Sentences with phrase «longstanding interest in art»
Our longstanding interest in art has evolved with our business and we are passionate about supporting artists whose creativity and innovation are an integral part of their work.
http://www.contemporaryartsociety.org/ Not exact matches
He has a longstanding interest in the interface between art and the scientific study of visual perception, including portraiture, the general principles of composition, and the historical development of space representation.
Hansen's interest in combining technology, human biology and fine art is longstanding and has led to some rather unusual experiments: we're told he recently used his own DNA to form the codes that go on to create his work.
These sculptures build on my longstanding interest in refracting the language of classical art to make it relevant to contemporary culture.
Deriving from the early, expatriate phase of Byars's career, his drawings in the NYU Art Collection reflect his interest in Japanese calligraphy and contribute to the longstanding dialogue between American and Asian traditions.
Running for the duration of the exhibition, this performance showcases Barry's longstanding interest in exploring the temporal dimension of art and continues his history of artistic collaborations with Hunter College students, which began when he taught at the college in the 1960s and 1970s.
Plymouth Arts Centre 1 December 2017 — 20 January 2018 This latest exhibition explored my longstanding interest in folding and falling and its more recent means of expression through ceramics and print.
Her longstanding interest in psychoanalysis and Freudian theory burgeoned during this time and later served as a source of inspiration in her abstract art.
His longstanding interest in how we revere or deify our heroes and / or ancestors feeds into the new body of work in «Alejandro Aguilera, About the Modern Spirit,» on exhibit at the High Museum of Art through May 20.
Yellow With Red Triangle (1973, now at the Corcoran Gallery of Art in Washington DC) drew on Kelly's longstanding interest in architecture, in this case the relationship between a dormer window and a roof he could see from his studio.
These new works draw on Flack's longstanding interest in Baroque and Old Masters, and places these sources alongside imagery gleaned from the 20th century canon, including Abstract Expressionism and Pop art.
Inspired by her longstanding interest in Cubism and a correspondence with Jean Arp, these works signify an important turn in her approach to art, prompting her remark «the way I think is collage.»