Sentences with phrase «longer signed their paintings»

Although Hunt and the others continued to work in the romantic style, they no longer signed their paintings PRB.

Not exact matches

The better picture you can paint of your sales process — who your buyers are, how they find you, why they select you, and how long it takes them to sign on the dotted line — the better we can help you move that process along.

Coupled with the fact that ESPN add that United are targeting another midfield signing this summer, it paints a pretty bleak picture of his long - term hopes of making a breakthrough at Old Trafford and so these touted talks will likely be vital in clearing up the matter and formulating a plan.

Once influenced by a fleeting fling with an artist who wore a thrifted blazer he had hand painted dollar signs on the back and sleeves, I no longer feel the need to make a statement everyday.

We negotiated with the landlord that we'd sign a two - year lease as long as the bedroom carpets got replaced, the whole place got painted (plus I got to choose the color — Behr's Ultra Bright White), and the house got thoroughly cleaned.

This past month, a bizarre, three - year - long lawsuit accusing the artist Peter Doig of falsely claiming he never made a 40 - year old landscape painting signed «Pete Doige,» finally came to a close when the judge sided with the painter due to the sheer preponderance of evidence that he had nothing to do with the middling artwork (which was in fact made by a prison inmate).

1987 1987 Biennial Exhibition, Whitney Museum of American Art, New York (catalogue) Perverted by Language, Hillwood Art Gallery, Long Island University, Greenvale, NY (curated by Robert Nickas, catalogue) Reconstruct / Deconstruct, John Gibson Gallery, New York (curated by Robert Nickas, catalogue) Extreme Order: Cemin, Gober, Halley, Lemieux, Steinbach, Lia Rumma Gallery, Naples (curated by Collins & Milazzo, brochure) Primary Structures, Rhona Hoffman Gallery, Chicago (curated by Robert Nickas) Avant - Garde in the Eighties, Los Angeles County Museum of Art, Los Angeles (catalogue) Paint — Film, Bess Cutler Gallery, New York Post-Abstract Abstraction, The Aldrich Museum of Contemporary Art, Ridgefield, CT (curated by Eugene Schwartz, catalogue) NY Art Now: The Saatchi Collection, Saatchi Gallery, London (catalogue) Generations of Geometry, Whitney Museum of American Art at The Equitable Center, New York Similia / Dissimilia, Columbia University Art Gallery, New York; travelled to Sonnabend Gallery and Leo Castelli Gallery, New York; Städtische Kunsthalle, Düsseldorf, Germany (curated by Rainer Crone, catalogue) The Castle, documenta 8, Kassel, Germany (curated by Group Material) Reinhard Onnasch Galerie, Berlin (catalogue) Anti-Baudrillard, White Columns, New York (curated by Group Material) Recent Tendencies in Black and White, Sidney Janis Gallery, New York (curated by Jerry Saltz, catalogue) Terrae Motus, Grand Palais, Paris (catalogue) The Beauty of Circumstance, Josh Baer Gallery, New York (catalogue) New York Now, The Israel Museum, Jerusalem, Israel (catalogue) 1986 Admired Work, John Weber Gallery, New York Spiritual America, CEPA Galleries, Buffalo, NY (catalogue); travelled to Stavanger Faste Galleri, Stavanger, Norway (curated by Collins & Milazzo) New New York, Cleveland Center for Contemporary Art, OH Signs of Painting, Metro Pictures, New York, and Donald Young Gallery, Chicago Painting and Sculpture Today 1986, Indianapolis Museum of Art, Indianapolis, IN (catalogue) Paravision II, Margo Leavin Gallery, Los Angeles (curated by Collins & Milazzo) Political Geometries: on the Meaning of Alienation, Hunter College Art Gallery, New York (catalogue) Post Pop, Michael Kohn Gallery, Los Angeles Tableaux Abstraits, Villa Arson, Centre National d'Art Contemporain, Nice, France (catalogue) Europa / Amerika, Ludwig Köln Museum, Cologne, Germany (catalogue) End Game: Reference and Simulation in Recent Painting and Sculpture, Institute of Contemporary Art, Boston, MA (curated by David Joselit and Elisabeth Sussman, catalogue) Ashley Bickerton, Peter Halley, Jeff Koons, Meyer Vaisman, Sonnabend Gallery, New York The Hidden Surface, Middendorf Gallery, Washington, DC Geometry Now, Craig Cornelius Gallery, New York Surfboards, Michael Kohn Gallery, Los Angeles Art and Its Double: A New York Perspective (El arte y su doble), Centre Cultural de la Funcacio Caixa de Pensions, Madrid; travelled to Fundación Caja de Pensions, Barcelona (catalogue) Rooted Rhetoric, Castel Dell «Ovo, Naples (catalogue)

Why not show one of Ruscha's pared - down paintings of buildings and signs, or establish an intelligent dialogue between photography and sculpture by including sculptors like Richard Long and Hamish Fulton in whose work photography plays a vital role?

His optimistically titled show, «Tomorrow Is Another Day», will feature paintings and sculpture but will also encompass Process Collettivo (Collective Process): a long - term collaborative project with Rio Terà dei Pensieri, a Venice - based co-operative that works with the inmates of a women's prison on the island of Giudecca to make bags made from recycled signs and posters.

They bear all the signs of dedication — corduroys, red shirts, long hair and as many beards as would keep them all in paint brushes for a life - time.»

Time Machine / Hippie Dandy at Meliksetian Briggs is comprised of Gray's new photo - based sculptural work, an installation of the original paintings made by the Ghanaian sign painters, as well as, ephemera from the artist's year long performance piece, Ray.

The building signage is extremely important to Charles Cushing, text and sign imagery has long been a hallmark of his landscape paintings and Buenos Aires is famous for their larger than life bill boards.

Long known for his funny and sometimes biting sign - written paintings, Brill has found his cause célèbre in defending creativity and arts education — from pre-school to art schools.

The exhibition, based on paintings, sculptures, installations and photographs from the Sonnabend collection, granted on long - term loan to the Foundation Civic Museum of Venice, affords a comprehensive view of the contemporary art panorama, through artworks by Robert Rauschenberg, Andy Warhol, Roy Lichtenstein, Jim Dine, Tom Wesselmann, Robert Morris, Sol Lewitt, Anselm Kiefer and Jeff Koons, just to name a few, and including works never exposed in Venice, like None Sing / Neon Sign by Bruce Nauman and Inflatable Flower (Yellow) by Jeff Koons.

Fontana, whose slash and puncture «spatial concept» canvases made the radical statement that the surface of a canvas could be extended into the surrounding space, has long been lauded as one of the key figures in post-war European art, while Accardi's paintings of brightly colored signs painted on canvas, and later on «sicofoil», were widely known in Italy but were not exhibited extensively elsewhere until more recently.

This exhibition traces a narrative of Schor's work since the early 90s to the present, from Semi-colon in a Flesh Comma (1994) which punctuates the text of the female body, and Undue — a section of War Frieze, her major 1991-1994 200 - running feet long multiple canvas work on militarism and aggression, painted in the aftermath of the first Gulf War but still as timely today — through representations of the nature of artmaking itself — the sign, the trace — to the empty thought balloon when grief has left the artist at a loss for words, to her most recent works schematically figuring the artist as thinker, reader, writer in an uncertain world.

Subjecting motifs to distillation and transformation, these artists suggest that long - discarded Modernist notions about painting as text (or sign) might have mileage in them yet.

Standouts include Carrie Mae Weems» holographic narrative about race, sex, and politics portrayed by ghostly characters on a burlesque stage; The Propeller Group's video that draws parallels between funeral practices in Vietnam and New Orleans, along with the collective's sculptures of tricked - out musical instruments, which were also photographed with members of Louisiana marching bands; Glenn Kaino's installation of water tanks that turn military machines into coral reefs; Jean - Michel Basquiat's paintings and works on paper that reference the cultural legacy of the Mississippi Delta and the South; Camille Henrot's video exploration of the universe by way of the storage rooms of the Smithsonian Institution; Tavares Strachan's 100 - foot long neon sign declaring «You belong here» from a barge on the Mississippi River; and Andrea Fraser's monologue, in which she recreated a heated debate by New Orleans city council members during a 1991 vote to racially integrate the Mardi Gras krewes — changing her voice and expression as she dynamically alternated between speakers, both black and white.

New York and North Adams, Massachusetts, Drift of Summer, RM Gallery, Auckland, New Zealand Observe / Recognize, Berlin Gallery at Legends Santa Fe, Santa Fe, New Mexico 2010 Collision, Rhode Island School of Design Museum, Providence, Rhode Island Lush Life, Invisible Exports Gallery, New York, New York Everyday Mystics, Patricia Sweetow Gallery, San Francisco, California Vantage Point, Recent Acquisitions, Smithsonian National Museum of the American Indian, Washington DC Raw State, Shelby Street Gallery, Santa Fe, New Mexico New Paintings, Staley Wise Gallery, New York, New York Alluring Subversions, Timken Art Center, California College of The Arts, San Diego, California Currents, University of Northern Colorado, Greeley, Colorado organized by Cicely Cullen 2009 On Stellar Rays, Lover, New York, New York, organized by Kate Gilmore and Candice Madey Signs Taken For Wonders, Jack Shainman Gallery, New York, New York, organized by Isolde Brielmaier, Surveillance, Affirmation Arts, New York, New York, organized by Rachel Vancellete Solution, DiverseWorks, Houston, Texas, organized by Janet Phelps Eiteljorg Museum, Recent Acquisitions, Eiteljorg 2008 - 09 Fellows, Indianapolis, Indiana The Banality of Good, Claremont Graduate University, Claremont, California, organized by Chris Christion Currents, Metro Visual Arts Center, Denver, Colorado, organized by Cicely Cullen Relevant, Nathan Cummings Foundation, New York, New York, organized by Amerinda 2008 Blueballs, Production Fund LAB, New York, New York, organized by Jackie Saccoccio Visions, Flushing Town Hall Projects, Flushing, New York, organized by Omar Lopez - Chahoud Voices of the Mound, Institute of American Indian Arts, Santa Fe, curated by Linda Lomahaftewa - Singer Kentler International Drawing Space and Long Island University, Native Voices, New York, New York 516 Arts, Cautionary Tales, Albuquerque, New Mexico, curated by Holly Roberts Jersey City Museum, 1 × 1 Project, Shameless, Jersey City, New Jersey, curated by Rocio Aranda Alvarez Circa Art Fair, Puerto Rico, with Samson Projects Volta 4, Basel, Switzerland, with Samson Projects 2007 SONOTUBE, Santa Barbara Contemporary Arts Forum, Santa Barbara, California, curated by Miki Garcia Off The Map, The National Museum of the American Indian, Smithsonian Institution, New York, New York, curated by Kathleen Ash - Milby New England School of Art and Design, Boston, Massachusetts, organized by Charles Giuliano Postmillennial Black Madonna (in two parts): Paradise @ MoCADA, and Inferno @ Skylight Gallery, Brooklyn, New York Newark Open 2007, Newark, New Jersey, organized by Omar Lopez - Chahoud 2006 The Aldrich Museum of Contemporary Art, No Reservations, Ridgefield, Connecticut, curated by Richard Klein Paul Kopeikin Gallery, Paperworks, Los Angeles, California, curated by Daria Brit Shapiro Westport Arts Center, BROOKLYN, Westport, Connecticut, curated by Amy Simon State University of New York, Paumanoka, Stony Brook, New York, curated by Stephanie Dinkins The Jersey City Museum, Tropicalisms, Jersey City, New Jersey, curated by Rocio Aranda - Alvarado ARCO, Madrid, Spain, with Samson Projects MACO Art Fair, Mexico City, Mexico with Samson Projects 2005 Le Désert de Retz, Massimo Audiello, New York, New York, curated by David Hunt Alona Kagan Gallery, From the Root to the Fruit, New York, New York, curated by David Hunt Out of Bounds, Wave Hill, Glyndor Gallery, Bronx, New York, curated by Jennifer McGregor Evolving Pattern, New Jersey State University, Jersey City, New Jersey, organized by Midori Yoshimoto Play, Iandor Fine Arts, Newark, New Jersey, curated by Jomo Jelani Heywood Artists Alliance AIR Exhibition, Cuchifritos Gallery, New York, New York 2004 The Urge That Binds, Samson Projects, Boston, Massachusetts Jersey City Museum, Jersey (New), Jersey City, New Jersey, curated by Dr. Rocio Aranda New American Talent, The Jones Art Center for Contemporary Art, Austin, Texas, selection by Jerry Saltz The Space Between Words, Kean University, Union, New Jersey, curated by Judith Page Timeless / Timeliness, Aljira Center for Contemporary Art, Newark, New Jersey, curated by Dominique Nahas Super Salon, Samson Projects, Boston, Massachusetts, curated by Camilo Alvarez

Sign painting has a long tradition and has emerged recently as artists have started to network and share their craft.

If you want to sign another lease come the next year to allow the tenants to paint if they would like since they may be a long term tenant and I want them to feel more at home.

Red Quilt and Shams — Julia Quilt and Shams in Red from Birch Lane Joy and Peace Jute Pillows — Birch Lane Monogrammed Candle — Birch Lane Preserved Red Hydrangea — Birch Lane Berry Wreath Pillow — Birch Lane Red Double Sided Chalkboard — Birch Lane Wood Skis — Birch Lane Plaid Deer Head — Target Wreath above bed — Dear Lillie Collection at Painted Fox Mirror above Desk — Dear Lillie Collection at Painted Fox Little Silver Truck and Car Ornaments — Dear Lillie Collection at Painted Fox Merry and Bright Sign — Dear Lillie Red Metal Car — Homegoods Lamps — HomeGoods Black and White Striped Throw — IKEA Coverlet — Have had for a long time not sure where it was originally purchased Bed Skirt and Shams — Country Curtains Nightstands — Pier 1 about 8 years ago, they still carry them but they are more expensive now then back when I purchased ours Basket under nightstand — Wayfair Roman Shades — Lowe's (they've since been discontinued) Drapery Panels — IKEA Drapery Rods — Lowe's Rug — HomeGoods Black Velvet Pillows — HomeGoods Trunk at end of bed — an antique shop about 10 - 11 years ago Tray and flowers on bed — HomeGoods Desk — IKEA