Alyssa Peek, a portrait and fine art photographer, brings a fresh and innovative perspective to traditional photography, reflecting
her love of abstract expressionism and modern art.
Her original work brings a fresh and innovative perspective to traditional photography, always reflecting
her love of abstract expressionism and modern art.
Not exact matches
He was full
of contradictions, though: for instance, he switched me on to Jackson Pollock, he
loved abstract expressionism, trying to paint the subconscious, which would seem to be the very opposite
of state - sanctioned art glorifying the whole.
In Johns» case, Michael Fried's statement that the later paintings «mock, not in venom but in
loving sadness, the mannerisms
of abstract expressionism», seems to me entirely correct.
She lived and
loved freely and created impressive works that not only are among the best
of abstract expressionism but remarkable symbols
of an American artist's passionate devotion to art.
The 1969 Alvin
Loving: Paintings was immensely successful; critics like Dore Ashton placed
Loving's work directly in the context
of modernist art in a transitional moment from
abstract expressionism to op art and other minimalist approaches.
By 1961, the flirtation with
abstract expressionism has passed — the first skip — and given way to a pop primitivism in which the painter's crush on Cliff Richard is acted out by a pair
of love - hungry blobs going at it like the clappers in a painting called We Two Boys Together Clinging.
My approach is informed by
abstract expressionism and a
love of paint.
Then, after moving into Manhattan and the world
of magazine publishing, I became self - educated, attending media previews at museums around the city: I grew to know, and
love, certain artists and particular works: Thomas Eakins» «The Thinker,» the dribbles and plops
of Jackson Pollock's
abstract expressionism, the stately portrait
of John Singer Sargent.
I
loved the combination
of readable sentence, brash color and vibrant brush strokes that meshed
abstract expressionism, street art and narration that had a graphic novel feel (that is, if living the artist life was made into a graphic novel).
For twenty years Trenton Doyle Hancock has gained international renown for his paintings, which fuse cartoon - style drawing and
abstract expressionism, creating a fantastical world populated by strange creatures known as the Mounds, their nemeses the Vegans, and Hancock's alter ego, Torpedo Boy, who reflects his lifelong
love of comic books and plastic action figures.
Some
of them, such as the handling
of paint - brusque, clotted, ejaculatory - come straight out
of the language
of abstract expressionism, and in particular
of Willem de Kooning's pictorial lingo, which was the nursery talk
of Rauschenberg's artistic childhood - the parental language he both
loved and rebelled against.
Or when you take in Sam Middleton's
Love Day, with its nods to the ebullience
of midcentury
abstract expressionism and the restraint
of Asian calligraphy.»
«Unscripted, Naturally» brings together my
love for language, calligraphy, collage and the process
of abstract expressionism all together in this new suite
of paintings as a dedication to my cross cultural heritage and identity as a Filipino American.
I also
loved Philip Guston, both for the density
of his work, and later for his impatience with how
abstract expressionism had settled into a too - predictable genre.