Sentences with phrase «looking at my art school»
I kept looking at my art school classmates thinking I want to look cute too.
https://www.whenthegirlsrule.com/ Not exact matches
Typical is his recounting of a teenage moment at school in York: «I was sitting in the art room and looking through its big window across to The Minster when I had a revelation just like Saul's on the road to Damascus.
Regarding presentation, more Snow Days, courtesy Winter Storm Grayson, than we have had since I begin my teaching career 15 years ago meant that my weekday lunches looked a little different than they do on my art room desk at school.
But with increasing dissatisfaction over the high - stakes testing currently consuming mainstream education; the growing recognition of the many benefits a child receives through experiences with art, movement, and nature; a concern over a reliance on technology by younger and younger students; and the news that leaders in the high - tech industry are touting the lifelong benefits of low - tech Waldorf schools in educating their own children, more and more parents and educators are taking a closer look at the Waldorf approach and what it has to offer.
If you are looking at more than two choices, like a private school, or a school that specializes in sports or fine arts, do a separate pro and con list for each choice you are considering.
The briefest look at a new survey looking at the «win - at - all - costs» generation now working its way through the country's schools shows a cut - throat attitude to achieving victory which many MPs au fait with the darker arts of politics will be very familiar with.
Queens looks forward to the groundbreaking of a brand new, state - of - the - art pre-K school at the Hall of Science.»
After more than two years of performing comedy in Los Angeles, she found her calling in the kitchen and, after enrolling in the International Culinary School at the Art Institute, started her own catering company.Her healthy and flavor - packed cooking style has made her a fan favorite among thousands of home cooks and food lovers looking for healthy options that don't sacrifice taste.In her newest video course, The Complete Guide To Gluten - Free Eating, she shows you how to whip up amazing gluten - free dishes.
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Radiohead and arthouse filmmakers go together like chocolate and peanut butter — or pretension and art school, depending on how you look at it.
A New York City middle school teacher gives students a close - up look at the art and science of television weather reporting.
At the end of the 2007 - 08 school year, when he might have been looking forward to spending more time at home, Wallace embarked on a journey that would take him very far away from Hershey, Pennsylvania, and Hershey Elementary School, where he teaches arAt the end of the 2007 - 08 school year, when he might have been looking forward to spending more time at home, Wallace embarked on a journey that would take him very far away from Hershey, Pennsylvania, and Hershey Elementary School, where he teacheschool year, when he might have been looking forward to spending more time at home, Wallace embarked on a journey that would take him very far away from Hershey, Pennsylvania, and Hershey Elementary School, where he teaches arat home, Wallace embarked on a journey that would take him very far away from Hershey, Pennsylvania, and Hershey Elementary School, where he teacheSchool, where he teaches art.
Art & Craft Award Looking at first class learning environments and modern, flexible facilities for students of art & craft, this category contains: Nansen Primary School, Birmingham; Matravers, Wiltshire; Hangleton Primary School, Hove; King's Ely, Cambridgeshire; amd University Church of England Academy, Ellesmere PoArt & Craft Award Looking at first class learning environments and modern, flexible facilities for students of art & craft, this category contains: Nansen Primary School, Birmingham; Matravers, Wiltshire; Hangleton Primary School, Hove; King's Ely, Cambridgeshire; amd University Church of England Academy, Ellesmere Poart & craft, this category contains: Nansen Primary School, Birmingham; Matravers, Wiltshire; Hangleton Primary School, Hove; King's Ely, Cambridgeshire; amd University Church of England Academy, Ellesmere Port.
Most of the teachers at the institute were middle and high school teachers, but several elementary school art teachers who attended were looking forward to using the material.
Neil Stephenson, who blogs at Thinking In Mind, offers this quick illustration to show the power of networks: «One day, I see kids in our school doing a really cool looking art project.
Reporting on the statistics The effects of this disastrous triumvirate on the education pipeline is made apparent in the NSEAD Survey Report 2015 ‑ 16, that asked how, over the last five years, has government policy impacted on art craft and design education, looking at curriculum provision in art and design, the value given to art and design in schools and colleges, professional development opportunities and the well ‑ being and workload of art and design teachers.
He continued, «I think each class at HGSE has a defining quality, and I have come to think of your class as exceptionally big - hearted, in large part because of what I saw of your collective character after the election» — actions which included organizing a solidarity rally, participating in a dean's challenge looking to reduce bullying and discrimination in schools, and creating an art installation titled «Love in the Time of...».
For instance, before school leaders move to eliminate relatively high - cost art or music classes, they may look to see whether local providers (community centers, local colleges, etc.) can or already do provide similar services at better prices.
Previous reports have looked at middle school and K - 3 math products, and English / language arts.
All 50 of the top LEAs on the English / Language Arts exam are charter schools, when looking at percent of students passing the test.
Polikoff of the University of Southern California and Andrew Porter of the University of Pennsylvania looked at the value - added scores of 327 fourth - and eighth - grade mathematics and English language arts teachers across all six school districts included in the Measures of Effective Teaching (MET) study (New York City, Dallas, Denver, Charlotte - Mecklenburg, Memphis, and Hillsborough County, Florida).
Take a closer look at the story of Integrated Arts Academy and explore other groundbreaking learning in our schools network under «Success Stories» on this website.
Tilley crafted his arts - literacy solution after thoroughly examining his school's data, looking specifically at boys» reading and writing achievement scores.
«When you looked at it, you were interested because it had a lot of movement, and a lot of emotion in it,» said Box Elder Middle School art teacher Shelley Smyka.
Theme may be important too; looking at the table above, we can see that the themes with the highest percentage of minority students, character education *, college prep, and career prep, enroll 48.5 %, 43.5 %, and 43.1 % Hartford students, respectively, while the themes with the lowest percentage of minority students, early childhood *, STEM, and arts, enroll 24.8 %, 35.7 %, and 39.4 % Hartford students respectively (weighted averages based on total school enrollment).
The Fordham report looked at two schools that used lotteries for admission, two with open enrollment and two — John Hay and the Cleveland School of Arts — that select their student body, but found that selectivity alone couldn't explain success, particularly since more than 60 percent of students in both Cleveland schools were from poor neighborhoods.
In their field notes from the Regional School Choice Office (RSCO) fair on February 7, 2015, Alix Liss and Sara Guernsey observe that «despite the fair being particularly minority heavy in attendance, the individuals looking at the specialized schools, whether performing arts or science based, were predominantly white.»
California Department of Education, «A Look at Kindergarten through Grade 6 in California Public Schools: Transitioning to the Common Core State Standards in English Language Arts and Mathematics» (2011).
The project looks at student outcomes in arts learning and academic achievement after three years of the implementation of an arts integration program and compared students in treatment schools (those receiving the program) with students in control schools (those not receiving the program).
Also on the show, a look at one area school working to curb the «Summer Slide,» and an area researcher's latest find is rocking the art world.
When schools get budget cuts that affect their arts and music programs, when the government looks to others to take those classes over, and when funding is determined mostly by outsiders — local school districts are at their mercy to fund those programs.
«Mopar's branding since 1937 looks like design ideas run through a blender at max speed,» said my friend, Angela Riechers, who teaches typography at New York's School of Visual Arts and writes a weekly column on typefaces for Eye on Design, the American Institute of Graphic Artists» blog.
Joan assessed the crowd, lighting upon the most interesting: young men turning white T - shirts into art, pinching the material tight and rubber - banding each section until they looked like porcupines being dipped into huge steaming vats of colored dyes; the young woman with a bird's nest of purple hair sitting at a potter's wheel, slamming down hunks of clay, her hands moving nearly as fast as the wheel, cups, vases, plates, bowls, trays, appearing like magic; the elderly man in a worn blue linen suit, a jaunty straw boater on his head, a smeared palette tight in his hand, painting a mammoth canvas of people on a beach staring out at an ocean where a sailboat bobbed in the distance, though he himself was standing in a mowed field; the handsome young man at an old - fashioned school desk, a manual typewriter in front of him, a stack of paper to the side.
My art schooling placed form way above content, so the poetry of López's restrained palette — just look at all those variations of white — and the delicate power of his closely observed subject matter stopped me in my tracks... the longer I live with López's weighty image, the more I lighten up about it.
Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY
1997 Art Chicago - The Pier Show, 1997, represented by Lorenzo Rodriguez Gallery, Chicago, IL Revelations: Artists Look at Religion, Gallery 2, School of the Art Institute, Chicago, IL
Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstat Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, FeldstAt The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.
2015 Directors» Show, Factory 49 Breaking Space, Imperial Hotel Paddington National Art School Postgraduate Exhibition, National Art School Honours 2015, Library Stairwell Gallery Another Day in Paradise, National Art School The Paddock: Looking back at The Field, Library Stairwell Gallery To Be Continued (2), Factory 49 Feral, Articulate Project Space (as arts writer)
A career - spanning exhibition at New York's Metropolitan Museum of Art will present a revised look at Thomas Cole — more international and political, and less a father of the Hudson River School.
Old School looks at how art, as well as other areas of life, is returning to old techniques and technologies as well as the visual effects and appearances of the past.
Presenting early film footage together with souvenirs created by the artist and workshop participants from Ousedale School and Milton Keynes Arts Centre, the exhibition serves as a make - shift souvenir shop, designed to encourage a nostalgic look back at the early development of The Point entertainment complex.
2002 Gloria: Another Look at Feminist Art of the 1970s, White Columns, New York, NY; Rhode Island School of Design, Providence, RI Something / Anything, Matthew Marks Gallery, New York, NY Personal & Political: The Women's Art Movement, 1969 - 1975, Guild Hall Museum, East Hampton, NY
«I was good at staying up late and looking at art and listening to artists and going to studios,» Saltz said of the talents that made the project expedient even as he juggled his trucking job, his gigs teaching at the Art Institute of Chicago, the Rhode Island School of Design and the School of Visual Arts, and his occasional duties chauffering a millionaire around in a Mercedart and listening to artists and going to studios,» Saltz said of the talents that made the project expedient even as he juggled his trucking job, his gigs teaching at the Art Institute of Chicago, the Rhode Island School of Design and the School of Visual Arts, and his occasional duties chauffering a millionaire around in a MercedArt Institute of Chicago, the Rhode Island School of Design and the School of Visual Arts, and his occasional duties chauffering a millionaire around in a Mercedes.
Although Goldberg is best known for his large - scale, New York School paintings, a close look at his later work reveals affinities with graffiti art and an urban aesthetic placed in productive tension with the rigors of postwar American abstraction.
Today, we're thankfully more practical in eking out our incomes: we look to the sun and its instruments (see this Thursday's opening of the «Heliotropes» group show at Geary Contemporary) or envision terrible futures in our analogue pasts («that old school dystopia» at Theodore: Art on Friday).
By taking a closer look at both the story and art of the Ashcan School, we investigate one of the most significant and revolutionary moments in all of American art history
Grimes said of her work, «In art school we were told to look at nature as if we were seeing it for the first time.
To understand the development of one of the biggest artistic movements in Germany since Bauhaus, we take a closer look at the origins of the School, and how its conceptual approach ushered the medium into the halls of modern art.
In brief, there was little knowledge about this American movement (interestingly enough, there was more information on Pop Art and Minimalism), and the whole perspective of looking at Abstract Expressionism was in the light of European postwar abstraction — Paris School, Lyrical Abstraction, New Realism, and L'informel — building on the tradition, vocabulary, and ideals of these trends that were naturally more accessible and familiar to many Europeans.