To
look upon those
prayer wheels not (as some of us were taught) as instruments of «vain repetition,» but as outward and visible signs of the intention to pray without ceasing, can perhaps lead iconoclasts to more compassionate reflection on the sacramental impulse and on the place of objects — statues and stained glass and candles and altar cloths,
beads, bouquets, and kneeling cushions in needlepoint stitched by some faithful woman as her own act of participation in the
prayers of the church.