Sentences with phrase «longest title of any film»

Not exact matches

The natives are quickly identified by the settlers and the film as antagonists, perhaps the hostiles of the title, and before long they've destroyed the family, their home, and stolen their horses, all seemingly out of primal greed.

Certain images in the film are memorable, such as Will's lingering glance at an empty, leaf - strewn swimming pool, which may inspire your longing for an adaptation of John Cheever's The Swimmer with Hamm in the title role.

There follows a long working out of the film's title, as Jen transforms herself from victim to warrior and Ms. Fargeat turns her skills to suspense and gore.

After Panettiere showed up in such films as Remember the Titans and Joe Somebody, her next notable role was Maddie Harrington, the long - lost daughter of the quirky title character on Fox's Ally McBeal.

The long time Transformers director also revealed that the title of the next film will be called Transformers: The Last Knight.

The next time someone tells you documentaries are dull, there's another title you can add to the long, long list of films that will prove them wrong.

As the title implies, the focus of this hour - long live - action series is not on the larger than life costumed superheroes who turned The Avengers into the third highest - grossing film of all time, but the employees of the Strategic Homeland Intervention, Enforcement and Logistics Division, the government agency of espionage and law enforcement that has worked with and sometimes against the likes of Captain America, Iron Man, Thor, and the Hulk.

The title of First Reformed, Paul Schrader's best film in a very long time, refers to an old abolitionist church in upstate New York, a metaphor for Christianity's neglected values.

In one of them, the film's vixenish flirt of a bookseller, played by Elizabeth Banks, strips down in front of Andy, the long - standing virgin of the film's title, gets into her tub, and proceeds to masturbate (underwater, well out of the camera's direct view) with a flexible shower head.

Despite these triumphs, Leonard's reputation mainly rests on the series of six musical films he made with the singing team of Jeanette MacDonald and Nelson Eddy; Leonard directed all but two of their features, including Maytime (1937), long established as the uncontested favorite of the cycle.In Leonard's late career, the properties he handled were somewhat less auspicious, though there is a surprise in the hard - boiled melodrama The Bribe (1949), a respected film noir that is the only film of its kind in Leonard's canon of 161 known titles.

In this Hallmark Hall of Fame TV film set in the post-war era, Kyra Sedgwick is the title character, a New Yorker who has long kept her Jewish heritage under wraps.

Added to this film fest omnibus are a polychrome - tinted 1920 German version of Hamlet starring the epicene Asta Nielsen, a new print of Von Sternberg's long - M.I.A. gangster ur - noir Underworld (celebrating its 80th anniversary with a potentially ill - advised score by the Alloy Orchestra), and the wishfully - titled Blade Runner: The Final Cut.

Upon its release in 1974 this low - budget work, the only film in Peckinpah's long career over which he was allowed final cut, tanked at the box office — and merely invoking its title has since become a kind of joke, whether in Michael Ritchie's 1985 film Fletch or BBC Radio's «I'm Sorry I Haven't A Clue».

I also would have preferred it if they had just made a film of the first book, instead of mixing up a whole bunch of them into something with such a ridiculously long title.

It's lyrical, sweet and even though it doesn't feature Jane Fonda's much talked about wild, scene - stealing turn, it manages to evoke the sense of longing for the past that that lives up to the film's title.

«When Western culture came in, it was like a tsunami because we'd been closed off for so long,» Zhao says, rattling off the titles of films she remembers seeing: «True Lies,» «Sister Act,» «Aliens,» «Indecent Proposal,» «Pretty Woman.»

Other titles in this section include: Naomi Kawase's sweet, light and leisurely AN; Tom Geens» COUPLE IN A HOLE, about a couple living in an underground forest dwelling to be left alone to deal with their mysterious grief; DEPARTURE, Andrew Steggall's delicate first feature about longing, loneliness and nostalgia for a sense of family that may have never existed; Jacques Audiard's Palme d'Or - winner about a makeshift family trying to cement their bonds, DHEEPAN; the World Premiere of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof family that may have never existed; Jacques Audiard's Palme d'Or - winner about a makeshift family trying to cement their bonds, DHEEPAN; the World Premiere of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaOF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaOF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof love, loss, memory and the mystical.

I caught some of the titles: Nugu - ui ttal - do anin Haewon (Nobody's Daughter Haewon) is a delightful film from the South Korean auteur Hong Sang - soo, the story of a female student's «sentimental education» as it were, as she traverses through reality, fantasy, and dreams, we viewers never quite sure what we are watching; Jim Jarmusch's Only Lovers Left Alive (TIFF's Opening Night film) is an engaging and drily humorous alternative vampire film, Tilda Swinton melding perfectly into the languid yet tense atmosphere of the whole piece; Night Moves is from a director (Kelly Reichardt) I've heard good things about but not seen, so I was curious to see it, but whilst the film is engaging with its ethical probing, I found the style quite laborious and lifeless; The Kampala Story (Kasper Bisgaard & Donald Mugisha) is a good little film (60 minutes long) about a teenage girl in Uganda trying to help her family out, directed in a simple, direct manner, utilising documentary elements within its fiction.

; RED DUST, the TRC courtroom drama starring Hilary Swank; the stylish Cape Flats gangster film, DOLLARS AND WHITE PIPES; the record - breaking box office performers MAMA JACK and MR. BONES, starring South Africa's number one box office star, Leon Schuster; THE LONG RUN starring Armin Muehler - Stahl (SHINE); THE THEORY OF FLIGHT starring Academy Award ® winning Kenneth Branagh and Helena Bonham Carter; BRAVO TWO ZERO, (as co-producer), a BBC co-production starring Sean Bean, based on Andy McNab's best - selling book of the same titlOF FLIGHT starring Academy Award ® winning Kenneth Branagh and Helena Bonham Carter; BRAVO TWO ZERO, (as co-producer), a BBC co-production starring Sean Bean, based on Andy McNab's best - selling book of the same titlof the same title.

Three or four regular readers of The A.V. Club's TIFF coverage may remember The Sky Trembles And The Earth Is Afraid And The Two Eyes Are Not Brothers, a film with an ungodly long title that I wrote about last year.

The box office of the second film suggests that formula can become a long - term franchise, and builds its possibilities with the addition of antihero teammates from Marvel Comics for the title character, including Josh Brolin's Cable and Zazie Beetz's Domino.

There's a great running gag (relevant to the plot) involving a string of «No Dogs Allowed» signs, and the film is alternately humorous (love Snoopy at the library, cracking up over a book titled The Bunnies) and heart - tugging (the farewell sequences seemingly run almost as long as those in the final Lord of the Rings flick!).

Asked what he thought of the title in an interview, Mark Hamill said he was relieved to no longer have to keep it secret and joked about its similarity to 2003 film The Last Samurai.

Director Rachid Bouchareb, a long time festival favorite, has taken the general story of writer / director Jose Giovanni's 1973 film of the same title and relocated it from France to a New Mexico border town.

Penn is hilarious as the pompous Emmet, but even better is the «sweet» component of the film's title: Samantha Morton, who plays Emmet's long - suffering laundress girlfriend Hattie — who happens to be mute.

Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.

SPC sounds like an appropriate fit for the film, given that they've had some success lately with female - skewing arthouse titles like «Rachel Getting Married,» «I've Loved You So Long» and their canny acquisition from last year's festival, «Frozen River» — even if those films» campaigns have lost some steam over the course of the season.

But Mes's long - awaited book on Kaji connects directly to several titles within Arrow's library, most notably its U.K. - only Blu - ray edition of her Lady Snowblood films (1973 - 4) and their box set featuring her most iconic performance, the four - film Female Prisoner Scorpion series (1972 - 3).

Last year Focus Features» parent Universal Pictures sneaked the Blumhouse title Get Out at midnight Tuesday last year, which kicked off a roaring box office whirlwind of $ 255M worldwide for the socially - conscious horror title and a year long - plus awards season march which hasn't stopped including two Golden Globe noms (comedy, lead actor), two SAG noms (ensemble cast and lead actor Daniel Kaluuya), Critics Choice wins for best horror film and Jordan Peele's screenplay, two DGA nominations for best picture and first time feature by Peele, as well as the Stanley Kramer honor at last night's PGAs.

I'd heard a bit about the movie — it would have been difficult, as a working film reviewer to not have — but not orally, so I thought that the title was pronounced with a long «o» or even a sort of «u,» so it rhymed with «Luke,» or, more pertinently, an obscure Italian - American slang word that Robert De Niro uses in «Raging Bull,» that word being «mamaluke.»

Not only for megastar filmmakers like the Dardennes and the Coens, but for Terence Davies («The Long Day Closes»), Rian Johnson («Brick»), Ramin Bahrani («Chop Shop»), Katherine Bigelow («Blue Steel»), Jerzy Skolimowski («Deep End»), Kelly Reichardt («Old Joy»), Michael Winterbottom («A Cock and Bull Story» — who makes two or three movies a year, it seems)... Those parenthetical titles, of course, are earlier films by these filmmakers.

Comparing the international and U.S. trailers offers some insight into the changes wrought on the version that washed up on Yankee shores; an extensive and vaguely repetitive posters and still gallery reminds that the film's original title was Kiss & Kill; a long essay on the life and times of Sax Rohmer offers sustenance for the pulp geek (and who ain't); and extensive biographies of Lee and Franco illuminate not only their subjects, but the strong connection behind the scenes between Blue Underground and Anchor Bay.

All of the original film's voice talent is back, including Patrick Warburton in the title role, David Spade, John Goodman, Eartha Kitt, and in perhaps his final performance, John Fielder (the recently - deceased long - time Disney actor best known for voicing Piglet).

Gloriously filmed in 16 mm by cinematographer Sean Price Williams and set to a bare, haunting score by Keegan DeWitt, Queen of Earth channels the psychological dramas of the»60s and»70s, right down to spot - on title cards in soft pink cursive that mark each day that passes in the week - long story.

Double Dragon provided an important stepping stone that would lead to Capcom defining the beat»em up genre with Final Fight, as well as leading to its own long franchise of titles (including the profoundly depressing Double Dragon 2: The Revenge) and even a feature film adaptation.

After the titles end, there's a slow track across the natives relaxing to Max Steiner's Asian - influenced score (not unlike the opening of another 1940 film, John Ford's The Long Voyage Home).

Film Comment's movie showcase returns in its 18th edition with a selection of titles curated by the magazine's editors, offering strikingly bold visions, mixing New York premieres of new films and long - unseen older titles that deserve the big - screen treatment.

But then it could be argued that the hoops action is almost incidental in this fact - based story, for the title character, Richmond High School (though actually filmed at my alma mater, Long Beach Polytechnic High School, which somehow became the go - to ghetto high school filming location after I graduated) basketball coach Ken Carter (Samuel L. Jackson), is less concerned with how his young charges fare on the court than they do in the classroom and, ultimately, in the game of adult life.

«If things are going to change, we are going to have to be «Superman,»» he says, referring to the title of the 2010 documentary film Waiting for Superman, which drew attention to the long waiting lists at many charter schools.

However, this isn't yet another huge film franchise being given the yellow - faced treatment, nor a profitable toys to life game, but a completely new direction for Traveller's Tales and their long line of Lego titles.

It won't last you long and most certainly isn't awesome, but for fans of LEGO titles and definitely the film there is certainly something enjoyable here.

Ryan Reynolds, the comedic actor most not too long ago identified for his position as Deadpool within the film of the identical identify, is reportedly taking up the voice of the title character from Legendary's upcoming Detective Pikachu film.

His exhibition at the National Gallery of Modern Art in Delhi, titled «Shoonya Ghar (Empty House),» runs through March 6, 2016, and features, among other pieces, an hour - long film and a sculptural installation featuring the sets from the film.