I really enjoyed segments of the film and got nostalgic as the first couple of scenes unfolded, but when the duo started looking for Harry's long -
lost daughter Penny (Rachael Melvin), I couldn't stop thinking about Mary Swanson, Sampson» ¦ Samsonite.
After the setup, in which the Robinson family — father John (William Hurt, looking and sounding as spaced out as he does in interviews), mother Maureen (Rogers, wasted),
daughters Judy (Heather Graham, ditto) and
Penny (a heavily made - up Chabert, looking like a junior version of Neve Campbell in Wild Things), and son Will (young newcomer Johnson, making the best of it)-- and pilot Don West (LeBlanc, doing a bad Han Solo impression) find themselves
lost in space after their ship is sabotaged by evil stowaway Dr. Smith (a watered - down but still - lively Oldman, cashing a paycheck and loving every minute), the script's «stream» of events becomes so fragmented and random that it seems to be made up as it goes along — and Hopkins does little to make what does go on the slightest bit interesting.
A Great Reckoning — Louise
Penny Little Girl
Lost — Carol Wyer Mississippi Blood — Greg Iles Pretty Girls — Karin Slaughter Remains of Innocence — J. A. Jance The Girl With No Name — Diney Costeloe The Clay Girl — Heather Tucker (Canadian author) The Good
Daughter — Karin Slaughter The Married Girls — Diney Costeloe Unspoken — Lisa Jackson