Core skills: We reviewed several job descriptions and determined that employers are
looking for Visual Artist candidates with the following skills.
Sugar Hill Museum is
looking for a visual artist for their 11 - month residency.
Not exact matches
We welcome Maureen Cummins, a
visual artist and writer whose current work, including her book - in - progress, explores the gendered history of «mental health» in America; Beverly Donofrio, the author of Riding in Cars with Boys,
Looking for Mary, and Astonished; and Denise Ranaghan who has been working in the mental health field
for 16 years.
Multimedia
Artist building an internet business involving music and the
visual arts
looking for female to be wife and business partner.
While the responsibility
for leading the design lay at the feet of production designer Hannah Beachler — who
looked to the work of renowned Iraqi - British architect Zaha Hadid, the dimensions of Buckingham Palace, and the aesthetics of afro - futurism — the first
visual steps towards realization was made by concept
artist Till Nowak.
Naturally, The Escape
Artist evinces Deschanel's practiced, poetic eye
for the
visual image; production designer Dean Tavoularis (The Godfather) contributes and costume designer Gloria Gresham contribute to the film's «out of time»
look.
(Credit to Susan Hill, who authored the 1983 novel upon which the movie is based; and Jane Goldman
for the screenplay; and, perhaps most of all, to the
visual effects
artists who make this remarkable bit of unreality
look so astoundingly real.)
The download pack includes: - Key activities scheme, week by week learning activities - All worksheets which are ready to print or use on a whiteboard / projector / interactive whiteboard -
Visual examples of final outcomes - What to
look for in taking good quality primary resource photographs There is also a designers catalogue of contemporary
artists / designers to allow students to
look at different materials and how they have been manipulated.
«Mopar's branding since 1937
looks like design ideas run through a blender at max speed,» said my friend, Angela Riechers, who teaches typography at New York's School of
Visual Arts and writes a weekly column on typefaces
for Eye on Design, the American Institute of Graphic
Artists» blog.
Sanzaru is
looking for Technical
Artists specializing in
visuals to join our cutting edge, experienced development team in crafting visually stunning and immersive worlds.
In order to create a unique
look for the game, two renowned character and animation
artists were tapped to create
visuals that would be worthy of a game about hunting ghosts in Tokyo, Japan.
Most recently, Hammill put together a fantastic
look at the various & awesomely unusual
visual inspirations
for the game, which — in the spirit of recent inspiration posts by the God of Blades team and the
artist - lineup behind Honeyslug's Frobisher Says — he's given Venus Patrol permission to feature here, included below the fold, with Hammill's own commentary.
Title of
Artist Call: Art All NIght in Van Ness Call Summary: Van Ness Main Street is
looking for performing, performance, public and
visual artists to be part of Art All Night in Van Ness on September 24.
December 2006 Beware the Holiday Punchbowl: An Evening of Cautionary Songs and Stories SI Museum, Staten Island, NY February 2006 MY NEW YORK SLIP: A Post-Valentine's Day Post-Mortem w / Minnie Van Driver SI Museum, Staten Island, NY February 2005 FREE LOVE w / Minnie Van Driver The Muddy Cup, Staten Island, NY April 2003 Ask Minnie Day de Dada Part Deux, The Muddy Cup, Staten Island, NY April 2002 Love Songs & Posh Tunes Day de Dada, The Muddy Cup, Staten Island, NY Feb. 1996 Original Soundtrack Dixon Place, NYC, NY Feb. 1991 The Odile Variations Theater 22, NYC, NY May 1987
Looking Good: Reuben Sandwich at The Saint The Saint, NYC, NY Apr. 1986 The Wakitty WAC's, A USO show
for the New Militarism Darinka, NYC, NY Aug. 1985 Prime Parts 8 BC, NYC, NY May 1985 Trite»N' True: an unexplained series of events Darinka, NYC Mar. 1985 HEARTBREAKLAND: a performance Darinka, NYC Dec. 1984 Nocturnes Darinka, NYC Nov. 1983 Bars of Night a performance BACA, Brooklyn, NY July 1983 Man Machine / Men Magazine: a performance Inroads Multimedia Art Center, NYC, NY 10012 July 1981 Europarail: Images of Other Places Inroads, NYC Dec. 1980 I Hear America Eating: a massive media piece Rutgers University, NJ July 1980 Love is Like a Poached Egg: a performance 15th Annual Avant - Garde Festival, NYC Apr. 1980 Meteors Crossing: an exercise in 25 acts Franklin Furnace, NYC, NY Grants 2011
Visual AIDS
Artists» Material Grant 1985 185 Nassau Street Corporation
Margaret Lee (b 1980, Bronx, NY) has organized and exhibited work at numerous venues domestically and internationally including The Windows, Barneys, NY; Concentrations HK: Margaret Lee, curated by Gabriel Ritter, Duddell's x DMA, Hong Kong; Made in L.A, 2014 Hammer Museum Biennial, Los Angeles; 2013 Biennale de Lyon; de, da do... da, Carpenter Center
for the
Visual Arts, Harvard University, Cambridge, MA; Caza, curated by Sofía Hernández Chong Cuy, Bronx Museum, New York; NO MAN»S LAND: Women
Artists from the Rubell Family Collection, Rubell Family Collection, Miami; New Pictures of Common Objects, curated by Christopher Lew, MoMA PS1, New York, and
Looking Back, White Columns, New York, amongst others.
Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center
for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center
for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre
for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center
for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center
for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives:
Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center
for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center
for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition)
Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center
for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.
In Monet & Architecture, the National Gallery
looks at the
artist's relationship to the built environment, while Sir John Soane's Museum examines the «radical moment» of postmodernism and the Sainsbury Centre
for Visual Arts explores the superstructures of the 1960s to 90s.
More unexpected is the discovery that an
artist so closely identified with abstraction and with enlarging the possibilites
for her own and future generations - with what her friend Anthony Caro calls «the onward of art» - should have
looked not only to her lived
visual experience as a starting point
for her work but also to the art of the distant and recent past.
Bacon, according to Quinn, was an
artist who created a
visual world based on his own experience, and is a template
for any
artist who
looks outward to examine inward and create a radically new aesthetic from that approach (an approach that Quinn undeniably has embraced).
While the intense experience of
looking at Wilson's work may resonate with the strange intimacy we have with computer screens, the
artist is less interested in
visual metaphors
for media interfaces, and more interested in the intersections of landscape, process, and time.
Unconditional Love Tongues Untied 2016, 1996 INTERTEXT Viral Images Arroz Con Mango: Life Through Cuban Eyes Party Out Of Bounds Expanded Here and Not Here: Some things I can't say to your face I Am My Own Landscape WAR American Noir: Into a Dark Past < body > and the notes Notes on a Steady Decline Ciao
For Peter Hujar OSC: Obsessive Sex Collecting Light Itself A
Visual Decameron Warrior Liminal: Subliminal: Sublime In the Flesh I Heart Douchebags Militancy and Mourning Linear Progression / Progressive Deterioration The Sublime Order
Looking Up Lyrics You're My New Orleans I'm Not Mad at You, I'm Mad at the Dirt Eclipse Energy Crossing The Line Going Within Eleven
Artists Intimately Acquainted Particular Insight American Archetypes My Brother Per Ora: Consuming Desire Revolutions Per Minute The Presence of Absence Time & Place I Smell Sex Beyond Boundaries Fugitive, or From here to there and back again
Faurschou Foundation Copenhagen is honoured to present Shirin Neshat I
Looking for Oum Kulthum — A solo exhibition, which delves deeply into the process of creating an artistic feature - length film by the
visual artist Shirin Neshat.
The talk will
look closely at works by 13
artists presented in the exhibition and the installation's overall connection to Le Corbusier's architecture at the Carpenter Center
for the
Visual Arts at Harvard University.
For this residency, the Museum is
looking to award one
visual artist whose artistic practice will resonate with children ages 3 to 8 and their families, and reflect a relationship to the demographics, location or history of Sugar Hill.
Five colors, including the violet, make everything, Each move is reacted to by another, both
artists improvising at the same time on the same painting,
looking for some right arrangement, world or sensation to arrive and hold on as
visual meaning.
On Air Fest also
looks to audio creativity as a tool
for social change, as evidenced by a discussion slated
for Sunday between
visual artist Laurie Anderson and Debbie Millman, host of
TheArtList.com is the leading online resource
for visual artists and photographers
looking for income and exhibition opportunities.
The title of the exhibition is named after 90s Hip - Hop stylist Misa Hylton - Brim, who was responsible
for creating some of the most iconic
looks in the music industry
for artists including Missy Elliot, Mary J. Blige and Puff Daddy, using fashion to make expressive
visual statements about their identities.
Stylistically, some
artists build upon the rich
visual culture of the continent,
looking to carved and painted African masks, colorful woven kente cloths, and ancient bronze sculptures
for inspiration.
Phillippe Dubost is the creator of Keybright, an open source tool that allows anyone to make a fun and beautiful light installation at home — whether you're a hardcore
visual artist or just
looking to make something entertaining
for your next party.
SELECTED GROUP SCREENINGS 2016 Greater New York, MoMA PS1, Long Island City 2015 UnionDocs Collaborative Projects, Spectacle Theater, Brooklyn 2015 Slideluck LA VII, The Space, Los Angeles 2014 Convergence, New York Film Festival, NYC 2014 Slideluck NYC XVIII, Photoville, Brooklyn 2013 Aberrations of Time, 14 Lilienblum Street, Tel Aviv 2013 7th Annual Red Hook Film Festival, Brooklyn Waterfront
Artist's Coalition, Brooklyn 2013 Distrital 2013, District Film Festival, Mexico City 2013 Video Dumbo, Eyebeam, NYC 2012 ExDox, Cologne Art and Moving Image Awards, Cologne 2012 Endless Plain, Armory Center
for the Arts, Pasadena 2012 Our Haus, Austrian Cultural Forum, NYC 2012 End Tymes Fest, Outpost
Artist Resources, Brooklyn 2012 Videorover: Season 3, Contemporary Arts Center, New Orleans 2012 Videorover: Season 3, Manhattan Neighborhood Network, NYC 2012 Videorover: Season 3, Nurture Art Gallery at IndieScreen Cine Club, Brooklyn 2011 UnionDocs»
Looking at Los Sures, Carpenter Center
for the
Visual Arts, Cambridge 2011 Visible Evidence, Tisch School of the Arts, New York University, NYC
Hito Steyerl:
Artists Space
For a wild
look at what «the expanded field of cinema» might mean in the future,
look no further than this brilliantly
visual, powerfully political
artist who uses scenes of aircraft boneyards in California, an interview with an eccentric American entrepreneur, and CGI clips, all blended into incredible optical essays about information, power, the movement of capital, logarithms of the mind, and the human body.
Together, these
artists look back to traditions both within and beyond the
visual arts to imagine possibilities
for an uncertain future.
Her solo exhibitions include: Warblers, AKA Gallery (with Jeffrey Allport), Saskatoon, Saskatchewan, (2012); Si vous recevez ceci, vous serez bientí» t couverts de gloire, Le Commissariat Paris, (2011); If you receive this, you will soon bask in glory, Mercer Union — A Centre
For Contemporary
Visual Art Toronto, (2010); Fire Watcher, Liste 09 Basel (2009); The Cavorist Projects, Sommer & Kohl Berlin, (2009); Fire Watcher, The Bodgers» and Kludgers» Art Parlour Vancouver, (2007); You
look like you whereas I tend to
look like me, Art Projects Gallery Regina, (2005); Clubhouse, Access
Artist Run Center Vancouver, (2005).
http://bit.ly/NAstqO ---- And @RealArtWays is
looking for a
Visual Arts Manager http://www.realartways.org/opportunities.htm / (Save the date: My show at RAW opens SEPTEMBER 20)---- The Big Black Hole of Time Suck: Exploring all the Brooklyn
artists who registered
for Brooklyn Museum's Go open studios, September 8 and 9 / Yes, I registered, so save the date and stop by Two Coats HQ to say hello.
An actor playing an actor while a film - maker films him
for a celluloid portrait and an audience
looks on — that's the intriguing, if slightly perplexing, basis of an experimental work by the British
visual artist Tacita Dean, featuring the British actor Stephen Dillane, to be staged next week as part of the Sydney Biennale.
, China Art Objects Galleries, Los Angeles, California, US Blickachsen 4 / Axes of View 4 (Sculpturen im Kurpark), Galerie Scheffel, Bad Homburg v.d. Höhe, DE Dia: Beacon, Dia, Beacon, New York, US Arttranspennine03, Arttranspenine, North of England, UK Corso Terracciano 56, Alfonso Artiaco, Naples, IT De Collectie, Luc Deleu, Museum of Contemporary Art Antwerp, BE The Snow Show: Venice, UNESCO Regional Bureau
for Science in Europe (ROSTE), Venice, IT Utopia Station Lab / Museum in Progress, Venice Biennale, Venice, IT Sink or Swim, Premier La Ciudad Radiante (La Città Radiosa), Fundación Bancaja, Valencia, IT Dust Memories, Swiss Institute - Contemporary Art, IT Independence, South London Gallery, London, UK
Look & Feel Art Landscape Nature, De Verbeelding, Zeevolde, NL Telling A Work Of Art, Andrew Jensen Gallery, Aukland; New Zealand: Dunnedin Public Art Gallery, Dunnedin, Otago Settlers Museum, Dunnedin, NZSAFN, SAFN, Reykjavík, IS Histoires Contemporaines, Institute d'Art Contemporain, Villeurbanne, FR
Artists» Gifts, Museum of Contemporary Art, Los Angeles, California, US Definitely Provisional (a library), Whitechapel Project Space, London, UK Stop & Go, Frac Nord - Pas de Calais, Dunkerque, FR The Distance Between Me & You, Lisson Gallery, London, UK Nomades & Bibliophiles, Koldo Mixelena Kulturunea, San Sebastian, ES In Full View, Andrea Rosen Gallery, New York, US Image and Writing in Works of the Collection of the Serralves Foundation, Serralves Foundation, Porto, PT Definitely Provisional (a library), Whitechapel Project Space, London, UK Selections from the Lewitt Collection, New Britain Museum of American Art, Conneticut, US Pictures, Patents, Monkeys, and More... on Collecting, Institute of Contemporary Art, University of Pennsylvania, US SEETHE, Catriona Jeffries Gallery, Vancouver, CA Trickfilm, Buchmann Galerie Köln, Koln, DE
Look & Feel Kunst Landschap Natuur, Dag van de Verbeelding, De Verbeelding, Zeewolde, NL Utopia Station Poster Project, Haus der Kunst, Munich, DE Surface Charge, Anderson Gallery, Virginia Commonwealth University, Richmond, Virginia, US Temporal Surfaces, Vancouver Art Gallery, Vancouver, CA
Artists» Books, Outside of a Dog, Baltic The Center
for Contemporary Art, Gateshead, UK Incommunicado, Sainsbury Center
for Visual Arts University of East Anglia, Norwich, UK Wittgenstein: Family Likenesses, Institute of
Visual Culture with Wittgenstein Archive, Cambridge, UK The Snow Show / New York, Scandinavia House, New York, US Muhka - een keuze, Muhka, Antwerpen, BE Frieze Art Fair, Regent's Park, London, UK Zahlen - Zeit - Zeichen / Numbers - Time - Signs, Galerie Dorothea van der Koelen, Mainz, DE «Art Is Very...» Attributed To Lawrence..., Kent Institute of Art & Design, Zandra Rhodes Gallery, Rochester, UK Argosfestival 2003, A First Quarter screening, Brussels, DE Partners, Haus der Kunst, Munich, DE Ned Sublette / Songs I wrote with Lawrence Weiner, Bowery Poetry Club, New York, US Une Maison - Une Collection (Collection FRAC Bourgogne), Atelier Cantoisel, Joigny, FR Postcards From the Edge, Galerie Lelong, New York, US The RxArt Ball, Dolce & Gabanna Showroom, New York, US RCA Secret, Gulbenkian Galleries, Royal College of Art, London, UK La Nuit Americaine, Yvon Lambert, New York, US Elephant Juice (sexo entre amigos), Kurimanzutto, MX Ready to Shoot / Videogalerie Schum, Kunsthalle Düsseldorf, Dusseldorf, DE; travelled to Casino Luxembourg, LU, Museu Serralves, PT The Boat Show, Wynick / Tuck, Toronto, CA; travelled to Richard Salmon Gallery, London, UK; Hatton Gallery, Newcastle University, UK
Philadelphia Open Studio Tours (POST), a program of The Center
for Emerging
Visual Artists, offers a behind - the - scenes look at a day in the life of a visual a
Visual Artists, offers a behind - the - scenes
look at a day in the life of a
visual a
visual artist.
Christian Marclay is an American
visual artist, mostly known
for his onomatopoeic installations where he displays how music would
look like without sound.
Brooklyn - affiliated
visual artists looking to make a significant commitment to their practice should apply
for BRIC's summer residency.
Similarly, Jorge Macchi has underlined the significance of his watercolors in relation to his artistic practice; «they facilitate the way I expect the audience to
look at my pieces,» the
artist pointed out.1
For Macchi, drawing has become a way to both transcribe and incite a purely
visual experience.
Philadelphia Open Studio Tours (POST), a program of The Center
for Emerging
Visual Artists, offers a behind - the - scenes
look at a... See Full Post
SELECTED GROUP EXHIBITIONS and SCREENINGS The Concordia Biennial: The Art of Teaching, Concordia Gallery, Concordia University, St. Paul, MN, 2016 It's so hard to live without you, Helsingborgs Dagblads Photo Salon, Landskrona Photo Festival, Landskrona, Sweden, 2016 The Golden Hour, See 18 Film Screening Room, MSP International Airport, Minneapolis, MN 2016 - 17 North of the 45th Parallel, DeVos Museum, Marquette, MI, 2016 Experimental Cinema: Pixels, Minneapolis International Film Festival, St. Anthony Main Theater, Minneapolis, MN, 2016 Society of Scottish
Artists Annual Exhibition, RSA Gallery, National Galleries of Scotland, Edinburgh, 2015 This From There, Circa Gallery, Minneapolis, MN, 2015 Photography Since the Millennium, Louisville Photo Biennial, Carnegie Center
for Art and History, New Albany, IN, 2015 SPE Combined Caucus Juried Exhibition, Ogden Museum of Southern Art, New Orleans, LA, 2015 SPE Combined Caucus Juried Exhibition, UCF Fine Arts Gallery, Orlando, FL, 2015 Perspectives, MN State Arts Board, St. Paul, MN, 2014 Faux / Real, Non-Fiction Gallery, Savannah, GA, 2014 Finders and Keepers, Duchesne Academy (participating Fotofest space), Houston, TX, 2014 Acquisitions and Debuts of the Hillstrom Museum of Art, St. Peter, MN, 2013 Art in the Age of Globalization: Outsourced, Minneapolis Institute of Art, MN, 2012 - 2013 What Can not Be Cured Must Be Endured, Paul Robeson Gallery, Newark, NJ, 2012 Terraforming: Contemporary discourse in landscape photography, King Street Gallery, Silver Spring, MD, 2012 Then + Now, Hillstrom Museum, St. Peter, MN, 2012 Intersections, Minneapolis College of Art and Design Gallery, Minneapolis, MN, 2012 EA$ T / WE $ T: A Global
Look at Capitalism, New Harmony Gallery of Contemporary Art, New Harmony, IN, 2011 Faculty Exhibition, Schaeffer Gallery, Gustavus Adolphus College, St. Peter, MN, 2010 2008 McKnight Fellows Exhibition, Franklin Artworks, Minneapolis, MN, 2010 Re-Generate, Re-Image, Re-Focus: New Directions in Photography, Priscilla Payne Gallery, Bethlehem, PA, 2009 Yummy, Nexus Foundation, Philadelphia, PA, 2007
Visual Noise, UMC Art Gallery, University of Colorado, Boulder, CO, 2007 Imagining Namibia, The Art Center of St. Peter, St. Peter, MN, 2006 Soul Searching, Cyrus M. Running Gallery, Concordia College, Moorhead, MN, 2006 WCA International Video Shorts Festival, Boston, MA, 2006 Cuba Libre, The Art Center of St. Peter, St. Peter, MN, 2004 Faculty Exhibition, Carver Center
for Arts and Technology, Baltimore, MD, 2003 SPE Regional Conference Exhibition, Manchester Craftsman's Guild, Pittsburgh, PA, 2002 True Confessions, Charles Theater, Baltimore, MD, 2000 On Sight, The School of
Visual Arts, New York, NY, 2000 The Photographic Persona, Belknap Gallery, Univ. of Louisville, Louisville, KY, 1999 The Y2K Solution, Rutgers University, New Brunswick, NJ, 1999 AugenMusik (installation / performance), Peabody Conservatory, Baltimore, MD, 1999 Emerging
Artists, Maryland Federation of
Artists, Annapolis, MD, 1999 LaGrange National, LaGrange College, LaGrange, GA, 1998 Choice, Tate Gallery, University of Georgia, Athens, GA, 1998 Three Rivers Arts Festival, Wood Street Gallery, Pittsburgh, PA, 1997 She Defies Gravity, Ekhartsberga Gallery, McKees Rocks, PA, 1996 Exposures, Garfield Artworks, Pittsburgh, PA, 1996 Three Rivers Arts Festival, Wood Street Gallery, Pittsburgh, PA, 1995 Arts on Tour, Vine Street Gallery, Sharon, PA, 1994 Manchester Craftsman's Guild Staff Exhibition, Pittsburgh, PA, 1994
STATEN ISLAND, QUEENS, BRONX David Henderson; Patricia Satterlee; Jude Tallichet / Valentine / 464 Seneca, Ridgewood, Queens / thru 3/9 Kelly Kaczynski organized by Clare Britt / Ortega y Gasset / 1717 Troutman # 327 / Ridgewood, Queens / thru 4/5 Off The Wall: G.Hsiao; S.Johnson; A.Paik; K.Tran; K.Weathersby / Parallel / 1717 Troutman # 220 / Ridgewood, Queens / thru 3/23 Space Heater: T.Gonzales; R.Gorchov; L.Luloff; C.Salas; L.Wilson / Harbor / 1717 Troutman # 258 / Ridgewood, Queens / thru 3/30
Looking for Work: K.Braciale; A.Doran; J.Enxuto; D.Stein / Regina Rex / 1717 Troutman # 329 / Ridgewood, Queens / thru 3/30 Offline curated by Sarah Sharp / Radiator / 10 - 61 Jackson / Long Island City / thru 3/15 Maria Lassnig; Korakrit Arunanondchai thru 5/25; Christof Schlingensief thru 6/30; etc. / MoMA PS1 / 22 - 25 Jackson / Long Island City / Opening 3/9 Rossella Biscotti; David Douard; Jumana Manna; Radames «Juni» Figueroa / Sculpture Center / 44 - 19 Purves St. Long Island City / thru 5/12 Thaw curated by Jill Conner / Dorsky Curatorial Programs / 11 - 03 45th Ave., Long Island City / thru 4/6 Legacy / Fisher Landau Center
for Art / 38 - 27 30th Long Island City, Queens / thru 3/31
Visual Conversations: Robert Rauschenberg; Cy Twombly; David Nash / Fisher Landau Center
for Art / 38 - 27 30th Long Island City, Queens / thru 3/31 Emerging
Artists / Socrates Sculpture Park / 32 - 01 Vernon Blvd. / LIC / thru 3/31 Los Angeles Poverty Department thru 5/11; Peter Schumann; Pedro Reyes thru 3/30; Etc. / Queens Museum / Flushing Meadows - Corona Park, Queens Paulo Bruscky thru 4/13; Nina Talbot thru 7/6 Opening 3/16; Etc. / Bronx Mus.
«By the mid - and late - 1970s,» wrote the curator Richard Marshall in his essay
for the exhibition «American Art Since 1970» at the Whitney Museum, «painting had moved further away from the confines of the Minimalist approach — even from a negative reaction to it — and the
artists [Jennifer Bartlett, Vija Celmins, Lois Lane, Neil Jenney, Bill Jensen and Elizabeth Murray] inaugurated new ways to treat subject matter and meaning -LSB-...] there emerged a move against an insular, elitist attitude towards art and what it is, should be, or must be -LSB-...]
artists began to
look at more diverse
visual repertory: commercial art, advertising, fashion, television and movies, popular culture, the decorative arts, rugs, religion, ancient artifacts, and Middle Eastern Cultures.»
POST is a behind - the - scenes
look at a day in the life of a
visual artist as well as a community building initiative designed to strengthen bonds within the
visual artist sector, fostering meaningful interaction between
artists and the public, and promoting a greater awareness
for the creative minds that make Philadelphia a vibrant place to live, work, and visit.
Art director /
visual artist Chris Rubino has designed a clever, cute plate especially
for the herbivorous among us, featuring a menagerie of wildlife that are better to
look at than to eat.
We're currently
looking for a
Visual Effects
Artist to join our team.