answering factual, inferential, main idea, and derived - meaning questions from
longer narrative passages; explicit vocabulary learning
answering complex inferential questions; answering factual, main idea, derived meaning, and diagram - based questions from
longer narrative passages; answering questions without immediate feedback and correcting answers after delayed feedback; explicit vocabulary learning
working with sequence diagrams; answering factual, inferential, main idea, and derived - meaning questions from
longer narrative passages
answering factual, inferential, main idea, and derived - meaning questions from
longer narrative passages
working with Venn diagrams; answering factual, inferential, main idea, and derived - meaning questions from
longer narrative passages
answering factual, inferential, main idea, and derived - meaning questions from
longer narrative passages; working with maps in the context of a passage
answering complex inferential questions; answering factual, main idea, derived meaning, and diagram - based questions from
longer narrative passages; answering questions without immediate feedback and correcting answers after delayed feedback
working with cluster diagrams; answering factual, inferential, main idea, and derived - meaning questions from
longer narrative passages
working with hierarchical diagrams; answering factual, inferential, main idea, and derived - meaning questions from
longer narrative passages
answering complex inferential questions; answering factual, main idea, and derived - meaning questions from
longer narrative passages; answering questions without immediate feedback and correcting answers after delayed feedback
Not exact matches
The Passion
narrative is the only
long passage in the Gospels that relates events in complete sequence (see p. 33).
I recommend Enon to readers who enjoy quiet, interior
narratives;
long (but not belabored) descriptive
passages; a strong sense of place; and to those who won't mind spots of weak plot and dialogue in order to get to the good stuff.
The
Passage was heralded by some to be too
long at over 800 pages but I found it compelling because of its
narrative.
I have
long admired Mumford's virtuosic ability to push the paint around, and one of my favorite
passages in this work is found at some distance from the kneeling American soldier who is the
narrative if not literal center of the painting.