Certainly actors can direct movies well, but often they're mediocre, and they seem to show up
a lot at film festivals.
Not exact matches
We're gonna need a minute to process this whole situation... Okay, now we're ready to talk about the purple - and - black - and - teal lace caped gown, which shows a
lot of leg and a even more side cleavage
at the opening ceremony of the
film festival.
This year's
festival featured a
lot of new shorts by SCAD
film students, and the premieres of new features such as Bill Condon's «Kinsey» and «Undertow,» by David Gordon Green, who found many of his crew members
at SCAD.
I probably missed a few, as I was only able to see about 20 of the
films at the
festival (which is not a
lot, since it is possible to see nearly 40 over the
festival's 8 days), but suffice it to say, if you're a canine lover, be wary of all the
films listed above.
«The Palme d'Or win opened up a
lot of doors with the press,
festivals and exhibitors, so there was great anticipation for the
film in advance of its North American bows
at Toronto and the New York
film festivals and has given the
film some great momentum in the awards race as well,» said Cowal.
There is a
lot going on in this
film and while it might be considered «too out there» for everyone to enjoy, I think this
film will hit big with the
film festival crowd especially those
at SXSW.
When the
film premiered
at the
festival on May 19, TheWrap called it «a long, scathing, brilliantly funny
film with a jaw - dropping set piece... It is a bold, generous and marvelously constructed exploration of its director's favorite question: «Aren't we humans a sorry
lot?»»
But there appears to be no rhyme or reason to the way this
festival was put together, with many of the best
films showing
at the most inconvenient times, no clear threadlike connecting the
films from different countries or eras and a
lot of sub-standard source material for a repertory
festival.
(Though it's important to note that walk - outs
at film festivals are very common, as everyone has
lots of places to be.)
«We bought the
film before it started to gain a
lot of critical recognition
at the
festival.
Last week I was complaining because there were hardly any releases worth glancing
at; this week I opted to put in a second row of highlighted covers because there are a
LOT of releases, including a bunch of last year's
festival circuit
films that I didn't want to get lost in the shuffle.
A black comedy about a man who dreams of being a reality tv contestant, the French / Italian co-production Reality (directed by Matteo Garrone) has attracted rave reviews
at a
lot of 2012's
film festivals, including a Grand Prix win
at Cannes, though it's yet to see a wide release in English - speaking territories.
The Toronto lineup also announces on Tuesday which sparks
lots of speculation about what
film is going to play
at what
festival.
They are either hired before a
film is seen
at all, based on hope and expectations, or they are hired after a movie gets a
lot of attention —
at a
film festival, for example — or is a surprise hit.
The Young Victoria — The only
film we saw
at the
festival to get any kind of real theatrical release, which is unfortunate because while it's a fine
film for what it is, obviously I liked a
lot of other movies a
lot more.
But directors such as Angelina Jolie («First They Killed My Father»), Dee Rees («Mudbound») and Greta Gerwig («Lady Bird») have been generating
lots of buzz for their work
at the Telluride and Toronto
film festivals lately.
Colossal is a weird
film to be sure, but it's also a frequently fascinating one, and those who spend a
lot of time
at film festivals may be the ones who get the joke best.
I tend to watch a
lot of
films twice: Once
at their
film festival premiere, and again when they hit theaters for an official review.
«A
lot of filmmakers, their conventional wisdom is that, we will show [our
film]
at Sundance, and [distributors] will have to see it with a crowd,» Bernard told us, after revealing that he had met with Whiplash writer - director Damien Chazelle before the
festival.
There were a
lot of great
films that just missed the cut (sorry, Happy Death Day, Mayhem & Gerald's Game), or that I still need to see (I see you there in my queue It Comes
At Night and Thelma) or have only played the
festival circuit and therefore don't qualify (I have nothing but love for you The Endless).
The
festival premièred Fincher's last
film, «The Social Network» and a
lot of the
film's showcased
at this year's
film festival were from Sony, which is releasing «The Girl With The Dragon Tattoo».