Director Paul W.S. Anderson (Resident Evil, Alien Vs. Predator, and
a lot of films like those two) shoots for the sensory overload of a Michael Bay movie and falls short.
Us Disney fans ask
a lot of a film like this.
Not exact matches
Although the movie has received a
lot of praise for its scientific accuracy, it's not quite enough for deGrasse Tyson's
liking, who went on a small Twitter rant about the
film's inconsistencies.
It's going to take a
lot more then «visions» experienced by people in emotional and suggestible states to convince me, something
like something seen by dozens
of people who are not in an emotional and suggestible state, which is caught on camera by a person who we can reasonably assume would not tamper with the
film.
«It's a little more gritty than a
lot of films, and certainly any Christian
film,» says Donald Miller, the author
of «Blue
Like Jazz.»
I don't
like hearing my own voice and I had an eye infection when we
filmed this but there are
lots of cute kids in the footage and the topic is very close to my heart.
A
lot of run blockers only try to come off hard and get that initial pop on a defender, but Williams looked
like he was being
filmed for training tape on the sleds, chopping his feet and gaining inch after inch after inch until you look up and his has pushed his man five yards off the ball.
We're doing
lots of family things but we also have time to ourselves when Sausage
likes to watch a
film, Husband
likes to play a game on his PC and I attend to blogging bits and pieces.
But when I picked up a roll
of film from a disposable camera a week after my senior prom, I sat in the CVS parking
lot in a pool
of 18 - year - old devastation: Despite the careful thought with which I had picked out my perfect fuchsia dress, I didn't
like any
of these pictures.
Overall, Brennan says that any
film that shines a light on what living with an eating disorder is really
like — the pain, the frustration, the unusual behaviors, and yes, even the dark humor — has the potential to do a
lot of good.
TD: I think that, just
like a
lot of movies that came out
of the late 70s and early 80s, that was the first and most creative era in WIDESPREAD
film - making.
This is why we
like watching Tarantino movies or slasher
films with brutal murders and
lots of blood; it breaks away from reality and entertains us.
For easy important from your pc program, you can see a
lot of on the internet local men and some women displaying up before side
of your pc program just
like a
film.
I have
lots of interests such as walking, reading, travelling, sailing, music,
films, theatre and would
like to find someone lovely to share them with
In a
film which involves a
lot of character deaths, it seems
like the Token Minority will...
A
lot of people I know call this one
of the funniest movies
of all time but I can easily name 10 funnier
films than this,
like Caddyshack, Dumb and Dumber or even Abduction.
David Starsky is just the sort
of uptight, anal retentive stick - in - the - mud that Stiller's has a
lot of success with in
films like Meet the Parents and Along Came Polly - while Wilson's Ken Hutchinson is reminiscent
of virtually every character in the actor's repertoire (with few exceptions, including his rare dramatic performance in The Minus Man).
Older Joe (Bruce Willis, whom Gordon - Levitt has been somewhat awkwardly made to look
like) has other plans in mind for the past and escapes his execution, beginning the
film's grinding chase and giving us
lots to wonder about in regard to theories
of time travel and butterfly effect and all those other head - scratchers.
Like a
lot of films at Sundance this year, it's tightly cast, with no speaking roles for anyone outside the star quartet.
The best scene revolves around a conflict with a kinetic structure on an office desk which,
like the
film, is a
lot of seemingly random motion with no apparent purpose other than distraction.
It was so refreshing not to see the
film under so much CGI
like a
lot of recent Horror
films, and there was a nice amount
of stunt work involved!
But once you get past that element
of Kidd's screenplay (based on the novel by Helen Schulman), there's certainly a
lot here worth embracing - particularly Linney's performance, which is incredibly strong (though not entirely surprising, given how effective she's been in
films like You Can Count On Me and Mystic River).
They have plenty to share about the
film, including
lots of details about the thought process behind the designs and concepts in the
film, as well as small details they find particularly interesting (
like the inclusion
of modern things
like cell phones and social networking.)
I'm a Spanish
film lover, and here, in Spain,
lots of people don't
like how he manage to tell his
films.
A
lot of pet dog movies are
like this one, but this one is faithful to a true story and will always stand as a quality family
film.
The kind
of character who spouts pithy lines
like, «when science shits the bed, I'm the one they call to change the sheets,» with a smile on his face, Morgan's Russell is a definite winner in a
film that already has a
lot going for it.
in fact, if you do nt have a
lot of exposure to french or italian
films, or if you do but you do nt care for them much, you wont
like this
film either.
The
film constantly plays with expectation
like this; for both fans
of the comic and the first
film there is a
lot of cleverness at play here and so many types
of jokes stuffed into a single scene that repeat viewing will surely be required.
That term gets thrown around a
lot — it's a very easy thing to say about great
films like this — but this movie is one
of the best.
What works (
like other old
films) is the fact there isn't
lots of fancy ass camera angles, huge explosions, tarty gun play and slow motion.
Not only are these scenes a
lot longer and more expository than they need to be, but they give the sense
of a
film crew fighting against the material; the camera chases after the story, rather than grabbing it by the scruff
of the neck
like a proper adaptation would.
If you loved the first
film in this sequence, you probably have the kidlets banging on your legs to take»em to this sequel, which looks remarkably
like a Tom Hanks bomb (a remake
of a Cary Grant 50s hit)
of a
lot of years back.
I
liked that there wasn't much background to the characters, so found this feature unnecessary, but they are well done and voiced by the cast member who played the relevant role in the
film, so I'm sure a
lot of people will dig»em.
Though it does have its moments and a nice, creepy atmosphere, it seems more
like a movie made for TV, with cheap production values, a
lot of annoying clichés and a derivative plot that brings to mind a thousand better horror
films that you could be watching instead.
Like its lead character, these
films say and do a
lot of dumb, sometimes offensive things (and have a tendency to be long - winded), but they have good hearts and want nothing more than to please.
The
film depends a
lot,
like about 85 %
of it, on the cast.
And the fact that the
film, much
like Spotlight, the Arabian Nights Trilogy, and Anomalisa, is very much pitched at an adult level, instead
of going aiming for the «teenager» set (and I'm not just talking Jurassic World / Marvel / StarWars, I do believe a
lot of Oscar - Bait is pitched at that simple level
of easy digestion, Carol is not.
A supposed romance with Amber Heard generates
lots of lust but goes nowhere, just
like the
film's main conflict.
CP: Well, let me first say I am very happy about Maren Ade's Toni Erdmann, which represents a kind
of film that I just can not manage — I
like it a
lot.
Of course, in a film like this, there's a lot of suspens
Of course, in a
film like this, there's a
lot of suspens
of suspense.
It's a
film that bothered a
lot of people, if I remember correctly, because
like a
lot of films I fell in love with this year it almost seemed to change genres mid way through its runtime.
Like a
lot of adolescent protagonists in modern coming -
of - age
films, Christine talks too often and too blithely, but Marion is a formidable sparring partner: «How did I raise such a snob?»
We don't get a whole
lot of the comedy in the trailer, which makes the
film seem
like a fairly straightforward drama about a woman's spiritual battles.
So yes, it looks
like a
lot of action spy gone rogue
films that you've seen (including Bourne).
Sounds
like a
lot of great
films (
like every year).
Yes it looks
like a
lot of genre
films gone wrong, but I think somehow it can be just as good as the best Community style episodes where they manage, while not being Emmy winning, to be the most entertaining thing you can spend your money on.
Lot's
of borrowing here from previous and better
films like Andromeda Strain, Her, 2001: A Space Odessy and Brainstorm.
Given that the Russo brothers are also directing the Infinity War
films after Captain America: Civil War, look forward to a
lot of Blu - ray commentary tracks by this creative team, saying things
like, «Well, as anyone who saw the fleeting shot
of Starfox at the 35:42 mark
of the last
film knows...»
I can see where the clip doesnâ $ ™ t deserve a hilarity award but Kevin Smith has mentioned numerous times that he doesnâ $ ™ t
like to amp up the trailers to his
films with a
lot of jokes.
¬ † Sundance, though, seems
like an awful
lot of trouble just to find out the buzz on a few
films — my impression
of it is just that it's a scene full
of scenesters and part
of me would rather chew glass than ever attend.