Sentences with phrase «love of abstract expressionist painting»

Not exact matches

At the risk of being redundant where are the major 1960s - 1970s Abstract Expressionist, Colorfield, Hard - edge, or Lyrical Abstractionist paintings of Robert Motherwell, Hans Hofmann, Morris Louis, Adolph Gottlieb, Helen Frankenthaler, Kenneth Noland, Sam Francis, Larry Poons, Richard Diebenkorn, Frank Stella, Ron Davis, Gene Davis, Jules Olitski, Ellsworth Kelly, Friedel Dzubas, Al Held, Ray Parker, Neil Williams, John Mclaughlin, Jack Bush, Ed Moses, Walter Darby Bannard, Sam Gilliam, Ronnie Landfield, Peter Young, Dan Christensen, Joan Snyder, Pat Lipsky, Stephen Mueller, Stanley Boxer, Joe Goode, Larry Zox, Jack Whitten, Lee Lozano, Charles Hinman, Robert Natkin, Thomas Downing, John Griefen, Doug Ohlson, Tom Holland, Jack Youngerman, Sandi Slone, Edward Avedisian, David Novros, David Prentice, Joanna Pousette - Dart, Chuck Arnoldi, Laddie Dill, Dennis Ashbaugh, Kikuo Saito, Carol Sutton, Frances Barth, Harriet Korman, Ralph Humphrey, William Pettet, Lawrence Stafford, Jake Berthot, Paul Feeley, Al Loving, Ludwig Sander, Nassos Daphnis, Paul Jenkins, David Diao, Frank Bowling, Harvey Quaytman, Katherine Porter, Ed Ruda, Alan Cote, David Budd, Leo Valledor, Alan Shields, Natvar Bhavsar, Francine Tint, John Seery, Carol Haerer, Philip Wofford, Thornton Willis, Carl Glicko, Dorothea Rockburne, Bill Jensen, David Reed, Gary Stephen, and where is abstract sculpture?

Organized by VMFA in partnership with the Munch Museum in Oslo, Jasper Johns and Edvard Munch examines how Johns (born 1930), one of America's preeminent artists, mined the work of the Norwegian Expressionist in the late 1970s and early 1980s as he moved away from a decade of abstract painting towards a more open expression of love, sex, loss and death.

Now a ground - breaking exhibition entitled Jasper Johns and Edvard Munch: Love, Loss, and the Cycle of Life examines how Johns, one of America's preeminent artists, mined the work of the Norwegian Expressionist in the late 1970s and early 1980s as he moved away from a decade of abstract painting towards a more open expression of love, sex, loss and deLove, Loss, and the Cycle of Life examines how Johns, one of America's preeminent artists, mined the work of the Norwegian Expressionist in the late 1970s and early 1980s as he moved away from a decade of abstract painting towards a more open expression of love, sex, loss and delove, sex, loss and death.