Not exact matches
Position away, O ye spinners: The
good news for all who are not awards voters is that this newer, shorter World — shorter, anyway, in the category
of languid movies over two hours — is that it communicates Malick's luminous artistic vision
of innocence and
loss, wildness and order, risks taken and chances lost, with more clarity than his first cut.
Later that year, Macdonald appeared in Mike Figgis» The
Loss of Sexual
Innocence, playing the young girlfriend
of the film's protagonist; and in Gregg Araki's Splendor, a romantic comedy in which she played the blue - haired
best friend
of the film's heroine.After a slew
of similar supporting roles, including a memorable turn as the daughter
of Mary Elizabeth Mastrantonio and Colin Firth in My Life So Far, MacDonald was given possibly her biggest break since Trainspotting when Robert Altman cast her as a lead (albeit one
of many) in Gosford Park (2001).
It's more
of a slice
of life sort
of movie than one with a clear and easy - to - summarize narrative, but it's essentially a very
good film concentrating on
loss of innocence, scattered with moments
of greatness usually brought to the surface by its strong technical aspects (from its stylized editing to its sporadic shifts in tone).
By now, it might be a given that Pixar's movies are visually spectacular, but The
Good Dinosaur may be the studio's most purely cinematic, the richness
of the design and the emotional power
of the widescreen compositions stirring deep, almost primal feelings about childhood, the
loss of innocence and the untamed ferocity
of the natural world.»
It's more
of a «slice
of life» sort
of movie than one with a clear and easy - to - summarize narrative, but it's essentially a very
good film concentrating on
loss of innocence, scattered with moments
of greatness that are usually brought to the surface by its strong technical aspects (from its stylized editing to its sporadic shifts in tone).
They share a yearning for freedom as
well as a name, but once wounded soldiers are brought within the convent's walls, a
loss of innocence is imminent.
«There is a lot
of melodrama, but Sittenfeld's understated style works
well to bring home Alice's
loss of innocence.
I heard other interpretations while there, and so did the artist: that the paintings examine the
loss of innocence, that they are a caricature
of original sin, that they meditate on hypocrisy, that they demonstrate human capacity to be at once
good and evil.