Sentences with phrase «look of a classical painting»

It has the look of a classical painting, but the subject's tattoed torso is defiantly modern.

Not exact matches

Gucci's Creative Director Alessandro Michele, Lana del Ray and Jared Leto looked like they stepped out of a classical painting in complementary custom Gucci outfits.

wax painting The resource includes: Examples of architectural artists Examples of a student work collages of architecture Resource sheets of architectural photographs of churches to use for studies Resource sheets of different buildings ornamentations to use in collage Learning Objectives To develop a Classical Greek and Roman element in one's work of art at KS3, KS 4 - GCSE Art and A-level Art To study various examples of how artists have used these classical architectural elements in their works of Art A look at various contemporary artists and how they have used the Classical elements and architectural features To develop a collage combining photographs, painting and Classical Greek and Roman element in one's work of art at KS3, KS 4 - GCSE Art and A-level Art To study various examples of how artists have used these classical architectural elements in their works of Art A look at various contemporary artists and how they have used the Classical elements and architectural features To develop a collage combining photographs, painting and classical architectural elements in their works of Art A look at various contemporary artists and how they have used the Classical elements and architectural features To develop a collage combining photographs, painting and Classical elements and architectural features To develop a collage combining photographs, painting and pen work.

Of course, in classical painting, the artists are also often closely observing a scene in front of them, but with observational painting, the act of looking is given primacOf course, in classical painting, the artists are also often closely observing a scene in front of them, but with observational painting, the act of looking is given primacof them, but with observational painting, the act of looking is given primacof looking is given primacy.

With a remarkable technique, John Currin depicts women that often look like the subjects of classical paintings, yet have odd proportions, perhaps like caricatures, that take you by surprise yet make you not be able to look away.

Dunne notes that Miller, «a professional mathemetician... very quickly... came to look on [painting] as a distinct language in itself, a language that is coherent, self - consistent, formally rich and infinitely flexible, and he applied his mind to its problems... As with Corot, he looks not to classical narratives but to the immediate fact of the landscape.

Half Gallery has a selection of paintings by Genieve Figgis on view, all of which look like someone's taken a classical figurative painting, held a candle to it, swirled the paint around, and repainted the figures to look creepy and sad — a successful exercise in enlivening history.

The painting, one of a number found in Titian's studio at the time of his death in 1576 aged 89, and which had been hidden away for centuries in a remote palace in the Czech Republic, had a blasted rawness, a disregard for classical finish that made the other Renaissance paintings around it look effete in comparison.

«Homer Was Swept Away» shows a classical Greek painting with heavy water damage in a bent frame, as if it had been swept away in a flood, while «George Washington Eroded» is a portrait of the first president, flaked, peeling and crumbling; it looks like the sort of thing archeologists from the year 3500 would extract from the ruins of what was the United States of America.»

I like to play with elements of classical painting, but I'm just not interested in making work which is purely «good looking».

Look at the way she depicts a face in a classical manner or purposefully places globs of dried paint on the canvas, and you are likely to conclude that she can do anything she wants with paint and pretty much does.

The painting, whose reclining figure «has a sensuous, alluring posture, looks back at the classical traditions of the nude in a very different way» than in the treatment of similar subjects by other artists.