Sentences with phrase «long wall piece»

Minnesota artist Frank Big Bear will produce a 50 - feet - long wall piece for the center's new entrance pavilion (scheduled to open in November) that will face the garden.

The small scale contrasts dramatically with the digitally printed 40 - foot - long wall piece on traditional Japanese paper she created during her 2006 residency at Artpace.

Her own creative breakthrough took the form of long wall pieces shaped like giant nail files, using dripped beeswax built up in coloured, visceral layers.

Not exact matches

As a result, investors large and small are willing to believe that any piece of news, good or bad, is the long awaited «all clear» signal that will herald good times on Wall Street.

But here, too, there is little that is actually new, although there is detail that confirms what shrewder observers of Vatican life pieced together after the events of early 2013: that Benedict XVI's poorly - planned 2012 visit to Mexico and Cuba convinced him that he could no longer travel; that he believed the Pope must be present at World Youth Day 2013 in Brazil, a conviction that became the terminus ad quem driving the timing of the abdication and what immediately preceded it; and that, contrary to speculations that have become more lurid over time, Benedict's concern about his increasingly frailty, which fuelled his concern that he would be increasingly unable to give the Church what she deserved from a pope, was the sole motive behind his decision to renounce the Oice of Peter — not Vatileaks, not concerns about financial and other corruptions inside the Leonine Wall, not blackmail.

Besides walls, another function shared between profiles and pages is the ability to post «notes,» which are longer pieces of text that work much like blog posts (MySpace pages also automatically include a blogging function).

For many years the magazine was not available on the Web site and then only pieces of it were available on the Web site and again we are going to the model where just a few — it's the feature articles, the long form feature articles — are behind the pay wall.

Eclectic prints, vintage signs, and vision boards may crowd your walls — fascinating conversation pieces for all the glittery intellectuals in your friend circle to discuss... that is, if you're home long enough to entertain them!

Additionally, my husband and I assembled a collection of art pieces that were of the right size and scale for this large wall but that also have meaning to us (sometimes a big awkward wall calls for big pieces of art and a long bench!).

While I have some pieces of artwork and wall decor that stays put for more than a season, most of my wall decor migrates to different walls all year long.

lacks the straightforward narrative or melodic thrust of The Wall, but it isn't as somnolent as The Final Cut, and if the songs don't call attention to themselves, they nevertheless form a long suite that works as a sustained mood piece.

David Lynch's Mulholland Drive contends that the answer to the eternal struggle between what is real and what is fantasy comes in the form of a Keatsian confusion — it's the difference between Adam's dream and Eve rendered flesh, blurred in the mind of the creator and his audience.A film is a dream of the director made tangible, a conceit familiar from the fourth wall - breaking in Ingmar Bergman's Persona (banishing any mystery there might have been regarding the visual references to that film in Lynch's piece), and a movie's characters therefore become projections of its maker's sublimated longing (clarifying too the auteur's use of wardrobe and colour schemes from Hitchcock's meditation on objectification, Vertigo, as well as those of his first collaboration with inamorata Tippi Hedren, The Birds).

Barbara, from director Christian Petzold, is a fiercely directed character piece set in rural East Germany long before the fall of The Wall.

Before long, his piece (read it at www.timesfreepress.com/news/2011/aug/04/citys-downtown-not-so-sweet-writer-says) was picked up by local TV, the AP, and the Wall Street Journal, and today, the ensuing brouhaha claims some 12,500 references in a quick Google search.

For its part, the Wall Street Journal has already announced its intentions for its replacement for AllThingsD, which will include long - form pieces on the industry and its own global technology conference, which isn't surprising given the popularity and the attendance of the long - time AllThingsD conferences.

The interior walls, floor and ceiling are lined with pieces of 1 inch thick Styrofoam cut from a sheet 8 feet long by 2 feet wide.

The art pieces play continuously all day long, yet hang seamlessly on your wall like traditional paintings.

An exhibition, either solo or shared has been the most profitable experience in galleries but I found that it was too long between drinks just having a few pieces on their walls surrounded by many other works, often made up of pieces that had been created to fit in with that years interior design colour schemes and priced accordingly.

Jack Whitten's first exhibition with Hauser & Wirth presents works from several series — «Quantum Walls», «Portals», lenticular works from the «Third Entity», one piece from the continuing Black Monolith Project, and a sculpture (all dated 2015 — 17)-- continuing a five - decade - long investigation of passions vis - à - vis a testing exploration of painting itself.

I spend as long as necessary to perfect each piece and will not let it leave my easel till it is worthy of your wall space!

As one traverses the long room that houses the three recent projects, lights switch from one piece to the next, flashing over walls covered with large text, posters, and collages — abounding in heavily leftist political statement.

Managing partner Klaus Ortlieb designated the south facing wall of the new Cooper Square Hotel a venue for public art by commissioning a piece to celebrate the East Village and its long history as a welcoming place for emerging artists.

An ambient sound piece permeates the space, and around a wall to the left, other sonic works loop in a listening room with dark walls and a long bench.

Not long after the Jack Mundey wall, Vhils headed on to the Fremantle Street Arts Festival to execute this piece with the face of Dorothy Tangney, Australia's first woman senator.

Easternsports is a four - channel video installation projected on four monumental freestanding walls that envelop viewers into the three - hour long video piece.

Immense and expansive as the emotions and experiences he captures, Hodges» works include fine, complex pieces such as Not for Long (1996); a wall sculpture resembling a spider web crafted from jeweler's metal chains; and No Betweens (1996) a curtain made out of silk flowers; and the billboard - sized Don't Be Afraid (2004), for which Hodges invited members of the United Nations to handwrite the message don't be afraid in their native languages on a large piece of vinyl.

The monumental 21 - feet - long piece was made by hurling immense amounts of clay onto heavy - duty easels, firing the finished individual sections, then arranging them together on the wall.

These original pieces, Kadar's paintings of expression, are then «negated and disenchanted» by a long process of layering and breaking down to become what we see hung on the walls of galleries, his hole - y, three - dimensional, deconstructed post-paintings.

Because most of Benglis's poured wall pieces are no longer extant, the reunion of the five parts of Phantom for the first time since its original presentation at Kansas State University is of particular importance.

She cast the organic shapes large - scale in milky acrylic to create two translucent, radiant sculptures — a 15 - foot - long, wall - mounted horizontal piece titled Slug and a 13 - foot - tall floor - to - ceiling piece titled Egg, each lit from within and host to a lush universe of plant life.

Grosse's piece is called This Drove My Mother Up the Wall, which is one of the best titles I've heard in a long time.

Particularly intriguing are the juxtapositions of contrasting materials, such as seeing the serpentine stone sculpture of Richard Long in relation to the synthetic looking urethane wall pieces of Peter Alexander, and the shiny stainless steel of a cage - like Richard Deacon sculpture.

These felt works, likened to Post Minimalist art historic works as Joseph Beuys's felt sculptures or Robert Morris's cut - felt wall pieces, subverts its expectations: the material is no longer the represser of sound, but the resonating chamber itself.

Arte Povera artist Jannis Kounellis has a wall piece perfectly paired with a stone installation by land artist Richard Long.

2011 Postcards from the Edge, CRG Gallery, New York, US Litos Grafere, Danish Art Center Silkeborg Bad, Silkeborg, DE; Museum of Stavanger, NO Freeriding, East / West Galleries, Woman's University, Denton, Texas, US Sculpture in So Many Words: Text Pieces 1960 - 75, Ziehersmith, New York, US Intrusions, Galerie Michèle Chomette, Paris, FR Compagni Di Viaggio - Traveling Companions, Mestna Galerija Ljubliana, SI L'Insoutenable Légéreté de L'Être, Yvon Lambert, VIP Art Fair, Online Art Fair, New York, US Box is a Box is a Box, Librairie Florence Loewy, Paris, FR Drawn / Taped / Burned Abstraction on Paper, Kotonah Museum of Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market Art Fair, The Royal Swedish Academy of Fine Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female: Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvedere.

2006 The Downtown Show, The New York Art Scene 1974 - 1984, New York University Grey Art Gallery, New York, US Onestar Shop by Hans Schabus, Art Metropole, Toronto, CA Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR

Unfortunately, this piece blocks our view of the best work on hand, a long wall he coated with dark liquid clay.

He taped together sections of rolled - out brown paper until a piece stretched seven feet long and tacked it to the wall.

The exhibition features works ranging in scale from the intricate series of Section, Extension wall pieces to the 3 - metre long floor - based sculpture Systems VI (2011).

The piece spans the width of the exhibition space with entities joisted against opposite walls by a long metal rod that pierces each at its core.

Postcommodity's video piece «A Very Long Line» is a four - channel video installation showing the border wall as it exists today and how it is site for the contradiction and conflict between a nation that is supposed to welcome the immigrant, but tries very hard to keep the immigrant out.

A colorful 108 foot - long wall painting extending the length of the West Barn hallway, Milhazes» piece joins other public art installations at Grace Farms by Thomas Demand, Teresita Fernández, Olafur Eliasson, and Susan Philipsz, all of which are freely available for viewing during public hours.

Two outstanding and seldom - seen untitled works by Judd at Meier, a 1965 floor box with fluorescent pink Plexiglas sides and a long red - and - violet wall piece from 1969, remind us how his sculpture frequently injects color aggressively into interior space.

The Iowa piece (titled Channels) covers a long wall in a hallway with a series of bright, laser - cut Formica tiles in shapes generated by a computer program.

Just this week, three oil company - funded specialists published an opinion piece in the Wall Street Journal with the goal of appealing for a longer period of non-action on climate change.

South Asian Human Rights Documentation Centre (SAHRDC) sits on a tiny piece of land on a busy street, with its long wall facing the sun.

It didn't take long, however, to see the destructive aftermath of a violent tantrum to understand — scratch marks on another child in our home, a book torn to pieces, or holes in the wall.

The long - anticipated promotion represents the final piece in a broader, generational shift among some of Wall Street's most powerful and prominent dealmakers.

No grease, just dirty walls: I like to do this after the grease stage too, but I get a drywall sanding head attachment for my long painters pole, it one of those attachments that swivel and you put in a rectangular piece of sandpaper.

Hallway: Wall Color — I think Rockport Gray (it was one we found in his basement from last summer and just used it because we already had it) by BM in a matte finish Trim — Simply White by BM in a semi-gloss finish Doors — Wrought Iron by BM in semi-gloss Enter His Gates Sign — Dear Lillie Coat Rack — We made it with a 1 by 8 piece of wood (about 6 feet long) stained with Provincial and added hooks from IKEA Large Hat — ?