Sentences with phrase «lot of new audience»

Not exact matches

A lot of organizations have found that producing content that helps audiences understand new trends, complex industry topics and the company's products is an ideal content strategy for customer engagement.

The new generation of younger Star Wars fans likes those prequels a whole lot more than audiences did when The Phantom Menace first dropped in 1999.

Some practical points: If you're just starting out, some opportunities that make a lot of sense for platform - building include: writing guest posts for popular bloggers who share a similar audience, writing a regular column for a newspaper or online magazine, seeking out speaking gigs (paid or unpaid), participating in conferences (for networking opportunities as well as exposure to new, inspiring ideas), using social media to share your message, and requesting interviews with popular authors / speakers / leaders to feature on your blog.

Meredith: Well, a lot of young scientists have grown up with the Internet now, they know about Web sites, they know about blogs and Twitter and all that, but I don't think any of them have thought about how they apply these new tools to advance their work, to work to make their research reach out, to audiences with the research.

The start of the new season hits a lot of bumps as it tries to simultaneously show how everything has changed and nothing has, as if the show is having second thoughts about the new Seattle — or at least wants to very carefully ease the audience into it.

But in keeping with revived franchise's goals of shedding the old to make way for the new, he meets his apparent end during the final act of the film in a scene that will undoubtedly leave audiences asking a lot of questions.

Noah Baumbach schmoozed Toronto audiences two years ago with his delightful indie comedy Frances Ha, so it's no surprise a lot of attention surrounds his newest film While We're Young.

I hope audiences of all ages and backgrounds will be entertained and challenged, but also learn lots of new things, connect dots, and discover new faces.

The general view at this year's Toronto Film Festival is that a lot of ambitious new flickers are engaged in a game of one - upmanship in violence and may have outstripped even the audience appetite for mayhem.

Midnight Madness has established a lot of new filmmakers to audiences over the years.

The pair's first collaboration, 2012's «Frances Ha,» was a painfully obtuse look at self - entitled millennials living in New York City, and although «Mistress America» isn't as bad, it covers a lot of the same ground while forcing yet another group of mostly unlikable characters down the audience's throat.

Audiences lack the patience for historical deep dives — among the many criticisms of Man of Steel was its lengthy retrace of Superman's beginning, as if there weren't ten seasons of Smallville — and a lot of the new Marvel movies are shaping up like origin tales.

We also spend a lot of time creating new videos to keep our audience engaged.

A lot of effort has been put into not only making it a solid compact, but also make it one that appeals to a world audience - it's also noticeably bigger, and some might mistake it for a new Accord, especially once the sedan comes out.

However, there's no doubting the new F10 5er will kick lots of goals with its intended audience.

I see a lot of new authors jumping and that's fine, except it makes it hard to catch an audience.

While some of your traditional comics readers are starting to read comics digitally, it seems a lot of this can be a new audience because the titles that are selling best for us are the big licensed tie - ins: «Star Wars,» «Mass Effect,» «Buffy» and the Whedon titles, more than the creator - owned titles like «Hellboy» and «B.P.R.D.»

You'll need to do lots of advance planning for your itinerary, but the benefits of reaching new audiences will be worth the effort.

When you are featured as a guest blogger on other blogs, you'll have lots of opportunities to interact with new audiences.

Interviewed by Poynter.org yesterday, Lozada talked about his plans, which are focused on «building a digital audience,» by using «author interviews; short posts that highlight key nuggets from new books; deep dives on trends in nonfiction,» such as his piece, «The End of Everything» and adds, «while I know that lots of people use reviews to help them decide which books to buy and read, lots of them also see reviews as a substitute for reading the book.

There's nothing wrong with spending a lot of time and effort on gaining new customers, reaching new audiences and expanding a client list — after all, that's essentially how a business expands.

There are a lot of top travel bloggers who take excellent travel photos that capture the imagination of their audience; however, there are a select few who really «standout» from the crowd and take things to entirely new level.

- Aonuma thanks the audience for the award - Aonuma: The team did not want to simply adapt the old formula of Zelda games, and they carefully balanced old and new elements - Fujibayashi: The dev team had several challenges while developing; worked hard to satisfy gamers; is happy to see Germany loving it - Takizawa: Artstyle has changed often throughout the series» history; the art team's experience has been applied to the game, that's why the whole team is very happy about the award - Dohta: The team created lots of fun elements for the players, and the whole technical team is very happy to see Germany loving the game - Aonuma: «We are honored to accept the price in the name of over 300 developers who worked hard and passionately on the game for years - Everybody: «Vielen Dank!»

The company is looking for a way to find new audiences, and the fact is that a lot of games nowdays are way too hard for inexperienced gamers.

For a dashboard upgrade supposedly aimed at attracting the «casual» audience, New Xbox Experience actually has a lot of love for the core 360 enthusiast gamer.

Shibusawa also noted that publishers are realising that this console gen is still very profitable and lots of big companies are in a good condition this gen, not only themselves but companies such as Square Enix, Activision, EA and Ubisoft are in a prime position to sell in their new and current IP's to a large gen 8 audience.

It's clear that the 8 year cycle for the 7th generation lasted a lot longer than the standard ~ 5 year cycle because Nintendo introduced a number of new audiences to gaming early on and wanted to extend that for as long as possible and maximise profits by creating more software for them to buy.

At lot of the new things actually impact the broader audience over time.

None of these game modes sounds particularly new and fresh, but the wacky vibe this whole game has reminds me a lot of Team Fortress 2 which didn't have any problems in finding an audience.

A whole new game and set of figures will be a hard sell to an audience who's expecting your game to go under, and a lot of people will just feel disillusioned with these sorts of games altogether.

Rhythm games are the new FPS for a lot of gamers, a broader audience of gamers, and the market is thriving and demanding new titles.

There is definitely an audience for Amazon Reload; if you have an Amazon Prime account already, aren't in the market for a new credit card, and make a lot of purchases, it may be for you.

No problem with new program — a lot of chaff was being presented in the name of Continuing Education, as Ms Jeans says, That said, TREB and many providers vetted & associated w TREB provided many specific / obscure topics by EXPERTS in the field - these will be missed as CEU courses, but can still be offered by the providers, less often, for larger audiences and at same / smaller cost per person.