Not exact matches
Chris Burden, another artist known for pushing his body to the limits with his often life - threatening performance
pieces, is represented here by his TV Commercials series (1973 - 77) and a
loop of three magnificent Beam Drop
videos (1984 - 2009), in which he creates monumental sculptures by dropping immense steel beams from a crane into a pit of wet cement.
This art
piece in the form of a
looping video will explore the elements of fire, earth, metal, water, and wood and their role as agents of process, change and the earthy seasons.
Employing lo - fi technologies, Perry layers and
loops, samples and processes
pieces of
video footage, text and sound to create erratic, rhythmic artworks with non-linear narratives that give clues to the artist's own lived experience.
In one corner of a darkened room, two
video pieces, Worry Will Vanish (2014) and Mercy Garden (2014),
loop on the conjoined screens.
The exhibition also includes
video projections of past performance
pieces and the more recent Lotus (3 minute
video loop), a visual poem through which the artist contemplates the connection between the physical world and the sublime / absolute.
The installation
piece would feature an interlacement of
looping systems: Infrared
video cameras, microphones, speakers, and motorized still cameras would sweep the room, and dry ice would hang from the ceiling, pouring a mist onto a stagelike platform, while «Ramblin» Man» played on a sound system and a «caller» repeated «Hank, Hank, Hank.
In 2007 his
video Sleepwalkers played in a
loop on the facade of New York's Museum of Modern Art, while a later
piece, Song 1, was projected on the sides of Washington DC's Hirshhorn Museum.
Whenever I try to explain his kinetic Casablanca film
loop installation, or 2001 Space Odyssey
piece that automatically scans over text on a track, or his superimposed Psycho v. 1998 remake
video..
Running simultaneously amongst several stacked monitors, the
video is a four - minute
loop featuring characters based on chess
pieces from the artist's related film A Game of Chess.
Around 2000, she began focusing on
video pieces, often tightly edited multiscreen numbers that used
looped stocked footage, again probing the power of images and repetition.
The
piece was Cosmology of Yard, a low - slung pavilion built out of wood salvaged from the Wrigley gum factory in Chicago, inside of which a
video played on a
loop.
While Etchell's
video plays on a constant
loop, 6 - minute audio from British artists Andy Holden & David Raymond Conroy's
piece Leaving the Relationship (2013), a series of dramatic readings from David Foster Wallace's book Brief Interviews with Hideous Men, intermittently demands attention and punctuates the space.
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Video Art (1960s onwards) Increasingly popular postmodernist genre whose works may vary from a relatively normal - length piece of film, to a short loop of video containing 10 - 15 minutes worth of artistic con
Video Art (1960s onwards) Increasingly popular postmodernist genre whose works may vary from a relatively normal - length
piece of film, to a short
loop of
video containing 10 - 15 minutes worth of artistic con
video containing 10 - 15 minutes worth of artistic content.