Sentences with phrase «look of the film»

Grain is present, but at a manageable level, true to the original look of the film.

The buzz is good, the anticipation is high, and a cool new video has arrived to highlight the unique look of the film.

The whole look of the film is actually quite good and better than the first if you ask me.

The visual effects as expected are extremely good, but I found the general look of the film less focused, and on one or two occasions badly framed.

The one aspect that everyone seems to agree on is the animation and the stunning look of the film.

I haven't seen the movie yet, but I'm gonna guess the cheap look of the film has less to do with being rushed and more with its studio.

If not for the dated clothing and cars and the low - budget look of the film, one could easily think that this was shot recently.

The menus share the gritty look of the film and the same intense music plays in the background.

Just as the narrative here is unlike any of his previous films, so too is the very look of the film.

Even with the dark look of the film, the image is never too dark and the occasional colors look fine.

Home Entertainment features superb picture quality, perfectly capturing the dark and brooding look of the film in High Definition.

The excessive use of CGI and the unnecessary 3D is off putting and the overall look of the film is drab.

Weinstein's background in cinematography (he was director of photography on the documentary «Elaine Stritch: Shoot Me» and directed «Flying on One Engine») is evident in the beautiful look of the film.

Join cast members Matt Smith, John Bradley, Natalie Dormer, and Clive Standen along with director Stefan Ruzowitzky and screenwriter Mike Le for an exclusive first look of the film.

I'm not sure why Norton should complain, as The Italian Job is easily one of the most entertaining films of 2003, and much of the credit should go to director Gray as well as cinematographer Wally Pfister (Insomnia, Memento) for the truly sumptuous visual look of the film.

The sepia - toned look of the film does give way to some nice reds and oranges.

The amber / yellow tinted look of the film gives an impressive aesthetic uniformity to the film that matches the cultish subject matter, and certainly marked her as someone to watch.

I would be remiss if I didn't mention the glorious look of the film.

Because of the limitations of the color palate, the film is often bathed in a sickly looking green color, and the powdery look of the film appears more smudgy than sexy.

Pete's Dragon, which unveiled an early look of the film, brought Bryce Dallas Howard to the stage to talk about the film.

The costumes and look of the film fully capture the magic of Shakespeare's descriptions.

The only other director that is comparable in the original and fantastical look of their films is probably Tarsem.

Cinematographer John Seale (The English Patient, Cold Mountain) and production designer Colin Gibson have created such visually jaw - dropping imagery that further deepens the rich look of the film and enhances that overall feeling of living and breathing in this desert.

In addition to the poor look of the film, what Hellraiser really lacks is the essential character development that would make all of the following hullabaloo make some sense.

From the purportedly fantastic look of the film, to the much welcomed return of Kaufman's sui generis imagination, everything about Anomalisa so far (including early raves from Telluride) fills this film to the gills with promise.

Those hoping for the exhaustive contextual analysis of a film historian are likely to be a bit disappointed, but those with an interest in how Cardiff achieved the evocative look of the film will be mesmerized.

The Heat influence isn't just in the cold look of the film.

If anything, the image could be sharper still with noise reduction dialled back a notch, but Arrow is typically astute about maintaining the organic look of a film print while scrubbing away dust and scratches.

In this case, I trust Joss and love the black and white look of the film.

In addition to that, new Rampage concept art reveals a behind - the - scenes look of the film.

A final note of praise should be saved for the team of production designer Jess Gonchor and all those responsible for the period look of the film.

The low - budget, hand - held look of the film here is not used to make it's audience nauseous, but rather to give the look of a home - made family video that we are fortunate enough to get a chance to watch.

The most basic reason for this is the great look of the film; the production and costume design is superb, and there are some shots, including an impressive (if somewhat obviously CG) flyover of Rome, that dazzle the eye.

Although it plays like a real - life thriller, the physical look of the film is a bit amateurish.

Most of the story occurs in and around Elizabeth's mansion, so director Fred Schepisi employed everything in his cinematic arsenal to avoid the static look of a filmed play or a lowly tele - movie.

The 2.35:1, 1080p image is mostly, but not entirely, free of celluloid blemishes, with a wash of softly undulating grain ever - present — in fact, the precise look of the film's transfer contributes to its sterling late -»60s aesthetic.

While this new film about Theseus (Henry Cavill) and his battle against the evil King Hyperion (Mickey Rourke) doesn't possess the most amazing of scripts ever written, the spectacular look of the film does a decent enough job to impress the audience and while I feel a little tricked into liking it, I can honestly say I don't mind.

In «Make - Up Mastermind: Rob Hall in Action» (11:25), Hall and his fellow Almost Human make - up artists demonstrate some of the techniques they used to create the veiny look of the film's sick characters.

The cartoonish look of the film, with its hyper - color glow effects, is amusing once you accept it, and Peter Sarsgaard is great as the smarmy and villainous Hector Hammond.

All of this — Anderson's direction, the lush look of the film, the stellar performances — are underlined by Jonny Greenwood's gorgeous, lovely score, one of the best soundtracks of the year.

His virtuoso technique, cinematography and all round look of the film is unmatched as is the screenplay that oozes wit and charm.

However, none of this would have amounted to much without the perfect recreation of the Sixties fluff comedy look of the film, complete with sumptuous Technicolor vibe, light jazz and lounge soundtrack, gaudy wardrobe, split - screen conversations, process shots, and none of the camera techniques that have been development in the last 40 years that would suggest this is a modern film.

It wasn't so much the photographic look of the film they were relating to than it was the sense of the small California town and the atmosphere of the town.»

Warner Home Video's Blu - Ray looks amazingly sharp and not grainy, considering the bleak look of the film.

The visuals are stunning, capturing the low - fi seventies look of the films perfectly.

Wonder if it tries to do the stop motion look of the film or will just animate like the other lego games.

Do the fleshy cheeks, vulnerable eyes, and look of film stills blown way too large update Cindy Sherman?