Sentences with phrase «love everything in the film»

I don't love everything in the film, but I do love Rian and The Last Jedi as a whole.

Not exact matches

We Indians love our turmeric and use it as a multi-purpose weapon, just like Gus Portokalos uses Windex for everything in the critically acclaimed film My Big Fat Greek Wedding.

This nonlinear, seemingly intuitive middle stretch is where the film could most use some tightening, rich as it is with social and sensual detail; its rheumy - eyed gaze takes in everything from bizarre spider - racing rituals to tender declarations of love on the town scrap heap.

The film stars Rory Culkin as a troubled man who is determined to reunite with his first love, risking everything in the...

Everything adds up perfectly well in Tom Hooper's dazzling film, which profiles not only Lili Elbe, the woman who emerges from Einar, but also his loving wife Gerda (Alicia Vikander), who is an impressive woman in her own right.

«Furnace» director Scott Cooper describes Bale's character in that film as «a very good man who is beset on all sides by relentless fate,» a dark and quiet soul who stands to lose everything he loves.

Reed's past films Bring It On and Down with Love have effervescent storytelling, but everything in Ant - Man feels perfunctory.

If the finale verges on a rehash of themes in The Wrestler (sacrifice everything for the thing that you love), the film nevertheless has a forceful directness that cuts through its murky ambiguities.

But at this latest Sundance, he made a return with Upstream Color, and it brings back everything that people loved about his first film in full force.

back staging it on pop fashion and art food,, cold play and you being almost as funkadleic as,, kl f our totnes pop band the west country bring out comicness and fun with bil lbalies as standup comedy, but the uncanny, comic connections,, and ideologies,, divine intervention etc has to be confronted,, in this instance,, there, writer,, everything went,, lahlah lah when i found out1999 my first son was deaf,,,, your film baby driver now he is 21 effected,, very deeply as a deaf man him and he would love to meet you,, and help you do baby driver two accompanied rap back, on his life in the deaf community London as an artists and lover of fast cars,, and anti war gang block buster, he has all the locations and sights he just needs u when u next in London,, he is Leonardo Patterson on Facebook but as his mum - an interpreter,, i have to translate he wants to take u top the 32 floor of the shade, an ask u how come sign language music blips u got him quite emotional echoes his child hood with his Jamaican father,,,, he just wants the anti war second mix,, none violent comedy,, with bil bailey unit as a mixed race teenager growing up in south London, he has seen the,, how gangs nonviolence,, have ruined it,, for, cant give any more away he cant work out how to meet your pr,, as he is dyslexic,, soi he is getting me to write this,, Lamborghini,, s are his love,, its cosmic,, could u make a,, deaf teeagers dream come true,, we could meet you clpahm picture house where wesaw bay driver with subitles at thier subtitles for deaf club every Thursday,, can you messge me onfacebook messgenr,, thanks his deaf club,, eevry wed,, would also love avisit,, deaf club central, reards su and,,, leonardo patterson,,,

The new film feels like a capstone, a summation of everything Diaz loves about and finds so profound in Dostoevsky, a transmutation of the writer's melodramatic genius into grist for his more distanced, more emotionally chilled films.

Everything in the film, she says, comes back to «the central love story» between Marion and Christine, mother and daughter.

A United Kingdom is everything Loving is not, bold performances, scenes that appear geared towards an awards campaign and a much larger film in scope.

He colors everything in shades of aqua green, as much as Tony Scott's latter films were painted in blueish - grey hues, and «The Shape of Water» becomes a love letter to the color.

In the film's opening minutes, we learn everything we need to know about the family: Kinsey, with her ripped Ramones T - shirt and love of cigarettes, is a nebulously rebellious teen who's about to be sent off to boarding school, much to her family's consternation.

I also don't love the washed - out colour palette that paints everything in a blue gloom — at least not as much as Yates seems to, between this and the last four Harry Potter films.

Because I barely remember anything from any other movie in this series (I had to go back and reread my reviews, not just to refresh my memory, but to affirm that I'd even seen the previous films), everything that wraps up loose threads, the two (count»em) times characters are forced to give Biblical genealogies to the probable delight of ardent fans, the deadening nonsense involving love triangles, all that jazz, is exactly like watching paint dry.

Timing is everything, and The Birth of a Nation was simply eclipsed by four much better films about African - American families: the Oscar - nominated films Fences, Hidden Figures & Moonlight, as well as Loving (nominated in the Best Actress category).

I still love my music but when you've got a family and you're making films it's difficult to fit everything in.

From the pirates love of ham to Darwin's trained monkey servant Mr. Bobo, everything that is loved in the book is in the film.

Amazing, just amazing film, I loved everything in it.

Covering everything from action films, social dramas, love stories and crime films, what they have in common is an African identity and cultural grounding that make them more popular than Hollywood films for Nigerian audiences.

The film is not so much concerned with plot as it is mood and character, which Wong deftly fleshes out through the characters» bizarre and quirks: 223 eats cans of pineapple only with the expiration date of May 1 (his birthday and the «expiration date» of his love for May) and jogs so «there will be no water left for tears»; 663 holds conversations with objects in his apartment, trying to «cheer» them up; and Faye does practically everything to the strains of «California Dreamin».»

Aside from the fact that it's a technical marvel, thanks to the extraordinary talents of cinematographer Emmanuel Lubezki, the film is a cathartic release and change in direction for Mexican filmmaker Alejandro González Iñárritu, who lets out on everything from critics to art to love and everything inbetween.

«The Raid 2»: Does for action and martial arts movies what «Singin» in the Rain» did for musicals, reminding you of everything you love about the genre while (literally) kicking things up a notch and raising the bar for other films to follow.

Despite the fact that David declares that he has been in love with wife Alice ever since he first spotted her in a film class, he is continually imagining her death via everything from carjackings to «convenient acts of God.»