As a result
of the brief, violent
moment of crisis in which it became conscious at once
of its creative power and
of its critical faculties, humanity has quite legitimately become hard to move: no stimulus at the level
of mere instinct or blind economic necessity will suffice for
long to goad it into moving onwards.
Her
long - term investigations — Figures
of Speech (2006 — 2010), exploring discursive potential
of artworks, and The Body
in Crisis (2011 ---RRB-, tracking changing conditions
of the human body
in historical
moments of crisis — are structured as series
of sometimes subtle, sometimes confrontational transfers from one work to another, from one context to the next.