Sentences with phrase «loss of innocence as»

Ultimately this film is about loss of innocence as seen through the eyes of a young girl.
While some may argue the loss of innocence as the deeper meaning behind the saying, I can argue that nothing ever stays on top speaking in terms of Hollywood.

Not exact matches

Upon careful analysis, at least ten such points become apparent: (1) Blake alone among Christian artists has created a whole mythology; (2) he was the first to discover the final loss of paradise, the first to acknowledge that innocence has been wholly swallowed up by experience; (3) no other Christian artist or seer has so fully directed his vision to history and experience; (4) to this day his is the only Christian vision that has openly or consistently accepted a totally fallen time and space as the paradoxical presence of eternity; (5) he stands alone among Christian artists in identifying the actual passion of sex as the most immediate epiphany of either a demonic or a redemptive «Energy,» just as he is the only Christian visionary who has envisioned the universal role of the female as both a redemptive and a destructive power; (6) his is the only Christian vision of the total kenotic movement of God or the Godhead; (7) he was the first Christian «atheist,» the first to unveil God as Satan; (8) he is the most Christocentric of Christian seers and artists; (9) only Blake has created a Christian vision of the full identity of Jesus with the individual human being (the «minute particular»); and (10) as the sole creator of a post-biblical Christian apocalypse, he has given Christendom its only vision of a total cosmic reversal of history.
It isn't as much for Brittanie that I mourn, but it is the loss of innocence.
Writer / director Terrence Malick («Badlands» / «The Thin Red Line» / «The New World») superbly shoots it as an enthralling mood piece, that lets its romanticized story of the human condition be spelled out visually to overwhelm us with its deep emotional impact as a parable of love and the loss of innocence with biblical proportions.
superbly shoots it as an enthralling mood piece, that lets its romanticized story of the human condition be spelled out visually to overwhelm us with its deep emotional impact as a parable of love and the loss of innocence with biblical proportions.
Later that year, Macdonald appeared in Mike Figgis» The Loss of Sexual Innocence, playing the young girlfriend of the film's protagonist; and in Gregg Araki's Splendor, a romantic comedy in which she played the blue - haired best friend of the film's heroine.After a slew of similar supporting roles, including a memorable turn as the daughter of Mary Elizabeth Mastrantonio and Colin Firth in My Life So Far, MacDonald was given possibly her biggest break since Trainspotting when Robert Altman cast her as a lead (albeit one of many) in Gosford Park (2001).
Innocence has often been a theme of Mr. Zemeckis's films — not so much its loss or recovery, as its stubborn persistence.
Krokidas is instead more concerned with capturing the birth of a movement through the ultimate loss of innocence, suggesting that the incident was as formative for the three poets as their time at Columbia.
As adapted to the screen by director Gina Prince - Blythewood (Love & Basketball), the story explores a treasure trove of themes ranging from racism to religion to sisterhood to loneliness to love and loss of innocence.
(In French with subtitles) The Song of Sparrows (PG for brief adult language) Loss of innocence drama, set in Iran, about a recently - fired ostrich farmer (Mohammad Amir Naji) whose family becomes upset about how the naïve country bumpkin has begun to compromise his values in order to make it as a taxi driver in the city of Teheran.
The dry black humor that pervades the triumphs and tragedies of young Oliver's life has the unexpected effervescence of hyperbole as the story delves into the dangerous territories of sex, death, and the loss of innocence.
Cuesta's reference to director Alan Pakula, killed on the L.I.E. and responsible for a trio of seminal paranoia thrillers in the seventies (Klute, The Parallax View, All the President's Men), gains an increased level of resonance as the cinema of that decade was a reflection of another generation's loss of innocence — one fuelled by the triple - assassinations of JFK, RFK, and Martin Luther King, the gulf created by the free - love and flower - power movements, and the psychological tumult of Vietnam.
There's the heavy sigh of melancholy that defines Anderson's whole oeuvre in this second stop - motion piece of animation, but as it howls at the loss of childhood innocence, it also recreates a little chunk of magic by hand.
Taken as a loss of their innocence, the film as a discomfort machine makes some sense.
«I think that ultimately most movies portray vulnerability as a loss of innocence, but by the end of this movie, it's the opposite direction,» says Deutch, who in real life speaks with the same breakneck cadence as her character.
They share a yearning for freedom as well as a name, but once wounded soldiers are brought within the convent's walls, a loss of innocence is imminent.
It's a compelling premise, using a single, haunting photo as the launching pad to cross a massive expanse of ideological ground, touching on the brutality of war, the loss of innocence, the balance of nature, post-colonial arrogance and the dangers of a military industrial complex driven by profit over protection.
A lot of gamers point at the loss of gaming magazines as an almost loss of innocence.
Gibbons intends for his paintings to act as allegories for the loss of innocence.
«A lurking sense of finality haunts each character and an inevitable loss of innocence closes in, just as winter lays in wait for Summer.»
Mohammed's gold and silver nameplates commemorate those black men and women who were killed by police in 2016, and his penchant for using votive candles in his photographs takes aim at this loss of innocence; however, here perhaps he is looking at objecthood, and even that of a photograph, as a means to tell stories of resistance and hope.
Her work explores themes such as death, vulnerability, loss of innocence, rebirth and redemption and are informed by the experience of her youth as a queer, multiracial immigrant in American suburbia.
Among the works included are Jonathan Borofsky's Untitled ping pong table, which all are encouraged to play, it posits the opponents at odds with each other as one side of the table is a «plus» and the other is a «minus»; Andreas Gursky's large scale photograph depicts a soccer match between the Dutch and French teams, however with no ball in sight and a player injured on the field, the image speaks to the larger nationalistic ideas of sports; Mike Kelley's Arena # 2 (Kangaroo) is comprised of tattered stuffed animals on a used children's blanket, creating a tableaux about loss of innocence; Kirsten Geisler's interactive female cyborg beckons the viewer with sound recognition software to engage in a dialogue of sorts; Yinka Shonibare's sculpture Hopscotch incorporates a classic children's game with headless mannequins dressed in Colonial attire and Sol LeWitt plays a game of chance in his wall drawing # 716 from 1991 in which there are eight possible lines (vertical lines, horizontal lines, arcs, etc) to be placed in each square of a grid covered wall.
What the sculptor is about to invoke in the new series of work is yet to be seen, but as his subjects are consistently children, we may be in for another explorative angle of the loss of innocence, hardships and perils of growing, in personal and universal sense.
Using this loss of innocence and the awakening of the desirable and desiring body as a springboard, Goodman seamlessly traverses a number of media in her ongoing conversation around female identity and autonomy.
With the sprit of Martin Kippenberger as his starting point, Lang renders a world of innocence, sex, and loss.
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