Once you've taken your photos, you'll also be able to view them in a new -
look gallery section that breaks snaps down by person and locations.
Not exact matches
On the second floor of a onetime art
gallery with blond wood floors in the Old Town
section of Pasadena, Adam Wells describes in sweeping detail what the cabin of Virgin Galactic spaceships will not
look like.
For more information on the dive routes, marine life and history of the reserve, see the pages in the El Cabrón
section of the website, or
look at the photos in the photo
galleries.
Filling the Focus
section booth for the Max Estrella
gallery, which is based in Madrid, the work engages the phenomenon of pareidolia, which accounts for the mind's habit of seeing things or finding patterns where none exist — «like if we
look at a cloud and see a face or an animal,» Estrella, the
gallery director, said.
Following the fantastic reception received byThe Nineties last year, I'm
looking forward to another innovative, thoughtprovoking curated
section, this time celebrating radical women artists as well as the ground - breaking role of their
galleries.
Depending on how early in their careers you are
looking to find artists, graduate school exhibitions, fair
sections like Frame at Frieze New York, biennials and triennials and of course younger
galleries (for example Chapter NY or On Stellar Rays in New York; Gagareena or Jenny's in Los Angeles; and Micky Schubert or Tanya Leighton in Berlin) are all important forums for discovery.
Also in the «Feature»
section, which is devoted to curated shows by established and historic artists,
look out for the work of Nam June Paik, whose market is catching up with his exalted reputation, at James Cohan
Gallery, and the experimental film - maker Stan VanDerBeek at Los Angeles» The Box, which is one of 17 newcomers to the fair.
Guest, Barbara, «Reviews and Previews», Art News (New York), April, volume 53, no. 2, p. 54 Devree, Howard, «About Art and Artists: Moderate Abstractions Make a Lively Exhibition at the City Center
Gallery», New York Times, 8 April, p. 25 Newbill, Al, «Fortnight in Review: A Contrasting Trio», Art Digest (New York), 15 April, volume 28, no. 14, p. 20 «Coast - to - Coast: Guggenheim to Show and Buy «Younger» Painters», Art Digest (New York), 1 October, volume 28, no. 1, p. 14 McBride, Henry, «Americans
looking east,
looking west», Art News (New York), May, volume 53, no. 3, pp.32 - 33 & pp.54 - 56 Devree, Howard, «About Art and Artists: Display of Work by «Younger Americans» Brought Together by J.J. Sweeney», New York Times, 12 May, p. 36 Hunter, Sam, «Guggenheim Sampler: Abstract painting comes of age in a museum exhibition of fifty - four younger Americans», Art Digest (New York), 15 May, volume 28, no. 16, pp. 9 & 31 Devree, Howard, «Americans Today: Selection of Work From East to West Opens at Guggenheim Museum», New York Times, 16 May,
section 2, p. 1 - Fremantle, Christopher E, «New York Commentary», Studio (New York), October, volume 148, no. 739, pp. 124 - 126 Arnason, H.H, Reality and Fantasy: 1900 - 1954, catalogue, Walker Art Center, Minneapolis Sweeney, James Johnson, Younger American Painters: A Selection, catalogue, Solomon R. Guggenheim Museum, New York 61st American Exhibition: Paintings and Sculpture, catalogue, Art Institute of Chicago Goodrich, Lloyd, «Whitney's Battle for U.S. Art», Art News (New York), November, volume 53, no. 7, pp.38 - 40 & 70 - 73
The
galleries are
looking to celebrate the diversity of painting by showcasing a cross
section of emerging to mid career contemporary painters who work in various processes and mediums, utilising different concepts and content.
North / south
section - perspective through the new
gallery spaces at The Museum of Modern Art,
looking east along 53 Street.
Serious collectors and the curious alike should
look for a surge in sculpture, a large selection of contemporary art from China (the dedicated region of the fair's Focus
section), a rise in the number of emerging
galleries and the increase of single - artist presentations and thematic groupings of work that vary across media and generation.
In the afternoon, head to the Live square (L2)-
look it up on the interactive fair map online - in the center of the Frame
section, which is dedicated to emerging
galleries and their artists.
Traveled to Grazer Kunstverein, Austria and The Studio Museum, New York Tenth Anniversary Exhibition, 100 Drawings and Photographs, Matthew Marks
Gallery, New York (catalogue) 2000 Made in California: Art, Image and Identity, 1900 - 2000,
Section 5, 1980 - 2000, Los Angeles County Museum of Art (catalogue) 1999 Through the
Looking Glass, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, NY 1995 In a Different Light, (co-curator), University of California, Berkeley Art Museum (catalogue) Into a New Museum - Recent Gifts and Acquisitions of Contemporary Art, San Francisco Museum of Modern Art 1994 Body and Soul, (with Cindy Sherman, General Idea and Ronald Jones), Baltimore Museum of Art Outside the Frame: Performance and the Object, Cleveland Center for Contemporary Art Don't Leave Me This Way: Art in the Age of AIDS, National
Gallery of Australia, Canberra (catalogue) Black Male, Whitney Museum of American Art, New York (catalogue) 1993 Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston I Love You More Than My Own Death, Venice Biennale 1992 Translation, Center for Contemporary Art, Ujazdowski Castle, Warsaw California: North and South, Aspen Art Museum, CO Recent Narrative Sculpture, Milwaukee Art Museum, WI Facing the Finish, Art Center College of Design, Pasadena, CA (catalogue) Nayland Blake, Richmond Burton, Peter Cain, Gary Hume, Matthew Marks
Gallery, New York Effected Desire, Carnegie Museum of Art, Pittsburgh Dissent, Difference and the Body Politic, Portland Art Museum, OR The Auto Erotic Object, Hunter College Art
Gallery, New York 1991 Third Newport Biennial: Mapping Histories, Newport Harbor Art Museum, CA (catalogue) Facing the Finish, San Francisco Museum of Modern Art Louder,
Gallery 400, University of Illinois, Chicago The Interrupted Life: On Death and Dying, New Museum of Contemporary Art, New York Anni Novanta, Galleria Comunale d'Arte Moderna, Bologna.
Following the fantastic reception received by The Nineties last year, I'm
looking forward to another innovative, thought - provoking curated
section, this time celebrating radical women artists as well as the ground - breaking role of their
galleries.
Next, take a
look at the core qualifications
section in the
gallery assistant resume sample.