visitors 2014 Christopher Allen, Founder, Director of UnionDocs Alexander Benenson, Independent Curator Heather Darcy Bhandari, Director, Mixed Greens Gallery Jennifer Blessing, Senior Curator of Photography, Guggenheim Museum Sherry Dobbin, Director of Public Art, Times Square Alliance Taraneh Fazeli, Education Associate, New Museum of Contemporary Art Elizabeth Ferrer, Director of Contemporary Art, BRIC Arts Media Gabriel Florenz, Chief Operations Officer, Pioneer Works Larissa Harris, Curator, Queens Museum Paddy Johnson, Editor, Art Fag City Naima Keith, Assistant Curator, Studio Museum Emily Liebert, Curatorial Assistant, Department of Painting and Sculpture, MoMA Barbara London, Independent Curator / Writer, Former longtime Curator of Media and Performance, MoMA Jennifer McGregor, Director of Arts and Senior Curator, Wave Hill Julie McKim, Director, Kunsthalle Galapagos Magdalena Sawon, Owner / Director, Postmasters Gallery Manon Slome, President and Chief Curator, No Longer Empty Cara Starke, Director of Exhibitions, Creative Time Lumi Tan, Associate Curator, The Kitchen Gregory Volk, Writer, Art in America

Known for his investigations of identity and a career - long engagement with ideas of power, authority, artifice and illusion, Mark Wallinger works in a wide range of media, covering painting, sculpture, photography, film, installation, performance and public art.

Since 2013 she has been a curator at Little Berlin organizing exhibitions, film screenings, performances, weekend - long festivals, artist critiques, and other public events.

VB64 is Vanessa Beecroft's first public performance in New York since 2000 and an accompanying exhibition of new sculpture at Deitch Studios on the East River in Long Island City.

It achieves this by inviting emerging and established artists to respond to its exhibition space with interventions, performances, and long - running public program series, that allow them to develop projects and engage with audiences.

Since 2013, she has curated at the Philadelphia collective art space Little Berlin where she organizes month - long exhibitions, film screenings, performances, weekend - long festivals, artist critiques, and other public events.

Other highlights include a week - long residency of public performances and workshops by Brazil's Companhia Urbana de Dança, presented in collaboration with the Newman Center for the Performing Arts, and a rare presentation of Matthew Barney's latest film, River of Fundament, co-presented by the Clyfford Still Museum and Denver Art Museum.

The Center offers a range of public programs for both adults and children, including film screenings, literary readings, artist talks, symposia, performances, and The Big Draw, a day - long event or series of events featuring artist - led drawing activities for all ages.

Short and longer term studio residencies, rehearsal rooms, galleries, performance spaces and other public amenities will anchor arts and culture on the Island and provide a place from which to make and export important new work to Lower Manhattan and beyond.

Finch; Uri Aran; Oscar Munoz; Superflex; Busted (group) / High Line Park Orly Genger / Madison Square Park / thru 9/8 Ugo Rondinone / Public Art Fund / Rockefeller Center / thru 6/7 Alexandre Arrechea / 10 works on Park Avenue between 53 to 67 / thru 6/9 Thomas Schutte / Public Art Fund / 5th Avenue @ 60th / thru 8/25 Mark di Suvero / Brooklyn Bridge Park Pier 1 / ongoing Oscar Tuazon / Public Art Fund / Brooklyn Bridge Park / thru 10/13 (extended) Thomas Hirschhorn / Gramsci Monument / Forest Houses off Tinton Ave @ 163, The Bronx / info: gramsci-monument.com / thru 9/15 Opening 7/1 SELECTED EVENTS: Tuesday, 6/4, 7 PM / Dred Scott in conversation with Andy Zee / Revolution Books / 146 W 26 / Donation Thursday, 6/6, 6:30 PM / Heads in Limbo reading — book launch: Geoffrey O'Brien; Barry Schwabsky; Susan Mastrangelo / Heller / 54 Orchard / FREE Friday, 6/7, 6:30 PM / The Review Panel: David Cohen; Eva Diaz; Ken Johnson; Chloe Rossetti / National Academy / 1083 Fifth @ 89 / $ Saturday, 6/8, 10AM - 6PM (also 6/8) / Figment / Governors Island / FREE Saturday, 6/8, 4 - 6 PM / Mei - mei Berssenbrugge; Charles Bernstein book launches with Susan Bee / Accola Griefen / 547 W 27 — floor 6 / FREE Saturday, 6/8, 5 - 9 PM / Morgan Avenue Open Studios / 649 Morgan bet Nassua & Norman / FREE Sunday, 6/9, 2 PM / State of Sculpture: panel: D.Goodman; B.Albertini; R.Gero R.Maltz / Dorsky Curatorial / 11 - 03 45th Ave., Long Island City / FREE Wednesday, 6/12, 7 PM / Thomas Lanigan - Schmidt on his work / Morgan Library / 225 Madison @ 36 / FREE Friday, 6/14, 7 PM / Chloe Bass speaks on her work, & book launch / Momenta / 56 Bogart / Bushwick / FREE Thursday, 6/20, 6:30 PM / Laylah Ali in conversation with Kelly Kivland, web launch / DIA / 535 W 22 / FREE Friday, 6/21, 2 PM / James Turrell speaks with Michael Govan / Guggenheim / 1071 5th @ 89 / $, students free with RSVP Friday, 6/21, 7 - 10 PM / Far From Now curated by C.Cox: Screening & performance / 1665 Norman, Ridgewood, Queens / FREE Saturday, 6/22, 4 PM / Lorna Williams speaks on her work / Dodge / 15 Rivington / FREE Saturday, 6/22, 4 PM / Inside Out curator Laura Phipps speaks / Kentler Int.

This month long festival will showcase visual art, public sculpture, cinema, music, multi-media performance, spoken word, alternative video and dance.

This year's jurors are: Ruba Katrib, curator at SculptureCenter in Long Island City, New York, where she organizes exhibitions, educational and public programs, and publications, and coordinates program presentation; Clifford Owens, a New York - based contemporary artist who works in performance, photography, text, and video; and Nat Trotman, associate curator at the Solomon R. Guggenheim Museum.

Art and the Feminist Revolution, Museum of Contemporary Art, Los Angeles (2007, traveling); Second Lives: Remixing the Ordinary, Museum of Art and Design, New York (2008); Double Consciousness: Black Conceptual Art since 1970, Contemporary Arts Museum Houston (2005); 54th Carnegie International, Carnegie Museum of Art, Pittsburgh (2004); Out of Actions: Between Performance and the Object, 1949 - 1979, Museum of Contemporary Art, Los Angeles (1998); Afro - American Art in the Twentieth Century: Three Episodes, Bronx Museum of the Arts, Bronx, NY (1980); Afro - American Abstractions, P.S. 1 Contemporary Art Center, Long Island City, NY (1980); Freeway Fets, public art project, freeway underpass, Los Angeles (1979); The Concept as Art, Just Above Midtown Gallery, New York (1977); California Black Artists, The Studio Museum in Harlem, New York (1977); and Sapphire Show, Gallery 32, Los Angeles (1970).

I March In The Parade of Liberty But As Long As I Love You I'm Not Free, was a eight - part performance that took place between December 2007 and January 2008, where Hayes walked from the New Museum of Contemporary Art in New York to sites of public speech such as Union Square, Tompkins Square, Confucius Square in Chinatown, and Christopher Street Park.

For Berlin, where a wall played such a prominent role for a long time, this performance will be even more relevant and I hope that the public becomes more conscious of walls around the world at the present moment.

Opens June 15 May 29, 2013 Curatorial Announcement May 16, 2013 Houseguest: William E. Jones May 13, 2013 Hammer Celebrated 4th Annual K.A.M.P. (Kids» Art Museum Project) May 6, 2013 K.A.M.P. «Zine May 5, 2013 A. Quincy Jones: Building for Better Living (May 25 - September 8, 2013) April 24, 2013 Upcoming Hammer Projects: Cyprien Gaillard & Neil Beloufa April 2, 2013 4th Annual K.A.M.P. (Kids» Art Museum Project) March 27, 2013 Family Flicks & Sunday Afternoons for Kids at the Hammer March 6, 2013 Upcoming Readings at the Hammer February 25, 2013 Fritz Haeg's Domestic Integrities February 5, 2013 Hammer Museum partners with CAP UCLA to present Trisha Brown's Floor of the Forest February 4, 2013 Selections from the Grunwald Center & the Hammer Contemporary Collection January 14, 2013 Upcoming Poetry Readings at the Hammer January 9, 2013 Upcoming Hammer Projects: Enrico David, Dara Friedman, and Latifa Echakhch January 7, 2013 Tehran: An Urban History of Revolutions - Lecture by Prof. Talinn Grigor December 12, 2012 LLYN FOULKES Retrospective Opens February 3, 2013 November 28, 2012 Cage at UCLA - Sunday, December 2, 2012 November 14, 2012 Game Room opens December 1, 2012 October 29, 2012 Hammer Museum Announces Curators for Made in L.A. 2014 September 21, 2012 Your Land / My Land: Election»12 on view Sept. 30 - Nov. 18, 2012 September 20, 2012 10th Annual Gala in the Garden Honors Barbara Kruger & Cindy Sherman September 18, 2012 Free admission to the Hammer during Carmageddon II (Sept. 29 - 30) September 14, 2012 Ai Weiwei Screenings September 4, 2012 Hammer Forums This Fall August 17, 2012 Meleko Mokgosi to Receive the Mohn Award August 16, 2012 JazzPOP Courtyard Concerts in September August 15, 2012 Hammer Projects: Sun Yuan & Peng Yu July 30, 2012 Upcoming Fall Exhibitions July 18, 2012 Zarina: Paper Like Skin July 18, 2012 Graphic Design: Now in Production July 18, 2012 A Strange Magic: Gustave Moreau's Salome July 18, 2012 Hammer Projects: Lucy Raven July 16, 2012 Orchestra - in - residence wild Up July 9, 2012 Mohn Award Finalists June 28, 2012 Venice Beach Biennial June 18, 2012 Made in L.A. Music Presented by the Hammer and KCRW June 14, 2012 Made in L.A. 2012 Performances and Public Programs Guide May 23, 2012 Hammer Conversation Atom Egoyan & Serj Tankian April 22, 2012 Made in L.A. 2012 Press Kit June 2 - September 2, 2012 Made in L.A. 2012 Artist List June 2 - September 2, 2012 March Readings at the Hammer February 23, 2012 Libros Schmibros Book Club February 21, 2012 Intimate Immensity: The Susan and Larry Marx Collection February 14, 2012 Valentine's Day at the Hammer — Dirty Looks: Long Distance Love Affairs February 14, 2012 Hammer Projects Opening Soon: Antony & Alex Hubbard January 19, 2012 Pacific Standard Time Performance and Public Art Festival Events at the Hammer Museum January 26 and January 29, 2012 Alina Szapocznikow: Sculpture Undone, 1955 - 1972 February 5 - April 29, 2012 Made in L.A. 2012 November 17, 2011 Gala in the Garden September 24, 2011 Now Dig This!

It was reported that the justice system is failing witnesses and victims of crime, according to the Public Accounts Committee, which found that courts and prisons are «bedevilled by long standing poor performance including delays and inefficiencies, and costs are being shunted from one part of the system to another».

In a recent published reference guide on PPPs, the World Bank describes them as entailing «long - term contract [s] between a private party and a government entity, for providing a public asset or service, in which the private party bears significant risks and management responsibility, and remuneration is linked to performance».