Sentences with phrase «longer exhibition periods»

Not exact matches

Gill & Lagodich has provided both period and replica frames for paintings from the Terra Foundation for exhibition or long - term loan to other esteemed institutions (see details of some exhibitions below).

The exhibition features a group of new small paintings as elusive and distinct as petrichor — that pleasant smell which accompanies the first rain after a long period of warm, dry weather.

That display featured works from her long career and wide - ranging practice, from her early period as an active member of the Parisian avant - garde in the 1920s and 1930s, through to her later years back in Britain, leading up to her Tate retrospective exhibition in 1983, the year before she died.

During this period of transition to a new long - term location in 2017, exhibitions and public programs are focused on temporary structures — including publishing formats, social experiments and architectural forms — set against the fast - mutating landscape of downtown Manhattan.

Curator Norman L. Kleeblatt explains how the exhibition came about: «I had been thinking for a long time about an exhibition that began with the idea of abstraction and the postwar period.

The exhibition focused on a brief but critical period in Frankenthaler's career during 1962 — 63, when she «composed with color» rather than with line, resulting in the freer compositions that came to exemplify her long and prolific career.

This collaboration with the Tate Liverpool, where Delahunty previously served as head of exhibitions and displays, promises a wide display of Pollock's work focusing on a period in his career long ignored.

Exploring an unparalleled period in American art, this long awaited exhibition reveals the full breadth of a movement that will forever be associated with the boundless creative energy of 1950s New York.

The second of Judd's notable print - making periods began in 1986 (shown in the exhibition in the two long wings).

Each registered name will be illuminated for 15 seconds on the 30 - meter long L.E.D. sign that will be on view twenty - four hours a day during the exhibition period.

The New Gallery Walsall's fantastic exhibition, Richard Long: Prints 1970 - 2013, brings together all the prints made by the British artist over a 40 - year period.

The exhibition brought together about 130 works from some 56 different collections, covering the years from 1924 to 1975 - virtually the entire creative period of Tobey's long and productive life.

During this period of transition to a new long - term location in 2017, exhibitions and public programs will be focused on temporary structures — including publishing formats, social experiments and architectural forms — set against the fast - mutating landscape of downtown Manhattan.

The framing device Gober offers for his quiet new exhibition at Matthew Marks, his first since the MoMA show, is time, which is a recognition of the long gestation period of many of these thirty - nine objects.

The pair is presenting a selection of «influential artists who began working with video early in its development and traces a line up through 1990, bracketing an important period for this medium and a fertile time for artistic activity on Long Island,» according to the introduction to the exhibition.

The exhibition starts with the oldest works, including Dosso Dossi's Psiche abbandonata da Amore (1525) and Antonio Carneo's Aracne tesse la tela (better known as L'Indovina, c. 1660), presented in dialogue with an assortment of books on «magic» from the same period, and ends with works by the most recent generations of contemporary artists — from Christian Marclay to Grazia Toderi, from Markus Schinwald to Clare Strand, Elina Brotherus, Jeppe Hein, Beate Gütschow and Hans Op de Beeck — passing through masters like Gustav Klimt, Giorgio de Chirico, Fernand Léger, Edward Weston, Kurt Schwitters, Yves Klein, Arnulf Reiner, Georg Baselitz, Gerhard Richter, Peter Blake, Christo, Günter Brus, Mimmo Jodice, Gilberto Zorio, Giulio Paolini, Richard Long, Candida Höfer, Giuseppe Penone, Fischli and Weiss and Shirin Neshat, to mention just a few.

By not providing a map for the visitors or designating what was an artwork and what wasn't, the entire environment became an active part of the exhibition: people wandered through the space for long periods of time, often looking at everything around them.

This exhibition is another important retrospective exhibition held after his solo exhibition at the Long Museum (West Bund) in 2016, which features all his representative and contemporary works from different periods and different series throughout his 50 - year course of creation, demonstrating his creative context through the examination of sociality and aesthetics in his works and the milestones of his career.

Scores of scholars, curators, and critics have published copiously illustrated books and exhibition catalogues devoted to retrospective looks at the French artist's five - decade - long career, as well as his use of color, textiles, and ornament, his portraits and still lifes, his penchant for making two versions of the same subject from time to time, his visits to Morocco, the Nice period of the 1920s, his late cutouts, the chapel in Vence, France, and even his collectors.

«During the long medieval period — from about 500-1500 — actual contact increased between geographically distant regions, as seen through the exchange of materials and ideas in this exhibition.»

[7] The exhibition divided his life and work into two decade - long periods, the first political phase until 2000, and the later more poetic phase.

The collection of works presented in this exhibition hail from that beginning: a period from 1970 - 79 in which logic was first established and the formation of a line initiated a decades - long career.

Featuring 40 large scale paintings that reveal her long standing exploration of the body and self - representation the exhibition spans her career; from work made during the 1940s in Vienna, periods spent in Paris and New York, her return to Austria in 1980 and paintings made in the final years of her life.

The exhibition focuses on a period that could be described as the long 1970s (1968 - 84), all the works were either made during this time, or reflect on the radical social and political movements of the era.

The exhibition unfolds along a chronological axis marked by two eras: the pre-war period with George Grosz, Carlo Carrà, Giorgio de Chirico, Fortunato Depero, Achille Funi and Francis Picabia; and the post-war and contemporary with Carla Accardi, Giorgio Morandi, Dadamaino, Piero Manzoni, Lucio Fontana, Mario Schifano, Mimmo Rotella, Andy Warhol, Richard Long, Julian Schnabel and Bertozzi & Casoni.

Exhibition explores this pivotal period in British history, featuring work by Art & Language, Susan Hiller, John Latham and Richard Long

This catalogue of an exhibition held at Gagosian Gallery, New York, highlights the critical three - year period, 1983 — 1985, in the last decade of de Kooning's long career, during which he radically transformed his style.

The unveiling coincides with the artist's first solo show in the Middle East at Al RIWAQ DOHA Exhibition Space and QMA Gallery at Katara where visitors can see an ambitious new large - scale work, Passage of Time, which is made up of two 66.5 m long and 4.1 m tall steel curves that snake diagonally through the exhibition space, and works from different periods of Serra's fifty year career of sculptures andExhibition Space and QMA Gallery at Katara where visitors can see an ambitious new large - scale work, Passage of Time, which is made up of two 66.5 m long and 4.1 m tall steel curves that snake diagonally through the exhibition space, and works from different periods of Serra's fifty year career of sculptures andexhibition space, and works from different periods of Serra's fifty year career of sculptures and drawings.

Ths long - overdue exhibition will showcase the avant - garde movement that may well have made the most difference where South American art of the postwar period is concerned.

The exhibition highlights artists from this later period of Gutai production, who have long been neglected in scholarship, such as Imai Norio, Imanaka Kumiko, Kikunami Joji, Matsuda Yutaka, Matsutani Takesada, Mukai Shuji, Nasaka Senkichiro, Nasaka Yuko, and Yoshida Minoru.

Check it out and also visit: «Transfigurações, Fotografias, 1968 — 2012 ″ by Roger Ballen, «Tração Animal» by Raul Mourão, «Humúsica» by artist Cabelo, «Amor» by Luiz Zerbini and also the long term exhibition with Brazilian artists — period 1920 - 1970.

The curator states, «Zhan Wang's solo exhibition presented at the Long Museum will chronicle the artist's prolific artistic experiments from the earlier period to the present.

However, in 2010 I had an exhibition at the National d'Art Contemporian in Strasbourg, with works created across a long period of time, between 1976 and 2009, and even though I could see many differences in style, I felt that they still all spoke together in the same consistent language.

The exhibition «Figuration Narrative, Paris 1960 — 1972» in 2008 and the accompanying catalogue is a profound retrospective of this period, including a long list of exhibitions and events throughout these years, including the important exhibition «Mythologies quotidiennes», July — October 1964.

This format of the exhibition will be held over a long period, providing space for reflection and on - going discussions, inviting artists not only to produce and exhibit their works but also to slow down and provide the time needed to reflect on our current cultural conditions and the over production so common in the art field today.

Published concurrently with an exhibition at New York's Knoedler & Company, this handsome volume — the cover of which features Frankenthaler's great painting, «A Green Thought in a Green Shade» (1981)-- pays tribute to the painter's long and distinguished career, with a fully illustrated survey of the works chosen for the exhibition, which represent quintessential paintings from each period of her career.

Exhibitions run for a two - week period, although longer shows may be arranged.

Three artists each receive mentoring from an established painter over a year - long period and a bursary of # 10,000 to support experimentation and the making of new work for a national touring exhibition.