This elongated horizontal field, or band, reveals organic
looking irregular forms at the far left and right of the band, like fine grained woodwork becoming unexpectedly unfinished and gnarled at edge, or, perhaps, like meticulously cultivated lands hemmed in by rugged coasts.
Not exact matches
Years later, he would recall, «One thing I know has influenced me a lot is
looking at landscape from the air... Of course, the Earth's skin itself had «presence» — I mean, it was all like a flat design — and everything was usually in the
form of an
irregular grid.»
In
Forms 1, irregular, roughly geometric forms in four loose columns situate themselves on a grey ground, which looks as though it may be comprised of many layers of other colours in order to arrive at the richness of the final colour... Here, Parsons does not take some real world starting point and abstract from it in the process of representation, rather she invents by pushing the paint about on the canvas until forms suggest themse
Forms 1,
irregular, roughly geometric
forms in four loose columns situate themselves on a grey ground, which looks as though it may be comprised of many layers of other colours in order to arrive at the richness of the final colour... Here, Parsons does not take some real world starting point and abstract from it in the process of representation, rather she invents by pushing the paint about on the canvas until forms suggest themse
forms in four loose columns situate themselves on a grey ground, which
looks as though it may be comprised of many layers of other colours in order to arrive at the richness of the final colour... Here, Parsons does not take some real world starting point and abstract from it in the process of representation, rather she invents by pushing the paint about on the canvas until
forms suggest themse
forms suggest themselves.
In
Forms 1, irregular, roughly geometric forms in four loose columns situate themselves on a grey ground, which looks as though it may be comprised of many layers of other colours in order to arrive at the richness of the final co
Forms 1,
irregular, roughly geometric
forms in four loose columns situate themselves on a grey ground, which looks as though it may be comprised of many layers of other colours in order to arrive at the richness of the final co
forms in four loose columns situate themselves on a grey ground, which
looks as though it may be comprised of many layers of other colours in order to arrive at the richness of the final colour.