Featuring an adorable bear in a festive feathered mask, this giclee print on canvas has
the look of a fine art painting and comes ready to hang.
Not exact matches
Featuring an iconic image
of a baseball, this giclee print on canvas has the
look and feel
of a
fine art painting and comes ready to hang.
Featuring an iconic print
of a classic soccer ball, this giclee print on canvas has the
look and feel
of a
fine art painting and comes ready to hang.
Featuring an iconic image
of a classic basketball, this giclee print on canvas has the
look and feel
of a
fine art painting and comes ready to hang.
Featuring an eye - catching floral motif, this giclee
painting has the
look and feel
of a
fine art painting and comes ready to hang.
A comprehensive
look at the
paintings of the last 40 years — oils, watercolors, and more — this $ 75 behemoth is full
of stunning images and knowledgeable commentary from Tony Godfrey, who works at Sotheby's Institute
of Art and is a
Fine Arts professor.
The problem I found with most
of these
paintings is that they're all either the very traditional detailed oil
paintings, or they're the modern abstract cartoonish
looking paintings, which is
fine if that's your thing, but that seems to be the extent
of the Judaic
art world.
Organized by the Pennsylvania Academy
of Fine Arts, this is the first in - depth museum
look at the work
of this lifelong Harlem resident with 90
paintings and works on paper from the early 1930s through the late 1970s.
1997 Joan Mitchell & John Chamberlain: A Juxtaposition, Cheim & Read, New York (November 19, 1997 — January 10, 1998) The Nature
of Looking: Twentieth Century Modern
Painting, Colorado Springs
Fine Art Center, Colorado Springs (September 27 — November 30) Maîtres du Tondo, Galerie Claude Lemand, Paris (May 22 — June 28) Women and Abstract Expressionism:
Painting and Sculpture, 1945 — 59, Sidney Mishkin Gallery, Baruch College, CUNY, New York (March 20 — April 18).
2000 Luci in Galleria, da Warhol al 2000, Galleria Gian Enzo Sperone, Turin, Italy Grant Selwyn
Fine Art, New York Peter Halley / Alex Katz / Sherrie Levine, Galerie Wilma Tolksdorf, Frankfurt am Main Glee:
Painting Now, Palm Beach Institute
of Contemporary
Art, Lake Worth, FL; Aldrich Museum
of Contemporary
Art, Ridgefield, CT (catalogue) Around 1984: A
Look at
Art in the Eighties, MoMA P.S. 1, Long Island City, NY (catalogue) New Prints 2000, International Print Center, New York Flights
of the Málaga Collection, Fundacion la Caixa, Málaga, Spain Hard Pressed: 600 Years
of Prints and Process, AXA Gallery, New York (catalogue) Universal Abstraction 2000, Jan Weiner Gallery, Kansas City, MO Perfidy: Surviving Modernism, Kettle's Yard, Cambridge, UK Wall Works, Edition Schellmann, Munich From Albers to Paik: Works
of the DaimlerChrysler Collection, Kunst Zürich, Zurich Age
of Influence: Reflections in the Mirror
of American Culture, Museum
of Contemporary
Art, Chicago Collectors: The Collection
of Fondation Cartier for Contemporary
Art, Palazzo Delle Papesse, Siena, Italy Bit by Bit:
Painting & Digital Culture, Numark Gallery, Washington, DC American
Art: The Last Decade, Loggetta Lombardesca, Ravenna, Italy (catalogue) Out
of Order: Mapping Social Space, CU
Art Galleries, University
of Colorado at Boulder, Boulder, CO; travelled to Carleton College
Art Gallery, Northfield, MN; Pittsburgh Center for the
Arts, PA; Atlanta Contemporary
Art Center, GA; Santa Barbara Contemporary
Art Forum, CA (catalogue) Inka Essenhigh / Peter Halley, Mary Boone Gallery, New York Architecture & Memory, Lawrence Rubin, Greenberg Van Doren
Fine Art, New York Sandra Gering Gallery, New York
Things, Words and Consequences, Moscow Museum
of Modern
Art, Moscow, Russia Curatorial Exchange, Irvine
Fine Arts Center, Irvine, California The Holodeck, PØST, Los Angeles, California Pure Perception, Monica De Cardenas Galleria, Milan, Italy Pittura [1995 - 2009], Studio Guenzani, Milan, Italy PRINT IMPRINT, Actual Size Los Angeles and Cirrus Gallery, Los Angeles, California Nudes
Painting Show, 3704 North Figueroa, Los Angeles, California
Looking Back for the Future, Kunsthalle Zurich, Switzerland Natural History, Carnegie Museum
of Art, Pittsburgh, Pennsylvania
2003
Painting Lesson, Galleria Cardi & Co., Milan (catalogue) Conversations: Influence and Collaboration in Contemporary
Art, Evergreen House, Johns Hopkins University, Baltimore, MD (catalogue) A Notion
of Time, Ingrao Gallery, New York Intersection...
Art / Design / New Media, Jan Abrams
Fine Art, New York Fall Colors: Group Show, Baldwin Gallery, Aspen, CO On the Edge: Contemporary
Art from the DaimlerChrysler Collection, The Detroit Institute
of Arts, Detroit, MI On: Inaugural Show, Galerie Xippas, Athens Unframed First
Look, Lehmann Maupin Gallery, New York The DaimlerChrysler Collection, Museum für Neue Kunst & Medienmuseum, Karlsruhe, Germany The Past
of the Present: Selections from the ABN AMRO Collection, Shanghai
Art Museum, Shanghai, China; travelled to Singapore
Art Museum, Singapore; Pinacoteca do Estado de São Paulo, São Paolo
Painting: from Rauschenberg to Murakami, 1964 — 2003, 50th Venice Biennale, Venice (catalogue) American Beauty, McClain Gallery, Houston, TX Recent Screenprints, Maya Stendhal Gallery, New York New York Contemporaries, Maya Stendhal Gallery, New York White on White, Galerie Xippas, Paris
Sly and obliquely, but also unmistakably, another Hockney show currently available in London, this time at Annely Juda
Fine Art, the artist's regular dealer, casts doubt on the proposition the Royal Academy exhibition
of his recent portraits seems determined to put forward, which is that nothing can match a figurative
painting made when directly confronting the subject, with no technology to modify or mediate the artist's immediate perception
of what he is
looking at.
Don't
Look Back, Contemporary
Fine Arts, Berlin Nomadic Images, 16th International Vilnius
Painting Triennial, organized by the Lithuanian Artists» Association, Museum
of Applied
Art and Design in Vilnius, Lithuania «Various are the lines
of life...», Galerie Bernard Ceysson, Windhof, Luxemborg The Present Order, Galerie für Zeitgenössische Kunst Leipzig, Germany Sammlung Viehof: Internationale Kunst der Gegenwart, Deichtorhallen Hamburg, Germany Landscapes after Ruskin: Redefining the Sublime, curated by Joel Sternfeld, The Hall
Art Foundation, Reading, VT [cat.]
Alternative Figures in American
Art, 1960 to the Present, Curated by Dan Nadel, Matthew Marks, New York, NY 1995 Pacific Dreams: Currents
of Surrealism and Fantasy in Early California
Art 1934 - 1957, Oakland Museum, UCLA Hammer Museum
of Art and Nora Eccles Harrison Museum
of Art, UT 1993 Selections from the Permanent Collection - California:
Art from the 1930s to the Present, San Francisco Museum
of Modern
Art 1989 Forty Years
of California Assemblage San Jose Museum
of Art, Fresno
Art Museum and Joslyn
Art Museum 1986 California Sculpture: 1959 - 1980, San Francisco Museum
of Modern
Art 1985
Art in the San Francisco Bay Area 1945 - 1980, Oakland Museum 1984 Contemporary American Wood Sculpture, Crocker
Art Museum, University
of Arizona Museum
of Art, Huntsville Museum
of Art and Chrysler Museum The Dilexi Years 1958 - 1970, Oakland Museum 1982 100 Years
of California Sculpture, Oakland Museum Northern California
Art of the Sixties, De Saisset Museum, University
of Santa Clara 1976 California
Painting and Sculpture: The Modern Era, San Francisco Museum
of Modern
Art and National Collection
of fine Arts, Smithsonian Institution 1975 Masterworks in Wood: The Twentieth Century, Portland
Art Museum First Artists» Soap Box Derby, San Francisco Museum
of Modern
Art 1971 Continuing Surrealism, La Jolla Museum
of Art 1969 An American Report on the Sixties, Denver
Art Museum American Sculpture
of the Sixties, Grand Rapids
Art Museum 1968 On
Looking Back: Bay Area 1945 - 62, San Francisco Museum
of Art The West Coast Now: Current Work from the Western Seaboard, Portland
Art Museum, Seattle
Art Museum and De Young Museum 1967 FUNK, University
Art Museum, Berkeley, and Institute
of Contemporary
Art, Boston American Sculpture
of the Sixties, Los Angeles County Museum
of Art and Philadelphia Museum
of Art 1966 Twenty Drawings: New Acquisitions, Museum
of Modern
Art, New York Two - Dimensional Sculpture, Three - Dimensional
Painting, Richmond
Art Center, CA 1964 Annual Exhibition
of Contemporary American Sculpture, Whitney Museum
of American
Art 1962 Fifty California Artists, Whitney Museum
of American
Art, Walker
Art Center, Albright Knox
Art Gallery and Des Moines
Art Center Public Collections
So there is a lot to
look at in this retrospective, at least for that surviving remnant
of the
art public that still takes a serious and knowledgeable interest in the
fine art of painting and in the kind
of drawing that sustains it.
He studied at the New York Academy
of Art and the Pennsylvania Academy
of Fine Arts — both bastions
of traditional figurative
painting and sculpture — and he
paints with his subjects arranged in frontal poses, as if for a photograph (which, since these
look like
paintings from photos, they probably were).
On being demobbed Turnbull enrolled in the
painting department
of the Slade School
of Fine Art in London but, finding himself out of sympathy with the backward - looking post-war Neo-Romanticism of the British art scene, he soon switched to sculptu
Art in London but, finding himself out
of sympathy with the backward -
looking post-war Neo-Romanticism
of the British
art scene, he soon switched to sculptu
art scene, he soon switched to sculpture.
A professor
of painting at the University
of Fine Arts (HBK) in Essen, the artist already
looks back on a 20 - year career...
Notable group exhibitions include; «Cake and Lemon Eaters: Viktor Pivovarov and Ged Quinn», Galerie Rudolfinum, Czech Republic (2014); which toured to The Gallery
of Fine Arts in Ostrava, Czech Republic (2014); «Somos Libres II», Pinacoteca Giovanni e Marella Agnelli, Italy (2014); «Landscape 2000», Osnabrück Cultural History Museum and Felix Nussbaum Haus, Germany (2013 2014); «
Looking at the View», Tate Britain, London, England (2013); «The Future is Not What It Used To Be», Newlyn
Art Gallery, Penzance, UK (2013); «Beyond Reality: British
Painting Today», Galerie Rudolfinum, Prague, Czech Republic (2012); «Everywhere and nowhere», Reydan Weiss Collection, Oberstdorf, Germany (2012); «The Witching Hour», Water Hall, Birmingham Museum &
Art Gallery, Leverkusen (2010); «Lust for Life & Dance
of Death», Kunsthalle Krems (2010); «Newspeak: British
Art Now», Saatchi Gallery, London (2010) touring to State Hermitage Museum, St. Petersberg (2009); «Made Up», Liverpool Biennale, Tate Liverpool (2008); «Collezionami 2», Biennale
of Southern Italy, Bari, Puglia (2006); and «The Real Ideal», Millennium Galleries, Sheffield (2005).
While I'd love for the Museum
of Fine Arts, Houston to pass on one
of its never - ending «once in a lifetime» opportunities to rent other museums» Impressionist collections, it's hard to see how San Antonio's interests don't include giving the city its first
look at a significant concentration
of works by the artist Green has argued made the most important
painting of the 20th century — especially since SAMA's contemporary collection includes painters such as Hans Hofmann and Richard Diebenkorn whom Matisse influenced.
Playing with water reflections along with rain, some
of these pictures almost
look like
Fine Art paintings, don't you think?
«Culturefield, oder die Kunst als Notausgang in die Gegenwelt», Kunstforum, April 2015 «Artist Ryan Gander:
Painting is «an illogical act»», BBC.com, 08.07.2014 «Use your imagineering: Ryan Gander's world
of pranks and puzzles», The Guardian, 07.07.2014 «Here's
looking at you», The Sunday Times, 06.07.2014 «Lost in Kassel», Die Zeit, 06.06.2012 «Ryan Gander», Art, 06.2012 «Der Mann, der vom Himmel fiel», Monopol, 03.2012 «Wir Retronauten», Monopol, Dec 2011 «Eurovision 2036», ArtAsiaPacific, Sep - Oct 2011 (Courtesy the author and ArtAsiaPacific) «Ryan Gander: guessing games raised to a fine art», The Telegraph, 30.08.2011 «Meet Ernö Goldfinger, the unsung hero of furniture design», The Guardian, 07.06.2011 «London: Ryan Gander», L'Uomo Vogue, May 2011 «Ryan Gander», Artforum, 11.03.2011 «Looking Back Looking Forward», Frieze, 01.01.2011 «A Torrent of Ideas on a Beautiful Day», Artforum, Nov 2010 «Ryan Gander: The Happy Prince», The Art Newspaper, 07.09.2010 «Now See This», Art Review, Sep 2010 «Artist of the week 89: Ryan Gander», The Guardian, 25.05.2010 «Reviews: Ryan Gander», Time Out, 20.05.2010 «Intervals: Ryan Gander», Deutsche Guggenheim Magazin, Jan 2010 «Public Artfund Announces Ryan Gander: The Happy Prince», artdaily.org, 2010 «Ryan Gander - Mapping the Studio», Kaléidoscope, # 5 2010 «Jeu de piste avec Ryan Gander», Le Monde, 29.08.2009 «Ryan Gander», Artpress, 07/08.2009 «Ryan
looking at you», The Sunday Times, 06.07.2014 «Lost in Kassel», Die Zeit, 06.06.2012 «Ryan Gander»,
Art, 06.2012 «Der Mann, der vom Himmel fiel», Monopol, 03.2012 «Wir Retronauten», Monopol, Dec 2011 «Eurovision 2036», ArtAsiaPacific, Sep - Oct 2011 (Courtesy the author and ArtAsiaPacific) «Ryan Gander: guessing games raised to a fine art», The Telegraph, 30.08.2011 «Meet Ernö Goldfinger, the unsung hero of furniture design», The Guardian, 07.06.2011 «London: Ryan Gander», L'Uomo Vogue, May 2011 «Ryan Gander», Artforum, 11.03.2011 «Looking Back Looking Forward», Frieze, 01.01.2011 «A Torrent of Ideas on a Beautiful Day», Artforum, Nov 2010 «Ryan Gander: The Happy Prince», The Art Newspaper, 07.09.2010 «Now See This», Art Review, Sep 2010 «Artist of the week 89: Ryan Gander», The Guardian, 25.05.2010 «Reviews: Ryan Gander», Time Out, 20.05.2010 «Intervals: Ryan Gander», Deutsche Guggenheim Magazin, Jan 2010 «Public Artfund Announces Ryan Gander: The Happy Prince», artdaily.org, 2010 «Ryan Gander - Mapping the Studio», Kaléidoscope, # 5 2010 «Jeu de piste avec Ryan Gander», Le Monde, 29.08.2009 «Ryan Gander», Artpress, 07/08.2009 «Ryan Gand
Art, 06.2012 «Der Mann, der vom Himmel fiel», Monopol, 03.2012 «Wir Retronauten», Monopol, Dec 2011 «Eurovision 2036», ArtAsiaPacific, Sep - Oct 2011 (Courtesy the author and ArtAsiaPacific) «Ryan Gander: guessing games raised to a
fine art», The Telegraph, 30.08.2011 «Meet Ernö Goldfinger, the unsung hero of furniture design», The Guardian, 07.06.2011 «London: Ryan Gander», L'Uomo Vogue, May 2011 «Ryan Gander», Artforum, 11.03.2011 «Looking Back Looking Forward», Frieze, 01.01.2011 «A Torrent of Ideas on a Beautiful Day», Artforum, Nov 2010 «Ryan Gander: The Happy Prince», The Art Newspaper, 07.09.2010 «Now See This», Art Review, Sep 2010 «Artist of the week 89: Ryan Gander», The Guardian, 25.05.2010 «Reviews: Ryan Gander», Time Out, 20.05.2010 «Intervals: Ryan Gander», Deutsche Guggenheim Magazin, Jan 2010 «Public Artfund Announces Ryan Gander: The Happy Prince», artdaily.org, 2010 «Ryan Gander - Mapping the Studio», Kaléidoscope, # 5 2010 «Jeu de piste avec Ryan Gander», Le Monde, 29.08.2009 «Ryan Gander», Artpress, 07/08.2009 «Ryan Gand
art», The Telegraph, 30.08.2011 «Meet Ernö Goldfinger, the unsung hero
of furniture design», The Guardian, 07.06.2011 «London: Ryan Gander», L'Uomo Vogue, May 2011 «Ryan Gander», Artforum, 11.03.2011 «
Looking Back Looking Forward», Frieze, 01.01.2011 «A Torrent of Ideas on a Beautiful Day», Artforum, Nov 2010 «Ryan Gander: The Happy Prince», The Art Newspaper, 07.09.2010 «Now See This», Art Review, Sep 2010 «Artist of the week 89: Ryan Gander», The Guardian, 25.05.2010 «Reviews: Ryan Gander», Time Out, 20.05.2010 «Intervals: Ryan Gander», Deutsche Guggenheim Magazin, Jan 2010 «Public Artfund Announces Ryan Gander: The Happy Prince», artdaily.org, 2010 «Ryan Gander - Mapping the Studio», Kaléidoscope, # 5 2010 «Jeu de piste avec Ryan Gander», Le Monde, 29.08.2009 «Ryan Gander», Artpress, 07/08.2009 «Ryan
Looking Back
Looking Forward», Frieze, 01.01.2011 «A Torrent of Ideas on a Beautiful Day», Artforum, Nov 2010 «Ryan Gander: The Happy Prince», The Art Newspaper, 07.09.2010 «Now See This», Art Review, Sep 2010 «Artist of the week 89: Ryan Gander», The Guardian, 25.05.2010 «Reviews: Ryan Gander», Time Out, 20.05.2010 «Intervals: Ryan Gander», Deutsche Guggenheim Magazin, Jan 2010 «Public Artfund Announces Ryan Gander: The Happy Prince», artdaily.org, 2010 «Ryan Gander - Mapping the Studio», Kaléidoscope, # 5 2010 «Jeu de piste avec Ryan Gander», Le Monde, 29.08.2009 «Ryan Gander», Artpress, 07/08.2009 «Ryan
Looking Forward», Frieze, 01.01.2011 «A Torrent
of Ideas on a Beautiful Day», Artforum, Nov 2010 «Ryan Gander: The Happy Prince», The
Art Newspaper, 07.09.2010 «Now See This», Art Review, Sep 2010 «Artist of the week 89: Ryan Gander», The Guardian, 25.05.2010 «Reviews: Ryan Gander», Time Out, 20.05.2010 «Intervals: Ryan Gander», Deutsche Guggenheim Magazin, Jan 2010 «Public Artfund Announces Ryan Gander: The Happy Prince», artdaily.org, 2010 «Ryan Gander - Mapping the Studio», Kaléidoscope, # 5 2010 «Jeu de piste avec Ryan Gander», Le Monde, 29.08.2009 «Ryan Gander», Artpress, 07/08.2009 «Ryan Gand
Art Newspaper, 07.09.2010 «Now See This»,
Art Review, Sep 2010 «Artist of the week 89: Ryan Gander», The Guardian, 25.05.2010 «Reviews: Ryan Gander», Time Out, 20.05.2010 «Intervals: Ryan Gander», Deutsche Guggenheim Magazin, Jan 2010 «Public Artfund Announces Ryan Gander: The Happy Prince», artdaily.org, 2010 «Ryan Gander - Mapping the Studio», Kaléidoscope, # 5 2010 «Jeu de piste avec Ryan Gander», Le Monde, 29.08.2009 «Ryan Gander», Artpress, 07/08.2009 «Ryan Gand
Art Review, Sep 2010 «Artist
of the week 89: Ryan Gander», The Guardian, 25.05.2010 «Reviews: Ryan Gander», Time Out, 20.05.2010 «Intervals: Ryan Gander», Deutsche Guggenheim Magazin, Jan 2010 «Public Artfund Announces Ryan Gander: The Happy Prince», artdaily.org, 2010 «Ryan Gander - Mapping the Studio», Kaléidoscope, # 5 2010 «Jeu de piste avec Ryan Gander», Le Monde, 29.08.2009 «Ryan Gander», Artpress, 07/08.2009 «Ryan Gander.
Unseen Warhol, (contributor), Rizzoli, 1996 Rizzi, John Szoke 1997 Glamour, Style, Fashion: The Warhol
Look, Andy Warhol Museum, 1997 Blank Generation Reviseted: Early Days
of Punk Rock, Schirmer, 1997 SOAPBOX: Essays Diatribes Homilies and Screeds 1980 - 1997, Imschoot, 1998 Artist / Author: Contemporary Artists Books, (contributor), DAP, 1998 Basquiat, Tony Shafrazi Gallery, 1999 The Style Guy, Ballantine Books, 2000 Human Nature (dub version), 2001, Greybull Press Anh Duong, Assouline, 2001 People After Dark, Roxane Lowit, (introduction,) Assouline, 2001 New York Beat, Petit Grand, 2001 New York Expression, Bergen Kunstmuseum 2002 Photographs
of Ron Gallela, Greybull Press, 2002 Tom Sachs: Nutsy's, Guggenheim Museum, 2003 Shriners, with Lisa Eisner, Greybull Press, 2004 Andy Warhol: The Late Works, (contributor), Prestel Verlag, 2004 Yours In Food, (contributor), John Baldessari, Princeton, 2004 Maripolarama, Powerhouse, 2005 People, Roxane Lowit, Assouline, 2005 Public Access: Ricky Powell Photographs 1985 - 2005, Powerhouse, 2005 Pam: American Icon, Stellan Holm Gallery, 2005 James Nares: New
Paintings, Kasmin, 2005 Warhol's World, Steidl, 2006 The Jean - Michel Basquiat Show, Skira, 2006 Katlick School, with Sante D'Orazio, TeNeus, 2006 Jean - Michel Basquiat: 1981, The Studio
of the Street, Charta / Deitch 2007 Richard Prince, Guggenheim Museum, 2007 Out
of Mind, Shawn Mortensen, Abrams, 2007 Leadbelly: A Life in Pictures, Steidl, 2008 Warhol by Gallela: That's Great, Monacelli, 2008 John Lurie, A
Fine Example
of Art, Powerhouse, 2008 Acid Candy, Miles Aldridge, Reflex Editions, 2008 Christopher Wool, Taschen, 2008
It takes a provocative
look at how photographers use
fine art traditions, including Old Master
painting, to explore and justify the possibilities
of their
art.
Look Mickey (1961) and subsequent
paintings are massive enlargements
of the original cartoons — that canvas is 1.7 metres wide — subtly changed and rendered as
fine art.
The handcrafted and
painted art objects on sale were as unconventional as their setting: lumpy and unruly, they neither resembled the mass - produced items they purported to represent nor shared the recognizable
look of fine art.
New Directions in the
Art of the Moving Image, Smithsonian Museum of American Art, Washington D.C., US Images of the Mind, Deutsches Hygiene - Museum, Dresden, DE The Art of Deceleration, Kunstmuseum Wolfsburg, DE Space Invaders, Nikolaj Kunsthal, Copenhagen, DK Jihlava Documentary Film Festival, Jihlava, CZ Celebrazione Vasariane, Firenze Arti Visive, Florence, IT Ensemble 20/21, Auditorio Nacional de Música, Madrid, ES MMK 1991 - 2011: 20 Years of the Contemporary, MMK, Frankfurt, DE Oslo Chamber Music Festival 2011 - Gamle Logen, Oslo, NO Pino Pascali: Return to Venice / Apulia Contemporary Art, Palazzo Bianchi Michiel, Venice, IT The Missing Peace: Artists Consider the Dalai Lama, San Antonio Museum of Art, Texas, US Portraits de la Pensée, Palais des Beaux - Arts de Lille, FR Paradise Lost, Istanbul Museum of Modern Art, TR The Quintet of the Unseen, Blain Southern London, UK art / tapes / 22 a Santa Teresa (1972 - 76), Forno San Ferdinando, Follonica, IT Tout ouïe, Sans Canal Fixe, Tours, FR 2011 Images and Views of Alternative Cinema, Theatro Ena, Nicosia, CY New contemporary galleries featuring the John Kaldor Family Collection, Art Gallery New South Wales, Sydney, AU The Promised Land, Staatliche Kunstsmmlungen Dresden, DE Don't Look Now, Kunstmuseum Bern, CH Figuratively Speaking: A Survey of the Human Form, Bellagio Gallery, Las Vegas, US Happy Tech: machines with a human face, Palazo Re Enzo (1/29 -2 / 13) & La Triennale / Bovisa, Milan, IT La Candela Festival 2011, Valls, ES The Unbearable Lightness of Being, Yvon Lambert Gallery, Paris, FR San Sebastian, una iconografia comtemporánea, Kubo - Kutxa, Donostia - San Sebastian, ES When Painting Moves... Something Must Be Rotten, Stenerson Museum, Oslo, NO Knock on wood: Tales from the forest, Virserums Konsthall, SE Space, Foundazione MAXXI, Rome, IT Lust and Vice: The Seven Deadly Sins from Dürer to Nauman, Zentrum Paul Klee, Bern, CH When Eve Meets Adam, Museum of Fine Arts, Strasbourg, FR A Million and One Days, Lithuanian National Gallery of Art, Vilnius, LT The Missing Peace: Artists Consider the Dalai Lama, Nobel Museum, Stockholm, SE Tong, Haeinsa Temple, Chiin - ri, KR Esplanade — The Recital Studio, SG Video, An Art, A History 1965 - 2010: A Selection from the Centre Pompidou and Singapore Art Museum Collections, SG Déserts (1994), Tokyo Symphony Orchestra, Suntory Hall, Tokyo, JP Shan Shui, Beijing Center for the Arts, CN Environmental Day, ikono.tv / MELD, Television Broadcast, Arabsat: Menasa Region, Etisalat, AE Selected works from the Centre Pompidou's New Media Collection, Herzliya Museum of Contemporary Art,
Art of the Moving Image, Smithsonian Museum
of American
Art, Washington D.C., US Images of the Mind, Deutsches Hygiene - Museum, Dresden, DE The Art of Deceleration, Kunstmuseum Wolfsburg, DE Space Invaders, Nikolaj Kunsthal, Copenhagen, DK Jihlava Documentary Film Festival, Jihlava, CZ Celebrazione Vasariane, Firenze Arti Visive, Florence, IT Ensemble 20/21, Auditorio Nacional de Música, Madrid, ES MMK 1991 - 2011: 20 Years of the Contemporary, MMK, Frankfurt, DE Oslo Chamber Music Festival 2011 - Gamle Logen, Oslo, NO Pino Pascali: Return to Venice / Apulia Contemporary Art, Palazzo Bianchi Michiel, Venice, IT The Missing Peace: Artists Consider the Dalai Lama, San Antonio Museum of Art, Texas, US Portraits de la Pensée, Palais des Beaux - Arts de Lille, FR Paradise Lost, Istanbul Museum of Modern Art, TR The Quintet of the Unseen, Blain Southern London, UK art / tapes / 22 a Santa Teresa (1972 - 76), Forno San Ferdinando, Follonica, IT Tout ouïe, Sans Canal Fixe, Tours, FR 2011 Images and Views of Alternative Cinema, Theatro Ena, Nicosia, CY New contemporary galleries featuring the John Kaldor Family Collection, Art Gallery New South Wales, Sydney, AU The Promised Land, Staatliche Kunstsmmlungen Dresden, DE Don't Look Now, Kunstmuseum Bern, CH Figuratively Speaking: A Survey of the Human Form, Bellagio Gallery, Las Vegas, US Happy Tech: machines with a human face, Palazo Re Enzo (1/29 -2 / 13) & La Triennale / Bovisa, Milan, IT La Candela Festival 2011, Valls, ES The Unbearable Lightness of Being, Yvon Lambert Gallery, Paris, FR San Sebastian, una iconografia comtemporánea, Kubo - Kutxa, Donostia - San Sebastian, ES When Painting Moves... Something Must Be Rotten, Stenerson Museum, Oslo, NO Knock on wood: Tales from the forest, Virserums Konsthall, SE Space, Foundazione MAXXI, Rome, IT Lust and Vice: The Seven Deadly Sins from Dürer to Nauman, Zentrum Paul Klee, Bern, CH When Eve Meets Adam, Museum of Fine Arts, Strasbourg, FR A Million and One Days, Lithuanian National Gallery of Art, Vilnius, LT The Missing Peace: Artists Consider the Dalai Lama, Nobel Museum, Stockholm, SE Tong, Haeinsa Temple, Chiin - ri, KR Esplanade — The Recital Studio, SG Video, An Art, A History 1965 - 2010: A Selection from the Centre Pompidou and Singapore Art Museum Collections, SG Déserts (1994), Tokyo Symphony Orchestra, Suntory Hall, Tokyo, JP Shan Shui, Beijing Center for the Arts, CN Environmental Day, ikono.tv / MELD, Television Broadcast, Arabsat: Menasa Region, Etisalat, AE Selected works from the Centre Pompidou's New Media Collection, Herzliya Museum of Contemporary Art,
Art, Washington D.C., US Images
of the Mind, Deutsches Hygiene - Museum, Dresden, DE The
Art of Deceleration, Kunstmuseum Wolfsburg, DE Space Invaders, Nikolaj Kunsthal, Copenhagen, DK Jihlava Documentary Film Festival, Jihlava, CZ Celebrazione Vasariane, Firenze Arti Visive, Florence, IT Ensemble 20/21, Auditorio Nacional de Música, Madrid, ES MMK 1991 - 2011: 20 Years of the Contemporary, MMK, Frankfurt, DE Oslo Chamber Music Festival 2011 - Gamle Logen, Oslo, NO Pino Pascali: Return to Venice / Apulia Contemporary Art, Palazzo Bianchi Michiel, Venice, IT The Missing Peace: Artists Consider the Dalai Lama, San Antonio Museum of Art, Texas, US Portraits de la Pensée, Palais des Beaux - Arts de Lille, FR Paradise Lost, Istanbul Museum of Modern Art, TR The Quintet of the Unseen, Blain Southern London, UK art / tapes / 22 a Santa Teresa (1972 - 76), Forno San Ferdinando, Follonica, IT Tout ouïe, Sans Canal Fixe, Tours, FR 2011 Images and Views of Alternative Cinema, Theatro Ena, Nicosia, CY New contemporary galleries featuring the John Kaldor Family Collection, Art Gallery New South Wales, Sydney, AU The Promised Land, Staatliche Kunstsmmlungen Dresden, DE Don't Look Now, Kunstmuseum Bern, CH Figuratively Speaking: A Survey of the Human Form, Bellagio Gallery, Las Vegas, US Happy Tech: machines with a human face, Palazo Re Enzo (1/29 -2 / 13) & La Triennale / Bovisa, Milan, IT La Candela Festival 2011, Valls, ES The Unbearable Lightness of Being, Yvon Lambert Gallery, Paris, FR San Sebastian, una iconografia comtemporánea, Kubo - Kutxa, Donostia - San Sebastian, ES When Painting Moves... Something Must Be Rotten, Stenerson Museum, Oslo, NO Knock on wood: Tales from the forest, Virserums Konsthall, SE Space, Foundazione MAXXI, Rome, IT Lust and Vice: The Seven Deadly Sins from Dürer to Nauman, Zentrum Paul Klee, Bern, CH When Eve Meets Adam, Museum of Fine Arts, Strasbourg, FR A Million and One Days, Lithuanian National Gallery of Art, Vilnius, LT The Missing Peace: Artists Consider the Dalai Lama, Nobel Museum, Stockholm, SE Tong, Haeinsa Temple, Chiin - ri, KR Esplanade — The Recital Studio, SG Video, An Art, A History 1965 - 2010: A Selection from the Centre Pompidou and Singapore Art Museum Collections, SG Déserts (1994), Tokyo Symphony Orchestra, Suntory Hall, Tokyo, JP Shan Shui, Beijing Center for the Arts, CN Environmental Day, ikono.tv / MELD, Television Broadcast, Arabsat: Menasa Region, Etisalat, AE Selected works from the Centre Pompidou's New Media Collection, Herzliya Museum of Contemporary Art,
Art of Deceleration, Kunstmuseum Wolfsburg, DE Space Invaders, Nikolaj Kunsthal, Copenhagen, DK Jihlava Documentary Film Festival, Jihlava, CZ Celebrazione Vasariane, Firenze Arti Visive, Florence, IT Ensemble 20/21, Auditorio Nacional de Música, Madrid, ES MMK 1991 - 2011: 20 Years
of the Contemporary, MMK, Frankfurt, DE Oslo Chamber Music Festival 2011 - Gamle Logen, Oslo, NO Pino Pascali: Return to Venice / Apulia Contemporary
Art, Palazzo Bianchi Michiel, Venice, IT The Missing Peace: Artists Consider the Dalai Lama, San Antonio Museum of Art, Texas, US Portraits de la Pensée, Palais des Beaux - Arts de Lille, FR Paradise Lost, Istanbul Museum of Modern Art, TR The Quintet of the Unseen, Blain Southern London, UK art / tapes / 22 a Santa Teresa (1972 - 76), Forno San Ferdinando, Follonica, IT Tout ouïe, Sans Canal Fixe, Tours, FR 2011 Images and Views of Alternative Cinema, Theatro Ena, Nicosia, CY New contemporary galleries featuring the John Kaldor Family Collection, Art Gallery New South Wales, Sydney, AU The Promised Land, Staatliche Kunstsmmlungen Dresden, DE Don't Look Now, Kunstmuseum Bern, CH Figuratively Speaking: A Survey of the Human Form, Bellagio Gallery, Las Vegas, US Happy Tech: machines with a human face, Palazo Re Enzo (1/29 -2 / 13) & La Triennale / Bovisa, Milan, IT La Candela Festival 2011, Valls, ES The Unbearable Lightness of Being, Yvon Lambert Gallery, Paris, FR San Sebastian, una iconografia comtemporánea, Kubo - Kutxa, Donostia - San Sebastian, ES When Painting Moves... Something Must Be Rotten, Stenerson Museum, Oslo, NO Knock on wood: Tales from the forest, Virserums Konsthall, SE Space, Foundazione MAXXI, Rome, IT Lust and Vice: The Seven Deadly Sins from Dürer to Nauman, Zentrum Paul Klee, Bern, CH When Eve Meets Adam, Museum of Fine Arts, Strasbourg, FR A Million and One Days, Lithuanian National Gallery of Art, Vilnius, LT The Missing Peace: Artists Consider the Dalai Lama, Nobel Museum, Stockholm, SE Tong, Haeinsa Temple, Chiin - ri, KR Esplanade — The Recital Studio, SG Video, An Art, A History 1965 - 2010: A Selection from the Centre Pompidou and Singapore Art Museum Collections, SG Déserts (1994), Tokyo Symphony Orchestra, Suntory Hall, Tokyo, JP Shan Shui, Beijing Center for the Arts, CN Environmental Day, ikono.tv / MELD, Television Broadcast, Arabsat: Menasa Region, Etisalat, AE Selected works from the Centre Pompidou's New Media Collection, Herzliya Museum of Contemporary Art,
Art, Palazzo Bianchi Michiel, Venice, IT The Missing Peace: Artists Consider the Dalai Lama, San Antonio Museum
of Art, Texas, US Portraits de la Pensée, Palais des Beaux - Arts de Lille, FR Paradise Lost, Istanbul Museum of Modern Art, TR The Quintet of the Unseen, Blain Southern London, UK art / tapes / 22 a Santa Teresa (1972 - 76), Forno San Ferdinando, Follonica, IT Tout ouïe, Sans Canal Fixe, Tours, FR 2011 Images and Views of Alternative Cinema, Theatro Ena, Nicosia, CY New contemporary galleries featuring the John Kaldor Family Collection, Art Gallery New South Wales, Sydney, AU The Promised Land, Staatliche Kunstsmmlungen Dresden, DE Don't Look Now, Kunstmuseum Bern, CH Figuratively Speaking: A Survey of the Human Form, Bellagio Gallery, Las Vegas, US Happy Tech: machines with a human face, Palazo Re Enzo (1/29 -2 / 13) & La Triennale / Bovisa, Milan, IT La Candela Festival 2011, Valls, ES The Unbearable Lightness of Being, Yvon Lambert Gallery, Paris, FR San Sebastian, una iconografia comtemporánea, Kubo - Kutxa, Donostia - San Sebastian, ES When Painting Moves... Something Must Be Rotten, Stenerson Museum, Oslo, NO Knock on wood: Tales from the forest, Virserums Konsthall, SE Space, Foundazione MAXXI, Rome, IT Lust and Vice: The Seven Deadly Sins from Dürer to Nauman, Zentrum Paul Klee, Bern, CH When Eve Meets Adam, Museum of Fine Arts, Strasbourg, FR A Million and One Days, Lithuanian National Gallery of Art, Vilnius, LT The Missing Peace: Artists Consider the Dalai Lama, Nobel Museum, Stockholm, SE Tong, Haeinsa Temple, Chiin - ri, KR Esplanade — The Recital Studio, SG Video, An Art, A History 1965 - 2010: A Selection from the Centre Pompidou and Singapore Art Museum Collections, SG Déserts (1994), Tokyo Symphony Orchestra, Suntory Hall, Tokyo, JP Shan Shui, Beijing Center for the Arts, CN Environmental Day, ikono.tv / MELD, Television Broadcast, Arabsat: Menasa Region, Etisalat, AE Selected works from the Centre Pompidou's New Media Collection, Herzliya Museum of Contemporary Art,
Art, Texas, US Portraits de la Pensée, Palais des Beaux -
Arts de Lille, FR Paradise Lost, Istanbul Museum
of Modern
Art, TR The Quintet of the Unseen, Blain Southern London, UK art / tapes / 22 a Santa Teresa (1972 - 76), Forno San Ferdinando, Follonica, IT Tout ouïe, Sans Canal Fixe, Tours, FR 2011 Images and Views of Alternative Cinema, Theatro Ena, Nicosia, CY New contemporary galleries featuring the John Kaldor Family Collection, Art Gallery New South Wales, Sydney, AU The Promised Land, Staatliche Kunstsmmlungen Dresden, DE Don't Look Now, Kunstmuseum Bern, CH Figuratively Speaking: A Survey of the Human Form, Bellagio Gallery, Las Vegas, US Happy Tech: machines with a human face, Palazo Re Enzo (1/29 -2 / 13) & La Triennale / Bovisa, Milan, IT La Candela Festival 2011, Valls, ES The Unbearable Lightness of Being, Yvon Lambert Gallery, Paris, FR San Sebastian, una iconografia comtemporánea, Kubo - Kutxa, Donostia - San Sebastian, ES When Painting Moves... Something Must Be Rotten, Stenerson Museum, Oslo, NO Knock on wood: Tales from the forest, Virserums Konsthall, SE Space, Foundazione MAXXI, Rome, IT Lust and Vice: The Seven Deadly Sins from Dürer to Nauman, Zentrum Paul Klee, Bern, CH When Eve Meets Adam, Museum of Fine Arts, Strasbourg, FR A Million and One Days, Lithuanian National Gallery of Art, Vilnius, LT The Missing Peace: Artists Consider the Dalai Lama, Nobel Museum, Stockholm, SE Tong, Haeinsa Temple, Chiin - ri, KR Esplanade — The Recital Studio, SG Video, An Art, A History 1965 - 2010: A Selection from the Centre Pompidou and Singapore Art Museum Collections, SG Déserts (1994), Tokyo Symphony Orchestra, Suntory Hall, Tokyo, JP Shan Shui, Beijing Center for the Arts, CN Environmental Day, ikono.tv / MELD, Television Broadcast, Arabsat: Menasa Region, Etisalat, AE Selected works from the Centre Pompidou's New Media Collection, Herzliya Museum of Contemporary Art,
Art, TR The Quintet
of the Unseen, Blain Southern London, UK
art / tapes / 22 a Santa Teresa (1972 - 76), Forno San Ferdinando, Follonica, IT Tout ouïe, Sans Canal Fixe, Tours, FR 2011 Images and Views of Alternative Cinema, Theatro Ena, Nicosia, CY New contemporary galleries featuring the John Kaldor Family Collection, Art Gallery New South Wales, Sydney, AU The Promised Land, Staatliche Kunstsmmlungen Dresden, DE Don't Look Now, Kunstmuseum Bern, CH Figuratively Speaking: A Survey of the Human Form, Bellagio Gallery, Las Vegas, US Happy Tech: machines with a human face, Palazo Re Enzo (1/29 -2 / 13) & La Triennale / Bovisa, Milan, IT La Candela Festival 2011, Valls, ES The Unbearable Lightness of Being, Yvon Lambert Gallery, Paris, FR San Sebastian, una iconografia comtemporánea, Kubo - Kutxa, Donostia - San Sebastian, ES When Painting Moves... Something Must Be Rotten, Stenerson Museum, Oslo, NO Knock on wood: Tales from the forest, Virserums Konsthall, SE Space, Foundazione MAXXI, Rome, IT Lust and Vice: The Seven Deadly Sins from Dürer to Nauman, Zentrum Paul Klee, Bern, CH When Eve Meets Adam, Museum of Fine Arts, Strasbourg, FR A Million and One Days, Lithuanian National Gallery of Art, Vilnius, LT The Missing Peace: Artists Consider the Dalai Lama, Nobel Museum, Stockholm, SE Tong, Haeinsa Temple, Chiin - ri, KR Esplanade — The Recital Studio, SG Video, An Art, A History 1965 - 2010: A Selection from the Centre Pompidou and Singapore Art Museum Collections, SG Déserts (1994), Tokyo Symphony Orchestra, Suntory Hall, Tokyo, JP Shan Shui, Beijing Center for the Arts, CN Environmental Day, ikono.tv / MELD, Television Broadcast, Arabsat: Menasa Region, Etisalat, AE Selected works from the Centre Pompidou's New Media Collection, Herzliya Museum of Contemporary Art,
art / tapes / 22 a Santa Teresa (1972 - 76), Forno San Ferdinando, Follonica, IT Tout ouïe, Sans Canal Fixe, Tours, FR 2011 Images and Views
of Alternative Cinema, Theatro Ena, Nicosia, CY New contemporary galleries featuring the John Kaldor Family Collection,
Art Gallery New South Wales, Sydney, AU The Promised Land, Staatliche Kunstsmmlungen Dresden, DE Don't Look Now, Kunstmuseum Bern, CH Figuratively Speaking: A Survey of the Human Form, Bellagio Gallery, Las Vegas, US Happy Tech: machines with a human face, Palazo Re Enzo (1/29 -2 / 13) & La Triennale / Bovisa, Milan, IT La Candela Festival 2011, Valls, ES The Unbearable Lightness of Being, Yvon Lambert Gallery, Paris, FR San Sebastian, una iconografia comtemporánea, Kubo - Kutxa, Donostia - San Sebastian, ES When Painting Moves... Something Must Be Rotten, Stenerson Museum, Oslo, NO Knock on wood: Tales from the forest, Virserums Konsthall, SE Space, Foundazione MAXXI, Rome, IT Lust and Vice: The Seven Deadly Sins from Dürer to Nauman, Zentrum Paul Klee, Bern, CH When Eve Meets Adam, Museum of Fine Arts, Strasbourg, FR A Million and One Days, Lithuanian National Gallery of Art, Vilnius, LT The Missing Peace: Artists Consider the Dalai Lama, Nobel Museum, Stockholm, SE Tong, Haeinsa Temple, Chiin - ri, KR Esplanade — The Recital Studio, SG Video, An Art, A History 1965 - 2010: A Selection from the Centre Pompidou and Singapore Art Museum Collections, SG Déserts (1994), Tokyo Symphony Orchestra, Suntory Hall, Tokyo, JP Shan Shui, Beijing Center for the Arts, CN Environmental Day, ikono.tv / MELD, Television Broadcast, Arabsat: Menasa Region, Etisalat, AE Selected works from the Centre Pompidou's New Media Collection, Herzliya Museum of Contemporary Art,
Art Gallery New South Wales, Sydney, AU The Promised Land, Staatliche Kunstsmmlungen Dresden, DE Don't
Look Now, Kunstmuseum Bern, CH Figuratively Speaking: A Survey
of the Human Form, Bellagio Gallery, Las Vegas, US Happy Tech: machines with a human face, Palazo Re Enzo (1/29 -2 / 13) & La Triennale / Bovisa, Milan, IT La Candela Festival 2011, Valls, ES The Unbearable Lightness
of Being, Yvon Lambert Gallery, Paris, FR San Sebastian, una iconografia comtemporánea, Kubo - Kutxa, Donostia - San Sebastian, ES When
Painting Moves... Something Must Be Rotten, Stenerson Museum, Oslo, NO Knock on wood: Tales from the forest, Virserums Konsthall, SE Space, Foundazione MAXXI, Rome, IT Lust and Vice: The Seven Deadly Sins from Dürer to Nauman, Zentrum Paul Klee, Bern, CH When Eve Meets Adam, Museum
of Fine Arts, Strasbourg, FR A Million and One Days, Lithuanian National Gallery
of Art, Vilnius, LT The Missing Peace: Artists Consider the Dalai Lama, Nobel Museum, Stockholm, SE Tong, Haeinsa Temple, Chiin - ri, KR Esplanade — The Recital Studio, SG Video, An Art, A History 1965 - 2010: A Selection from the Centre Pompidou and Singapore Art Museum Collections, SG Déserts (1994), Tokyo Symphony Orchestra, Suntory Hall, Tokyo, JP Shan Shui, Beijing Center for the Arts, CN Environmental Day, ikono.tv / MELD, Television Broadcast, Arabsat: Menasa Region, Etisalat, AE Selected works from the Centre Pompidou's New Media Collection, Herzliya Museum of Contemporary Art,
Art, Vilnius, LT The Missing Peace: Artists Consider the Dalai Lama, Nobel Museum, Stockholm, SE Tong, Haeinsa Temple, Chiin - ri, KR Esplanade — The Recital Studio, SG Video, An
Art, A History 1965 - 2010: A Selection from the Centre Pompidou and Singapore Art Museum Collections, SG Déserts (1994), Tokyo Symphony Orchestra, Suntory Hall, Tokyo, JP Shan Shui, Beijing Center for the Arts, CN Environmental Day, ikono.tv / MELD, Television Broadcast, Arabsat: Menasa Region, Etisalat, AE Selected works from the Centre Pompidou's New Media Collection, Herzliya Museum of Contemporary Art,
Art, A History 1965 - 2010: A Selection from the Centre Pompidou and Singapore
Art Museum Collections, SG Déserts (1994), Tokyo Symphony Orchestra, Suntory Hall, Tokyo, JP Shan Shui, Beijing Center for the Arts, CN Environmental Day, ikono.tv / MELD, Television Broadcast, Arabsat: Menasa Region, Etisalat, AE Selected works from the Centre Pompidou's New Media Collection, Herzliya Museum of Contemporary Art,
Art Museum Collections, SG Déserts (1994), Tokyo Symphony Orchestra, Suntory Hall, Tokyo, JP Shan Shui, Beijing Center for the
Arts, CN Environmental Day, ikono.tv / MELD, Television Broadcast, Arabsat: Menasa Region, Etisalat, AE Selected works from the Centre Pompidou's New Media Collection, Herzliya Museum
of Contemporary
Art,
Art, IL
One
of America's
finest abstract painters, Chris Martin (born 1954) explores the fertile areas between sophisticated formalism and the visionary joy
of outsider
art, making abstract
painting look enviably effortless.
He has exhibited in many group exhibitions across China, as well as in Puerto Rico and the UK including CIRCA 10, Puerto Rico (2010); 10 Years, LuXun, Academy
of Fine Arts, Shenyang, China (2009); Simon Franks and Rob Suss Collection show, London, UK (2008); Hong Kong International
Art Fair, Hong Kong Convention & Exhibition Center, Hong Kong (2008); Subtlety, Platform China, Beijing, China (2008);
Looking for Me, Minsheng Center for Contemporary
Art, Shanghai, China (2008); Making Time, Waiting for the answer, DoART, Beijing, China (2007); Beyond Image — Chinese New
Painting, Shanghai
Art Museum, Shanghai, China (2007); Removing the Ladder, Platform China Contemporary
Art Institute, Beijing, China (2006); Hold on and Break Through, China National Museum, Beijing, China (2006).
«Physical Evidence,» Lehman College
Art Gallery, Bronx, NY, April 12 — May 28, 1994 «Duchamp's Leg,» Walker
Art Center, Minneapolis, MN; traveled to the Center for the
Fine Arts, Miami, FL; brochure «The Magic Magic Book,» Whitney Museum
of American
Art, New York, NY, 1994; catalogue «New
Paintings,» Max Protetch Gallery, New York, NY, 1994 «Black Male: Representations
of Masculinity in Contemporary
Art,» Whitney Museum
of American
Art, New York, NY, 1994; traveled to the UCLA Hammer Museum, Los Angeles, CA; catalogue «Transformers: The
Art of Multiphrenia,» Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY; traveled to Decker Galleries, Maryland Institute College
of Art, Baltimore, MD; Herbert F Johnson Museum
of Art, Cornell University, Ithaca, NY; Nexus Contemporary
Art Center, Atlanta, GA;
Art Gallery
of Windsor, Windsor, Ontario, Canada; Illingworth Kerr
Art Gallery, Alberta College
of Art and Design, Calgary, Alberta, Canada; catalogue «Dark o'Clock,» Museu de Arte Moderna de Sâo Paulo, Sâo Paulo, Brazil, 1994; traveled to Plug In, Inc, Video Pool, Ace
Art, Winnipeg, Manitoba, Canada; catalogue «Stories,» Max Protetch Gallery, New York, NY, 1994 «Equal Rights and Justice, High Museum
of Art,» Atlanta, GA, 1994; traveled to the National Museum
of African American History and Culture, Smithsonian Institution, Washington, DC; catalogue «Drama,» Max Protetch Gallery, New York, NY 1994 «Oliver Herring, Byron Kim, Glenn Ligon,» Galerie Gilles Peyroulet, Paris, France, 1994 «The Label Show: Contemporary
Art and the Museum,» Museum
of Fine Arts, Boston, MA, 1994; brochure «Don't
Look Now,» Thread Waxing Space, New York, NY, 1994; catalogue
It is a wonderful privilege for the Museum
of Fine Arts, Houston, to have this exclusive U.S. showing, and I am especially
looking forward to presenting these iconic
paintings to our communities.»
With works
of painting, drawing, sculpture and photography, artists in this show explore the relationship
of literature and print media to the realm
of fine arts, or perhaps the slippages
of meaning and experience between the act
of reading and that
of looking.
Radical Figurative
Art from Sickert to Bevan, James Hyman
Fine Art, London, England 2002 Five Painters, Kilkenny
Arts Festival, Kilkenny, England 2000
Painting, I Love, Michael Hue - Williams
Fine Art, London
Look Out:
Art, Society, Politics, Wolverhampton
Art Gallery, Wolverhampton, England; traveled to Bluecoat Gallery, Liverpool, England; and Wolsey
Art Gallery, Ipswich, England 1999 Bacon, Bevan, Guston and Baselitz, Michael Hue - Williams
Fine Art, London The School
of London: From Bacon to Bevan, Musee Maillol, Paris; traveled to Auditorio de Galicia, de Santa Maria Compostela, Spain; and Kunsthaus Wien, Austria 1998 Last Dreams
of the Millennium — The Reemergence
of British Romantic
Painting, Stephen Solovy
Art Foundation; traveled to California State University; Tyler Museum
of Art, Tyler TX; Manoa
Art Gallery, University
of Hawaii, Honolulu 1996 Masculine Measure, Michael Kohler
Arts Centre, Sheboygan, Wisconsin 1995 Inside Out, Aldrich Museum
of Contemporary
Art, Ridgefield, Connecticut; traveled to Galeria Arialdo Ceribelli, Bergamo, Italy 1994 Here and Now:
Painting since 1970, Serpentine Gallery, London, England 1993 The Portrait Now, National Portrait Gallery, London, England 1992 British Figurative
Painting of the 20th Century, The Israel Museum, Jerusalem, Israel 1991 Out
of Limbo, Foundacion Luis Cernuda, Seville, Spain Five Painters from London, Colegio de Arquitectos, Malaga, Spain 1990 Inconsolable, Louver Gallery, New York, New YorK Picturing People: Figurative
Art in Britain 1945 — 84, British Council touring exhibition: National Gallery, Kuala Lumpur; Museum
of Art, Hong Kong; National Gallery, Harare, Zimbabwe 1989 Prospect 89, Schirn Kunsthalle, Frankfurt, Germany 1988 European
Painting and Sculpture, L.A. Louver, Venice, CA Contemporary Portraits, Flowers East, London, England Aperto 88, XLIII Biennale di Venezia, Venice, Italy
This year we inspected the
fine line between the Muppets and
fine art, explored a gooey -
looking painting technique from ancient Egypt and quizzed you on your knowledge
of artists» musings — versus those
of Donald Drumpf.
Fine and decorative
arts objects have been high on the Cleveland Museum
of Art's wish list, and through purchases from endowment funds the institution has acquired the 15th - century Byzantine icon The Mother
of God and Infant Christ, which has been attributed to icon painter Angelos Akotantos; a 1977 abstract
painting, Rho I, by Jack Whitten; contemporary Chinese artist Xu Bing's 1985 woodcut Five Series
of Repetition: Moving Cloud (Yi - yun); and William Turner's ca. 1850 watercolor A View from Moel Cynwch:
Looking Over the Vale
of Afon Mawddach and Toward Cader Idris.
Upon graduating from
art school,
fine artist and decorative designer Annie Sloan, creator
of Chalk
Paint ®, was
looking for a quick and easy
paint that could be used in a myriad
of ways, and when she couldn't find what she needed, she set out to create it herself.