Sentences with phrase «lost painting by»

Amid three other shows of the medieval and Renaissance world running simultaneously in New York, it shares the museum with a sharp look at a nearly lost painting by Edouard Manet.

iTunes» Weekly Bestsellers Under $ 4 includes The Lost Painting by Jonathan Harr for $ 1.99.

Not exact matches

Decade after decade, and eventually on the campaign trail, Donald Trump painted America as the world's sucker — losing on trade, ripped off by allies, and outmaneuvered by enemies.

It has little to lose by taking its $ 27 bln bid for the Dutch paint maker straight to shareholders.

He is depicted as making and losing a fortune, shocking his straitlaced patrons by having an affair with his housekeeper, and painting in a style too unconventional for his contemporaries to appreciate.

Even so, we are far more likely to paint for our readers a broad range of figurative meaning by keeping close to the literal field wherein that meaning takes root and flourishes, than by dispensing with the literal, and losing it and much of the figurative to boot.

I hadn't realised how much confidence I had lost but my life - drawing teacher was very encouraging and, little by little, I started to draw more and paint again.

Both Walsh and Juanita Perez Williams, the Democratic candidate for mayor who lost the election by roughly 4,000 votes, also said during the campaign a community grid would give local artists a positive opportunity to paint murals in a section of downtown.

Now Mejias, 39, a Farmingdale lawyer who served in the Nassau County Legislature before losing his seat last year in a close election, is trying for a comeback by painting Hannon as part of a dysfunctional Albany establishment for the past 34 years.

The Lost World of Old Europe: The Danube Valley, 5000 — 3500 B.C. Institute for the Study of the Ancient World, NYU, New York City Millennia before the great pyramids of Giza were built, elaborately painted female figurines and costumes gleaming with copper and gold were being created by the artisans of Old Europe, who thrived around 4500 B.C..

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I've lost count of how many mason jars I've painted and distressed in Annie Sloan Chalk Paint in Old White... These, by far, are my biggest seller at the Etsy shop.

This is further enhanced by the fact that MvC3 is powered by Capcom's impressive proprietary MP Framework engine, which has in the past run Dead Rising, Lost Planet, and Resident Evil 5, though for MvC3 they've given the visuals a new cel - shaded, comic book - style lick of paint.

Ciarán Hinds plays a widowed art critic who returns to the scene of a sun - kissed but ultimately painful summer of his childhood — a lost world inhabited by louche bohemian adults (Natascha McElhone, Rufus Sewell, both ripe as all hell) who seem to be trapped for eternity in a Jack Vettriano painting.

In the highlands of Scotland, a scientific expedition led by Elizabeth Shaw (Noomi Rapace) and her significant other Charlie Holloway (Logan Marshall - Green) discover a long - lost cave where an over -30,000-year-old painting shows a tall human - like figure pointing toward a specific set of stars.

Magnificently shot and phenomenally acted by both McGregor and Green, this film paints a picture the end of the world where our emotions explode out of control before we lose an intricate part of our being.

One such effort is The Leonardo Job, a heist flick that Twohy wrote about the theft of a «lost» painting by Leonardo da Vinci.

Abingdon's One And A Half — Jonathan Wood recalls the VA the smallest of the three saloons made by MG towards the end of the»30s / Pau: A Popular Revival — The inaugural Grand Prix Historique contained all the ingredients for lasting success reports Douglas Blain / Bellows To Buses — Norman Painting relates how a West Midlands general engineer became a diversified vehicle producer but lost the plot after the First World War / Maudslay's Might - Have - Beens — Concluding Nick Baldwin's account of the early years of the Maudslay Motor Co. / Japanese Microcars — Michael Worthington - Williams recalls some amazing light cars and microcars produced up to the 1950s when Japan was far from the successful motor manufacturing nation it is today / Phantom a La Packard — This month the Editor tries out a Phantom II whose dual cowl bodywork was modelled on a Packard phaeton.

I wasn't expecting to be wowed by the Infiniti Q50 Eau Rouge concept, especially without any firm powertrain or production details, but in person this four - door was stunning — garnet red paint with a luster about a mile deep was equally easy to photograph and lose yourself in.

Other changes to the paint shop include a dry scrubber booth with a limestone - handling system that eliminates sludge water and waste, LED lights for the process decks for visual inspection, FANUC robots with versa - bell 3 electrostatic applicators to give each paintjob a smoother finish and to reduce lost paint materials by 25 percent, and high - efficiency baking ovens.

The story begins with the painting of the first portrait, when More was almost at the peak of his powers — in which the mysterious John Clement doesn't figure — and ends with the second portrait five years later, after the deeply Catholic More had lost his job and was being hunted down by his Protestant rivals at court.

- Amy Stewart, New York Times Bestselling Author of The Drunken Botanist «A heartfelt, vivid account of a hunt for lost masterpieces painted by a great - grandfather that prove to be unforgettable relics of a rich world swept away by war, taking readers on a lusciously detailed international journey that reminds us that the search for missing paintings is, at heart, a search for missing history.»

Already by the mid-1960s, painting had lost its authority as the dominant artistic medium and instead galleries had begun to show much more heterogeneous experimental and sometimes politically and socially provocative work in new media (film, video, and photography), as well as confrontational live art and other kinds of participatory and performance - based approaches.

While a younger generation of artists, led by Katharina Grosse, Carol Bove, and others, are finding renewed significance and surprising rewards in extemporaneous abstract painting and sculpture, certain veterans like Emily Mason never lost faith in its limitless possibilities.

If the viewer is encouraged to lose him or herself in the painterly space of traditional landscape painting, in Italienische Landschaft one is, «left in a state of perpetual limbo bracketed by exigent pleasures and an understated but unshakable nihilism.

Based on the theme of John Milton's Paradise Lost, they are a fusion of Indian mythological figures, hybrids of man and beast, warring in landscapes inspired by quattrocento and Renaissance painting.

It is a lesson in an aspect of AbEx that often gets lost in its hagiography: with all the influence of early modernism, the AbEx painters succeeded by grasping the universal notion that painting is an improvisational art that can not be exhausted as long as there are artists willing to risk thinking for themselves.

Tom Torluemke's recent shows have featured narrative painting, and something like a human body is represented in the large watercolor «In Search of the Lost Sole by the Sea» in this exhibition.

Stella's main argument boils down to this: How to make paintings that don't lose the status of paintings by becoming objects — paintings that evacuate the subjectivity of both the painter and the viewer, and replace it with historical necessity?

By marking the edges of the paintings, she calls attention to their shape as significant, while the nebulous contents of the pictorial field — lacking the order and legibility of the grid — offer few clues to its inner structure and encourage the viewer to lose sight of place.

This happens repeatedly in the black horizontal stripes in «The Point in Bloom I» (2015), where the bands of paint lose their solidity, become dry and patchy, as if they have been worn away by the weather.

Recorded as lost in the disastrous Tate Gallery flood of 1928, the painting was rediscovered by Christopher Johnstone, a Research Assistant at the gallery, when he was researching his book «John Martin» (1974).

«Lost Love» by Gino Belassen is a unique acrylic, pastel, and resin on wood panel painting signed by the artist on the front.

A painting of African American cotton - pickers by Clementine Hunter and a desk carved by emancipated slave William Howard illustrate an 18th - century fieldhands» song: «Caller: Old Joseph was a wood workin» man... When he got old he lost his way... Makes that boss man right mad... Needs a young man to learn his trade,» with a recurring chorus of «Hoe Emma Hoe, you turn around dig a hole in the ground, Hoe Emma Hoe.»

Starting with lost and «abandoned» footage created by Deren, McElheny has re-filmed, deconstructed and extensively processed these moving images to suggest a world of abstraction that sometimes coalesce into bodies or objects, or, in reverse, where mannerist bodies passing through the painting seem to dissolve themselves into granular abstraction.

Interspersed throughout there's some meh abstraction and minimalist painting (like Sylvain Croci - Torti's «Lost in Confusion,» 2014, a mostly - monochrome canvas interrupted by a trickly vertical slit, sort of an exhausted version of Barnett Newman's zip).

Portrait is not a lost work by Dutch master but a 3D printed painting made by software that distilled the features of a Rembrandt

Morris, a longtime East Hampton resident who died in 1979 at the age of 61, was an instructor at Cooper Union among other schools and was a visiting critic at Yale University's graduate school in addition to being in the collections of the Guggenheim and Whitney Museums, but it is easy to see why this painting might have been lost in an era defined by aggressive masculinity.

Baffled Victorian critics thought JMW Turner had genuinely lost his marbles with much of his later works, particularly nine controversial square paintings, which Tate Britain is to celebrate by hanging them together for the first time.

Two large - scale paintings depict a figure almost completely obscured by foliage, which gives the impression of something glimpsed in a dream or recreated from a lost source.

As we've found throughout in our ongoing coverage of Phaidon's new contemporary painting compendium Vitamin P3, smearing pigment on canvas is hardly a lost art — in fact, by all appearances, this most traditional of art forms is still going strong.

In the drawings and paintings from the last few years, including your most recent work in «Death is a Conceptual Artist», a solitary figure sits, reclines or stands, lost in thought, marked by their solitude.

Although Bischoff went on to paint colorful, thickly pigmented scenes of figures in interior or landscape settings for nearly two decades, by the early seventies he was, by his own admission, losing interest in the figure as subject matter.

Untroubled by an artworld that tracked the history of Western abstract work from a (lost) painting by Kandinsky recorded in 1911, af Klint did not receive a prominent posthumous airing of her paintings until 1986.

Learn the basics of landscape painting with brush and ink as you make your own scroll inspired by Dreaming the Lost Ming.

Recent group exhibitions include «Magic Mountain,» Museum of Contemporary Art Santa Barbara, CA; «Spectra,» San Diego State University Downtown Gallery, San Diego, CA; «Lost line,» Los Angeles County Museum of Art, Los Angeles, CA; «ABCyz,» Launch Exhibition, Silvershed, New York, NY; «The Trans - Aestheticization of Daily Life,» University of California, Riverside Sweeney Gallery, Riverside, CA; «Too much love,» Angles Gallery, Curated by Amy Adler, Los Angeles, CA; «Around About Abstraction,» Weatherspoon Art Museum, Greensboro, NC; «Wall Painting,» University of Texas at San Antonio, San Antonio, TX; «Snap Shot,» UCLA Hammer Museum, Los Angeles, CA (Traveled to Museum of Contemporary Art, North Miami, FL); «Fresh,» Altoids Curiously Strong Collection, New Museum, NY; «KOREAMERICAKOREA,» Sonje Museum of Contemporary Art, Seoul, Korea; «Rundgang,» Kunstakademie Düsseldorf, Düsseldorf, Germany.

2011 The Third Order, Charles Bank Gallery, New York Anonymous Presence, Y Gallery, New York Painted Pictures, curated by Arthur Ou, Blackston Gallery, New York Neon Sigh, collaboration with Emily Mae Smith, The Arcade, Nashville In the Heavens of our Imagination, Lost Coast Culture Machine, Ft. Bragg, California

While Bacon has been vividly discussed during his lifetime, after his death the uncovering of drawings by the artist, a rediscovery of paintings previously lost or presumed destroyed, and the reconstruction of his studio in Dublin have prompted a growing number of new studies, articles and exhibitions.

Hadley Holliday: One with the Sun, New Paintings at Carl Solway Gallery, by Karen Chambers, Aeqai, February 2013 XYZ The Geometric Impulse in Abstract Art, exhibition catalog, Torrance Art Museum, 2012... might be good, Issue # 199, Technicolor from Coast to Coast, by Emily Ng Art on Paper 2012, exhibition catalog, Weatherspoon Art Museum, 2012 Hadley Holliday Sets New Sights at Taylor de Cordoba, Huffington Post, March 2012 Hadley Holliday Wows with Striking Abstractions, by Angelica Martin, Societe Perrier, March 2012 Get Lost in a Patterned Wonderland, by Lilian Min, Refinery 29, February 2012 Rainbow Connection, by Sierra Feldner - Shaw, Style Section LA, March 2010 Hadley Holliday: Paintings at Solway Jones, by George Melrod, Art Ltd., November 2009 Artist of a Totally Different Stripe, by Holly Myers, Los Angeles Times, September 18, 2009, p. D23 West Coast Painters, Korea Times, June 23, 2009 Gravity and Transformation at Kristi Engle Gallery, ArtWeek, Sept 2008 Notes from the Overpass, by Adam Schwartz, Open Studio Magazine, April 2008 Supersonic: One Wind Tunnel, Eight Schools, 120 Artists, exhibition catalog, Art Center College of Design, Pasadena, CA, 2004

Including paintings by artists from the Ponce era, the Lost Colony and The Highwaymen from the late 1880s until the 1970s, these works highlight local artist's depictions of the Florida East Coast during that time.