Full of
long tracking shots along empty landscapes, Elswit was able to transform barren surroundings to postcard views.
Not exact matches
There's also a distracting flicker when Aldrich's camera goes into motion in one of his graceful circular pans, his
long tracking shots (there's a nice, two - minute example at a riverside Juarista camp), or his orbits
along the periphery of a scene.
Mike Leigh's sprawling J.M.W. Turner biopic opens with a marvelous extended - take
long shot: A windmill's silhouette churns its blades against the rays of the rising sun as two Flemish maids enter the frame carrying buckets of water on their shoulders, the camera
tracking with them
along the muddy banks of a canal before settling finally on a distant figure in top hat, Mr. Turner (Timothy Spall), fervidly sketching the scene in a portfolio.