Sentences with phrase «lot less art»

Not exact matches

Well, there's a lot of concept art floating around the Internet, but I found these less glamorous photos from a forum post the most interesting.

The taxpayer got the benefit of the appreciated value of 25K for each piece of «art», which was probably BS and paid a lot less in taxes.

It's a lot easier to manage at clean up time, I always know whose art I'm looking at, and I think it ends up creating less waste.

Halloween can be quite a scary time for little ones but you can make it fun and a lot less scary for them with fun arts and crafts for kids.

I definitely don't know anyone irl that dresses like me... the closest I get is the fine arts kids (but they're way cooler and a lot less girly) haha.

I want to target at - risk students at the middle school level, focus on leadership, language arts, digital citizenship and lots of other things that tend to get less emphasis in our everyday classroom.

The Beetle in a black dress was sent off to martial arts class, and the result is less Laura Ashley and a lot more Lara Croft.

A world without poetry and art would be too much like one without birds or flowers: bearable but a lot less enjoyable.

I suppose that the style harkens back to the original illustrations of yokai in ancient woodblocks, but this art has a lot less grace and subtle other - worldliness to it that those original illustrations contained.

Mawa House is a three star accommodation that is footsteps from the Ubud Monkey Forest.The Ubud Art Market is approximately 10 minutes from the accommodation while Ngurah Rai International Airport is just about 90 minutes by car.The Nyuh Kuning city centre itself is less than half a kilometre from the accommodation.This makes it easy for guests to explore the surroundings on foot.The eight deluxe rooms offered at the Mawa House give guests a chance to blend in with the Balinese lifestyle.The design of the accommodation is in the Classic Balinese architectural style.Guests are going to see a lot of natural stone and finished teak wood in the design of the rooms.

The only difference is that ProStreet tries to do it with less finesse and a lot more «street» scene attitude, but the lack of there actually being streets, traffic, cops, and brash challengers makes that hard to pull off, and Electronic Arts have disappointed Need for Speed fans in this title.

Those familiar with the Neptunia series will still find a lot of similarities from previous iterations that have more or less become a staple with the series and help give it its own flair over the years, with the usual dungeon crawling, goofy dialogue, and what not, but if you've played titles like Sword Art Online: Lost Song / Hollow Realization or Dragon Ball Xenoverse, then you'll more or less know what to expect in terms of gameplay and how the menu system as well as attacks are utilized.

Fortunately, the charming art style and nostalgic soundtrack make failing over and over feel a lot less painless than it should be.

I don't know what's «industry standard practice» for fine art galleries these days, regarding pricing works on paper vs. works on canvas, but my suspicion is that the reason for the * historical * difference between the two is that works on paper are perceived to be less «serious» (after all, watercolor started out as a quick way for oil painters to sketch out drafts), and less long - lasting (historically, a lot of watercolors were fugitive, and tended to fade with time, unlike varnished oil paintings).

That means that if you have your work in the Museum of Modern Art, it confers some value, though I think a lot less than it used to.

As Galerie Gmurzynska's Mathias Rastorfer comments, «2016 has thrown a lot of unexpected political results at us, resulting in a less exuberantly growing but robust art market, especially for modern and classic contemporary».

The best new art is, however, probably going to look a lot less smooth than Johns or a Steinway after all.

«Honestly, I thought it was a lot less interesting than usual,» Close said of the art fair, housed at Piers 92 and 94 this month.

Although less than 25 percent of the lots are by women artists, some significant works by women are for sale: «Roots,» a poignant color screen print by Catlett that the gallery says has not been seen at auction in 20 years (shown above); «March on Washington,» 1964 (oil on canvas), a beautifully rendered painting by Alma Thomas (1891 - 1978); Faith Ringgold's 1974 «Night: Window of the Wedding 8,» touted as the first of her fabric paintings to be offered at auction (shown below); and «Still Life with Grapefruit,» 1928, described on the frame backing as Lois Mailou Jones's first painting, completed a year after she graduated from the School of the Museum of Fine Arts in Boston.

And none of the upcoming contemporary works have the potential to shake the foundation of the art market in the manner of yesterday's Giacometti: The highest estimate for a contemporary lot (Yves Klein's RE 47 II) is only # 5 million to # 7 million, and 56 % of the 175 lots are expected to fetch less than # 200,000.

Or I should say that probably no - one here that has less connection to the world of very new art that I do — I don't see a lot.

I find that this easy «style - spotting» happens a lot with abstraction, but less so with figurative or representational art.

Works of art are hardly commensurate in quality, value or importance but the Sotheby's lot was not considered less desirable that what sold at Phillips.

Maybe you are like me - you took a lot of photos this summer simply for the pure pleasure of documenting the art of doing less, or nothing at all, during the hot days.