Sentences with phrase «lose real character»

But the trap - jaw ants had built more of a sprawling nest, one that would lose real character — and data — if it was incomplete.

Not exact matches

Gaming is about to break down the barriers between the real world and fantasy, thanks to devices that will read your thoughts, gestures, and expressions; project gaming action onto the streets around you; and populate these quasi-real worlds not only with your distant gaming buddies but with characters that seem as real and wily as Ben from Lost.

Manhattan US Attorney Preet Bharara said the «colorful, coded term» was «apparently lifted from an episode of «The Sopranos»» in which a character lost 45 «boxes of ziti» — or $ 45,000 — during an all - night poker game with players including the real - life Frank Sinatra Jr..

«There still looms a real danger and the danger of us losing our essential character is real,» he said.

It will be in that moment that you lose your status as Awesome Person Who Takes the Kids to the Movies and Buys Them Candy because it is then that you will have to explain to your child that, in real life, Jim Carrey's character would be considered a delusional pet hoarder endangering the lives of creatures that need special care and that the mean zookeeper is the good guy and not some kind of animal prison warden kidnapper.

Perhaps, because it was unwilling to risk becoming camp, this Flowers can't achieve the necessary passion, either — Corinne's viciousness is lost in the shuffle, and volatile Cathy and confused Christopher remain sketches of real characters, whose love never becomes the lifelong connection that takes them by surprise and desperately rushes them toward freedom.

The real Messrs. Gervais and Merchant haven't lost their touch with self - humiliating characters.

Much of the real story in The Loneliest Planet is told nonverbally, in the physical distance between the characters or the palpable tension that develops between Bernal and Furstenberg when they lose that ease of communication.

There's so much happening in a vacuum here with deaths all over the place and a wealth of exposition shoved at the moviegoer — brush up on your Horcrux knowledge and character lists, people, else you'll be lost — the film doesn't sustain the real feeling it engenders brilliantly in the opening scenes.

Hoffman and Thompson make real (or at least relatable) people of these characters who have nothing to lose and everything to gain.

Where the film loses most of its charm is in its unrelatable characters, who all exhibit behavior that hardly rings true in the real world.

As in The Fugitive and The Hunted, Tommy Lee Jones plays a skilled tracker (I guarantee this guy loses his car keys all the time in real life) and is the same stoic character that he always plays.

It's very possible to find yourself losing almost every fight after the third or fourth one simply because you didn't make an effective enough character even though you had no real idea what would be a «perfect» character at the time.

He virtually gets so lost in a character that you believe you are watching the real deal.

Even in his mirage - like imaginings of his lost sibling, Patel stays anchored in the very real grief causing his character's visions and deftly balances a debilitating obsession with the love that lies beneath.

He still loses the girl, he still feels threatened by Russell, he still lacks any real character and isn't above planting bottles of alcohol in Russell's room.

Of course, savvy readers will know the real «lost and found» refers to the fascinating characters in this riveting tale, who, after enough loss, struggle to find themselves and make each other whole.

Lose yourself in Sarah Addison Allen's enchanting world and fall for her charmed characters in this captivating story that proves that a happily - ever - after is never the real ending to a story.

In this eerie and brilliant debut novel a fascinating cast of both real and fictional characters is assembled who all share one common trait: grief for brethren who were lost in the bloodiest war fought on United States soil.

In some of the stories Pietrzyk does seem to talk directly to her husband but whether it's the fictional spouse lost by the character or the real - life equivalent the author lost, it's impossible to tell.

I exclude new genres of digital content that can not be reduced to printed form without losing much of the essential content or character of the work (though this is where many of the real long - term revolutions may lie, and some of the most fascinating developments are to be found; for elaboration, see Peter Brantley's article in American Libraries» June 2013 Digital Supplement).

New character announcements lose their hype when it's nothing but Fire Emblem characters and more human characters with swords... We could have gotten more unique characters like K. Rool, Paper Mario, Krystal, Rayman, Tails, Knuckles, Amy, Shantae, but no, we had to get more generic sword wielders... I would have been real excited for Cloud, but his moveset is nothing special.

Hiccup's viking buddies sort of get lost in the fray along the way, with even Astrid failing to get any real character development.

SO many Great third party chars and u bring one that has lost exclusivity and one that is a fighting game character... im very mad at this... for real.

Interacting with the cast both in and out of the trial is a real highlight, since each character has their own distinct personality quirks that'll make you genuinely care whether or not you lose the case.

Real Bout Fatal Fury is the only Fatal Fury title with bounds, and characters who are pushed out of bounds lose the round in a comical way, which can lead to unexpected comebacks.

Fortnite was a real surprise, something I can see myself losing hours of time in as I play with friends and look to get the best characters and loot.

One of the finest modern tactical role - playing games on any platform, Fire Emblem: Awakening delivers turn - based battles with real stakes: if you play on the «Classic» setting and lose a character in combat, he or she is gone forever.

According to the fundamental idea of property, indeed, nothing ought to be treated as such, which has been acquired by force or fraud, or appropriated in ignorance of a prior title vested in some other person; but it is necessary to the security of rightful possessors, that they should not be molested by charges of wrongful acquisition, when by the lapse of time witnesses must have perished or been lost sight of, and the real character of the transaction can no longer be cleared up.