Sentences with phrase «long story the character»

Then the further I got through the roughly two hour long story the character's mouths stopped moving and bodies would glitch out so things like arms would be stuck inside an item.

Not exact matches

Plans were also afoot for the 2017 release of Disney Infinity 4.0, complete with a long - awaited story mode that would have intertwined the adventures of characters from the series» disparate Star Wars, Marvel and Disney universes.
Read the story of Esau and Jacob, for example, and you will see that Esau was weak in character, while Jacob was strong and determined to achieve long - term goals — even if he was rather shifty in how he went about it.
Some of the specific stimuli of my sober reflections have been the histories of the fiendishly diverse injustices, cruelties, tyrannies and butcheries human beings have inflicted on one another — in particular the long, appalling story of Jewish suffering at the hands of Christian Europe with its insane climax under the Nazis; Camus's searing reflections on our blood - soaked century; accounts of the horrors of plagues and epidemics at whose complete mercy human beings for so long existed; and insights of depth psychology into the character and influence of the unconscious, childhood and repression in our behavior.
Where an otherwise irrelevant character makes for good debate, so the news entertainment industry frames his every move as significant, and soon this irrelevant character has been news for long enough that eventually he does do something noteworthy, and he becomes the biggest story in America.
I love long winded stories especially when the female character is smart and sassy.
Create a Wreath of the Characters of the Nativity Story — this wreath kit from Baker Ross is no longer available but you could make it with Nativity Foam Stickers or even cut your own characters using our Felt Templates from Craft FoaCharacters of the Nativity Story — this wreath kit from Baker Ross is no longer available but you could make it with Nativity Foam Stickers or even cut your own characters using our Felt Templates from Craft Foacharacters using our Felt Templates from Craft Foam to make.
For now, @MarcoRubio team, at the very least include a character counter so that constituents don't take the trouble to share their story, only to be told it's too long for you to manage.
Cleary Wolters (who inspired the character Alex Vause in the Netflix show) shares her true story from the moment she first agreed to smuggle drugs into the United States to her time in prison (substantially longer than Piper's one year sentence) to her release and the aftermath.
Who to choose, when so many characters that are cute, funny and adorable... I want to skip this question because my list is long, but if I had to start with one it would be the «Little Drummer Boy» my grandparents would tell us the story as if they were there when he arrived to meet baby Jesus.
Nevertheless, despite the frequent confusion that accompanies the watching of these films, the long view reveals a series that has remained focused on characters, feeling and filmmaking craft, while often telling this classically inspired story with wit and nuance.
As long as Phillips doesn't slow down, The Hangover grooves along like a racecar, but occasionally the story requires a plot transition or a quiet, character - driven moment, and in those moments the movie's ferocious momentum threatens to leak away.
That film was similarly shy of new ideas, but the characters were colourful enough to make the mandatory sequels seem promising, as long as there's a good story to go with them.
[Ken] Loach is British cinema's Charles Dickens - a humanist who deserves to be long remembered for holding up a mirror to society with compelling stories and indelible characters.
Despite the lessening of madcap energy, Shrek the Third is still quite funny in parts, with some fresh throwaway gags to produce chuckles now and then from characters you'd think they probably should have jettisoned long ago, but are secretly glad they've kept around (the Gingerbread Man, Pinocchio, etc.) The fact that they are keeping in nearly all of the characters introduced in the series thus far is a bit of a double - edged sword, as they do provide a certain respite from the main characters that are already cycling through the same jokes all over again, but on the other hand, it's getting to the point that the high overhead of injecting scenes for all of these characters takes away from the focus of the story at large.
Although the levels could be a bit longer and in some of them a bit more challenging, this is a great game that proves that games don't need realistic graphics and crazy characters and stories with hours of gameplay to be good.
The film's underdeveloped characters and thin — though busy — story are forced into the foreground, and its 88 - minute running time feels far longer.
Beauvois is less interested in the moment - to - moment thrills of the story than in the rippling effects that the characters» actions have in the long run.
Sadly I think I've gotten to the point where my curiosity about the dome no longer outweighs how badly I feel about the boring story, the dull characters, the poor acting, and the unimaginative writing.
Its story was lacking, the episodes were too long and they kill off beloved characters.
Final Fantasy XV's beautiful graphics and exciting fights unfortunately come with a confusing story, irritating characters, long and unnecessary cutscenes, and optimization issues.
Thanos, having stood in the shadows for so long, is possibly too powerful for the current roster of characters in the MCU now that they're face to face, but if one thing's for sure - Avengers: Infinity War is a story of gods.
This just isn't the case in SoulCalibur; the story mode is twenty fights long, and you play with three or four (I won't spoil why I'm putting it like that) characters.
Like most Warriors / Musou - style games, the story mode of the game is not particularly long, but there is plenty of replayability using your favorite characters in past missions.
Is it alright to cut the other characters» stories short so long as Vanessa's receives closure?
That said, there's a lot more character and story information along with longer versions of those already glimpsed action scenes.
While Dumb And Dumber duo Peter and Bobby Farrelly were the co-writers and directors last time, realising a long - held dream to bring the characters to a new audience, Variety's story on the sequel makes no mention of either.
mmm... a protagonist who complete dominates a long film to the detriment of context and the other players in the story (though the abolitionist, limping senator with the black lover does gets close to stealing the show, and is rather more interesting than the hammily - acted Lincoln); Day - Lewis acts like he's focused on getting an Oscar rather than bringing a human being to life - Lincoln as portrayed is a strangely zombie character, an intelligent, articulate zombie, but still a zombie; I greatly appreciate Spielberg's attempt to deal with political process and I appreciate the lack of «action» but somehow the context is missing and after seeing the film I know some more facts but very little about what makes these politicians tick; and the lighting is way too stylised, beautiful but unremittingly unreal, so the film falls between the stools of docufiction and costume drama, with costume drama winning out; and the second subject of the film - slavery - is almost complete absent (unlike Django Unchained) except as a verbal abstraction
He is involved with some dangerous characters who at first seem like important plot factors; later, we suspect Wenders was just throwing in some film noir elements to keep up the interest before getting to his real story, which comes toward the end of this very long film.
Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.
Another Story offers a secondary scenario with a unique character, while Special Mode is a mode designed to test your endurance with combat set to an ever counting timer (the longest time alive being the goal).
With such a long running time accompanying its weak story and bland characters, John Carter is the worst movie I have seen so far this year.
The cinematography's long shots convey a calmness that is quickly shattered, and along with the music, juxtaposes with the story of the film and the characters in a way that adds insight into the lives of the characters.
Each story follows a different character, giving players a glimpse into the various parts that made up the war machine in World War I. It's a great way of putting you on the front lines of the Great War, as it allows players long enough to get emotionally attached to the characters, but no characters stick around long enough to overstay their welcome.
At 2 1/2 hours, Aquarius is about a half - hour too long for the story it tells, yet it feels like a privilege to be in the presence of such a powerful character and such a quietly commanding performance.
The pacing is glacial, it takes too long for the story and the characters to develop
This story and these characters will keep audiences talking long after they leave the theater.»
The characters act in the way you expect, and despite Cianfrance's attempts to layer the film with long, sweeping moments and beautiful cinematography, it doesn't do much to elevate the story into something more unique, or at least more riveting.
Like the Harry Potter films, Matthew Vaughn's (Layer Cake) treatment does spend an inordinate amount of time on secondary characters and superfluous side stories, to the point where it's hard to discern there being a main story for long durations.
But the film at times has trouble reconciling its desire to tell a story about the long - lasting effects of Native American displacement with the reality that most of the story revolves around the white characters.
So it was a long shoot and quite a big epic movie in one way, but very much a character drama, also some kind of reverse love story between my character and Tom's character: they've been married for eight years when the movie starts and it's like a cold war between them.
While Insidious: Chapter 3 is short on story and character development, it turns out to be quite long on jump scares.
The problem is that these moments are rather few in what might have worked better as a character study, as the story at its core is not particularly new or interesting, and plods along to a predictable beat to its ultimate conclusion that feels too long in coming.
The movie also goes on too long, has implausible moments where characters should die and don't, and features superficial touches that leave the audience yearning for more (like story details and the underdeveloped characters).
As long as you know that you're going to see plot elements, story backgrounds, and characters similar to other, better films, you will be in the right frame of mind to enjoy Doom strictly as b - movie entertainment and nothing more.
Bottom Photo: This decades - old character is finally getting her own story, but even though it took us way too long to get here, the film lacks a certain something that would make it truly shine.
Plans were also afoot for the 2017 release of Disney Infinity 4.0, complete with a long - awaited story mode that would have intertwined the adventures of characters from the series» disparate Star Wars, Marvel and Disney universes.
WHY: The fourth season of «The Walking Dead» may be plagued by many of the same problems as previous years, but while its tendency to let plotlines drag on for too long causes the show to grind to a halt at times, the renewed focus on keeping the story moving even when its characters aren't plays a huge part in its success.
The story then picks up with them in high school, but Teller and Bell are no longer young enough to play high school aged characters so it just feels a bit awkward in those scenes.
While the story structure remains unclear, the casting of Goodman seemingly confirms that the character is no longer dead.
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