Sentences with phrase «love black painted»

First things first, I absolutely love black painted interior doors.

I love the black paint overlaid on the brown.

Oh my goodness, I love the black paint.

I love black paint..

I have been loving black painted furniture lately.

Love, love, love!!!! Your lighting choices are spot on... and I love the black paint.

Not exact matches

There is love, though, underneath the flaws, and Lillibridge skillfully paints her story in shades of gray, rather than black and white.

I personally love the black - on - black look, and the paint splatters on the tank really add some fun texture and dimension.

I don't know why because I love the design of the watercolor paint and the black panels on the side are super flattering.

I love your newly black painted door.

avacado wall (yes me too) shiny black painted furniture (yes me too) i love the way you have gone.

I love to paint my nails with an inky black color when my mood is somewhere between angsty and take no prisoners.

Odiva Gel Finish Nail Polish — 13 Lbd: I love black nail paints a lot.

I just finished painting the first coat on my new black chalkboard wall and I'm loving it!

I LOVE chalkboard paint and the great black matte finish it brings to a space.

I have painted similair trays with black or bronze paint but I love the tray in white.

I loved jenna lyons apartment too, and, finally decided to paint our living room with some left over black chalkboard paint.

Pretty room — black and white is always so chic.I love how the black painted furniture turned out.

While it seems every blogger has been painting their doors black for years now, I'm still loving the abundance of white doors in our home.

I also love the idea of a «wrapped» cover (back to front) using your original abstract black cream and white painting that's currently available on your Insta account: https://www.instagram.com/p/Bc26VP5n8FR/

I love making black and white a little more fun and interesting with fun patterns — like with this cool painted effect!

I've been debating whether or not if leave the original black color or paint the base, but I love how much work space it give us!

I love it painted a fresh white, but it also makes a modern statement painted black or a rustic one if left raw.

I painted our front door black a few months ago and love the change!

this looks AMAZING... i've always loved the idea of painting a room black, or really dark.

I had recently refinished a piece with black chalk paint and loved it!

I love that you used a real pumpkin and the black paint really gives it the mercury glass look.

this cabinet is one of the lights in our space at night but i didn't love the cheap finishes and the «hey i came from ikea look» so we took all the pieces apart and sprayed them with black chalkboard paint.

At first I wasn't really sure about the black, but the more I painted, the more I loved it.

Love the black chalk paint over it.

This beautiful piece from Q is for Quandie, is painted a classic black but I love how she left a few details natural wood.

I love the fresh take from the traditional black chalkboard paint — so pretty.

Very talented in different forms of the arts, love drawing and painting, love poem written, certified black belt martial arts and fitness instructor as well as professional barber, besides all that, enjoy stimulating conversation and cooking, hate lying and people who look to.

The Holiday is appallingly written and icky besides in that familiar way of this brand of Love Actually / The Family Stone yuletide romantic refuse, casting Cameron Diaz and Jude Law as lovers fucking away the hours inside a Thomas Kincaid painting while Diaz's frumpy house - swap buddy, played by Kate Winslet, finds meaning in Santa Monica by propping up a fossil (Eli Wallach) and falling for a James Horner-esque composer of horrible soundtracks (Jack Black).

Where The Rider gives us a protagonist ensnared by his responsibility to a dream — Brady can no more shake the memory of being on horseback than he can abandon his town or his loved ones — The Black Stallion paints a picture of animal kinship as the ultimate escape: from the vagaries of the human world, from one's own tragic backstory, from the limitations of one's youth.

Directors Michael Binder — «Black or White,» «Reign over Me» Bong Joon - ho — «Snowpiercer,» «Mother» Niki Caro — «North Country,» «Whale Rider» Damien Chazelle * — «Whiplash,» «Guy and Madeline on a Park Bench» Simon Curtis — «Woman in Gold,» «My Week with Marilyn» François Girard — «Silk,» «The Red Violin» F. Gary Gray — «The Italian Job,» «Friday» James Gunn — «Guardians of the Galaxy,» «Super» Im Kwon - taek — «Chi - Hwa - Seon (Painted Fire),» «Chunhyang» Stan Lathan — «Beat Street,» «Amazing Grace» Malcolm D. Lee * — «The Best Man Holiday,» «The Best Man» Justin Lin — «Fast & Furious 6,» «Better Luck Tomorrow» François Ozon — «Young & Beautiful,» «Swimming Pool» Paweł Pawlikowski * — «Ida,» «My Summer of Love» Kelly Reichardt — «Meek's Cutoff,» «Wendy and Lucy» Ira Sachs — «Love Is Strange,» «Keep the Lights On» Lynn Shelton — «Laggies,» «Your Sister's Sister» Abderrahmane Sissako * — «Timbuktu,» «Bamako» Damián Szifron * — «Wild Tales,» «On Probation» Fernando Trueba — «Chico & Rita,» «Belle Epoque» Morten Tyldum — «The Imitation Game,» «Headhunters» Zaza Urushadze — «Tangerines,» «The Guardian» Wayne Wang — «Anywhere but Here,» «The Joy Luck Club» Edgar Wright — «The World's End,» «Scott Pilgrim vs. the World» Joe Wright — «Anna Karenina,» «Atonement» Andrey Zvyagintsev * — «Leviathan,» «Elena»

When ordered brand new from the supplying Porsche dealership the original loving owners opted to upgrade this vehicle with # 11,181 worth of optional extras which includes; 21 - inch Sport Turbo wheels painted in black (high gloss), Sports exhaust system incl.

I still love my silver paint, and my black leather interior like the first day I drove the car off the lot.

I love the exterior style (I hate cross overs) and the silver paint with black trim and 20» wheels complete the package.

When ordered brand new from the supplying Porsche dealership the original loving owners opted to upgrade this vehicle with # 12,903 worth of the most desirable optional extras which includes; Porsche Communication Management (PCM) with navigation module, Black smooth - finish leather interior, Panoramic roof system, Comfort memory package, Porsche Active Suspension Management (PASM), BOSE Surround Sound System, Metallic paint, Telephone module (SAP and HFP), Reversing camera including ParkAssist front and rear, Roof rails / drip rails in black finish, Digital radio, Heated windscreen, Privacy glass, Seat heating (front), Heated 3 - spoke multifunction steering wheel, Servotronic, Monochrome black exterior package (high - gloss), Wheel centre with full - colour Porsche crest, Black smooth finish leather, Jet Black - Metallic, Monochrome black interior package (high gloss) and so much Black smooth - finish leather interior, Panoramic roof system, Comfort memory package, Porsche Active Suspension Management (PASM), BOSE Surround Sound System, Metallic paint, Telephone module (SAP and HFP), Reversing camera including ParkAssist front and rear, Roof rails / drip rails in black finish, Digital radio, Heated windscreen, Privacy glass, Seat heating (front), Heated 3 - spoke multifunction steering wheel, Servotronic, Monochrome black exterior package (high - gloss), Wheel centre with full - colour Porsche crest, Black smooth finish leather, Jet Black - Metallic, Monochrome black interior package (high gloss) and so much black finish, Digital radio, Heated windscreen, Privacy glass, Seat heating (front), Heated 3 - spoke multifunction steering wheel, Servotronic, Monochrome black exterior package (high - gloss), Wheel centre with full - colour Porsche crest, Black smooth finish leather, Jet Black - Metallic, Monochrome black interior package (high gloss) and so much black exterior package (high - gloss), Wheel centre with full - colour Porsche crest, Black smooth finish leather, Jet Black - Metallic, Monochrome black interior package (high gloss) and so much Black smooth finish leather, Jet Black - Metallic, Monochrome black interior package (high gloss) and so much Black - Metallic, Monochrome black interior package (high gloss) and so much black interior package (high gloss) and so much more.

Before Lucy found her wild White Cloud Station horse, Hope, she had a well - loved, black - and - white paint riding horse.

The bottom line: There are no broadly - painted, black - and - white villains here, and this move could, in the long run, be better for people who love comics.

Singling out the season's most tweet - worthy, opening night acolytes tracking our Black Art Matters moment orbited Lars Fisk's satirical softballs at Marlborough Chelsea, lined up outside Hauser Wirth for Rashid Johnson's black soap, shea butter and horticultural installations that comment obliquely on cleansed grime and forced growth, and crowded into Jack Shainman's galleries for Meleko Mokgosi's large - scale, text - supported paintings which illustrate the interrelationship between southern African liberation movements and communism, offset by «lerato», the Setswana word for Black Art Matters moment orbited Lars Fisk's satirical softballs at Marlborough Chelsea, lined up outside Hauser Wirth for Rashid Johnson's black soap, shea butter and horticultural installations that comment obliquely on cleansed grime and forced growth, and crowded into Jack Shainman's galleries for Meleko Mokgosi's large - scale, text - supported paintings which illustrate the interrelationship between southern African liberation movements and communism, offset by «lerato», the Setswana word for black soap, shea butter and horticultural installations that comment obliquely on cleansed grime and forced growth, and crowded into Jack Shainman's galleries for Meleko Mokgosi's large - scale, text - supported paintings which illustrate the interrelationship between southern African liberation movements and communism, offset by «lerato», the Setswana word for love.

Selected Group Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting on the Edge: A Historical Survey, Stephen Friedman Gallery, London 2012 Times Square Show Revisited, Hunter College Art Galleries, New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum, New York, NY 1985 Art Heritage at Hofstra, Emily Lowe Gallery, Hofstra University, Hempstead, NY 1985 Constructures: New Perimetries in Abstract Painting, Nohra Haime Gallery, New York, NY 1984 Fourth Annual Anniversary Show, John Davis Gallery, Akron, OH 1984 Fifteen Abstract New York Painters, Susan Montezinos Gallery, Philadeiphia, PA 1984 Small Works, Muhlenberg College, Allentown, PA 1984 Mail Art, Franklin Furnace, New York, NY 1984 Artists Call, Judson Memorial Church, New York, NY 1984 Process Black, LIU South Hampton, New York, NY 1984 A Decade of Art, Artists Space 105 Hudson, New York, NY 1984 Offset: A Survey of Artists Books, New England Foundation for the Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The Contemporary Arts Center, Cincinnati, OH 1983 Second Anniversary Exhibition, Harm Bouckaert Gallery, New York, NY 1983 Hundreds of Drawings, Artists Space, New York, NY 1983 A More Store, Jack Tilton Gallery, New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler Gallery, New York, NY 1983 Artists for Nuclear Disarmament, Colburn Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group, Art Galaxy, New York, NY; travelled to Jersey City Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center, New York, NY 1982 Annual Holiday Invitational, A.I.A. Gallery, New York, NY 1982 Group Exhibition, Roy Boyd Gallery Chicago, Merwin Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran, New York, NY 1982 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post, Greenvale, NY 1981 Drawings, Roy Boyd Gallery, Chicago, IL 1981 Abstract Painting: New York, Hofstra University, Hempstead, NY 1981 Arabia Felix, Art Galaxy, New York, NY 1981 Words and Images: Contemporary Artist's Books, Southern Alleghenies Museum of Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981 New Directions, Commodities Corp..

, the paintings hint at a subtext of dependency and need; instead of a glittering, media - friendly spectacle of strength and sassiness, Thomas's images of black femininity are full of love, because they allow for vulnerability and offer no resolution.

Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY

Staggered openings in January 2014 for the remaining three exhibitions in the series — Painting: A Love Story, Rites of Spring, and Black in the Abstract, Part 2: Hard Edges / Soft Curves — invite audiences to re-visit the evolving exhibition and consider abstract painting from multiple vantagePainting: A Love Story, Rites of Spring, and Black in the Abstract, Part 2: Hard Edges / Soft Curves — invite audiences to re-visit the evolving exhibition and consider abstract painting from multiple vantagepainting from multiple vantage points.

There's a lot of duality happening, and the paintings that are going to be shown at the group show really talk about a personal and shared experience with people who are gender non-conforming or who break out of the rigid box of masculinity, especially in the black community and culture because I am so in love with my culture.

With text and analysis by museum director Bill Arning, curator Dean Daderko and senior curator Valerie Cassel Oliver, Outside the Lines details, in three sections, Arning's UIA (Unlikely Iterations of the Abstract) and Painting: A Love Story; Daderko's Outside the Lines and Rites of Spring; as well as Cassel Oliver's Black in the Abstract: Epistrophy and Black in the Abstract: Hard Edges / Soft Curves.

It was originally displayed in 2003 in the British pavilion at the Venice Biennale, alongside Ofili's series of red, black and green paintings on themes of love and liberation, in an acclaimed collaboration with architect David Adjaye.