Sentences with phrase «love of film including»

I don't think there should be an «age limit» to be a critic, but more or less a history and love of film including a reputable knowledge of film history.

Not exact matches

Equally refreshing are Laura's motherly desire to have twins (provoking Paterson's sudden awareness of twins throughout the film), and the love poems Paterson writes to his wife — gentle verses (composed by real - life poet Ron Padgett) which mention heaven, and include the remarkable line, «unborn children fearing they will never see the light of day.»

Fans of the typical Judd Apatow special features will love the Blu - ray release of «The Five - Year Engagement,» which includes 45 minutes of deleted scenes, another 45 minutes of extended and alternate scenes, and other usual suspects like a gag reel, Line - O-Rama, and a DVD and UltraViolet digital copy of the film.

Also included, Anderson's American Express commercial that remains a fun homage to Truffaut, a loving speech by Oakley Friedberg, the young son of set designer Mark Frienberg, who spent time on location with his family raising funds for charity organizations, a silly trophy case application making fun of the film's lack of critical awards, deleted and alternate scenes, a stills gallery, and the theatrical trailer.

Other film credits include LUSH, CHERRY, LOVING JEZEBEL, and the lead role in the WW II coming - of - age film, THE RISING PLACE with Marc Webber and Frances Fisher.

Kiki demands that its audience pay attention and listen to its seven main interlocutors, who, in addition to Mizrahi and Pucci Garçon, include Gia Marie Love (shown before and after her transition), the speaker of the film's most sobering assessment: «Our community is on very intimate terms with death.»

Danes» other film credits include Matthew Vaughn's STARDUST opposite Robert De Niro and Michelle Pfeiffer; Lajos Koltai's EVENING, opposite Toni Collette, Meryl Streep, Glenn Close, Natasha Richardson, and Vanessa Redgrave; Thomas Bezucha's THE FAMILY STONE, opposite Diane Keaton and Sarah Jessica Parker; Jonathan Mostow's TERMINATOR 3: RISE OF THE MACHINES, opposite Arnold Schwarzenegger and Nick Stahl; Stephen Daldry's Academy Award ® winning drama THE HOURS, opposite Meryl Streep, Nicole Kidman, Julianne Moore, Allison Janney, Ed Harris, and Toni Collette; Jonathan Kaplan's BROKEDOWN PALACE, opposite Kate Beckinsale; Bille August's LES MISERABLES; Theresa Connelly's POLISH WEDDING; Francis Ford Coppola's THE RAINMAKER, opposite Danny DeVito and Matt Damon; Oliver Stone's U TURN, opposite Sean Penn, Nick Nolte, and Joaquin Phoenix; Michael Pressman's TO GILLIAN ON HER 37th BIRTHDAY, opposite Michelle Pfeiffer and Peter Gallagher; Jocelyn Moorhouse's HOW TO MAKE AN AMERICAN QUILT, opposite Winona Ryder, Anne Bancroft, and Ellen Burstyn; Billy Hopkins» I LOVE YOU, I LOVE YOU NOT, opposite Jude Law; Jodie Foster's HOME FOR THE HOLIDAYS, opposite Robert Downey Jr., Holly Hunter, and Anne Bancroft; and Gillian Armstrong's LITTLE WOMEN, opposite Winona Ryder, Susan Sarandon, and Kirsten Dunst.

An unfocused, unfunny black comedy, Dr. Strangelove Or: How I Learned to Stop Worrying and Love the Bomb details the chaos that ensues after a nuclear attack is mistakenly triggered against the Soviet Union - with the film following a host of disparate figures, including George C. Scott's Buck Turgidson, Sterling Hayden's Jack D. Ripper, and Peter Sellers» title character, as they attempt to neutralize the threat.

This film features a number of songs, including «If We Were in Love» and «I Left My Heart in San Francisco.»

Oscar - winning filmmaker and animator Adam Elliot (Harvie Krumpet, Mary and Max, Ernie Biscuit) is our guest this month, and chats to Rochelle and Lee about some of the key films of October 2017, including Denis Villeneuve's ambitious sequel Blade Runner 2049 (01:12), Taika Waititi's unconventional superhero sequel Thor: Ragnarok (13:00), Terrence Malick's wistful love story Song To Song (17:35), and George Clooney's dark comedy thriller Suburbicon (22:11).

The film team review this week's new cinema releases, including the final part of The Hunger Games saga and Gaspar Noé's 3D sex film, Love

I've also cheated and done a Top 20, and even that misses out at least a dozen films I'd love to have included - not to mention a handful of films I either missed on release or won't get to see until later.

Typically of an Anderson film, the cast is a who's - who of Hollywood talent, including Tilda Swinton, Bruce Willis, Edward Norton and Bill Murray, while the New England setting proves utterly apt for this funny, romantic (and admittedly, slightly warped) love story.

Though there's a whiff of been - there - done - that to the tournament that takes up the latter portion of the film, Katniss's fellow entrants include a brainy, bespectacled Beetee (Jeffrey Wright); a spacey - intense Wiress (Amanda Plummer); a diligently self - loving Finnick (Sam Claflin); and a mad - as - hell - not - going - to - take - it - anymore Johanna (Jena Malone, who's rewarded with perhaps the film's most gratifying moment).

The other elements of the film come together splendidly as well, from the loving - but - not - trite shots of Manhattan, courtesy of cinematographer Ben Kutchins (the «Veronica Mars» movie), to a first - rate comic ensemble that also includes Jason Mantzoukas, Andrea Savage, Natasha Lyonne, Amanda Peet, and Marc Blucas (plus brief but memorable appearances by Adam Brody, Anna Margaret Hollyman, Billy Eichner and Michael Cyril Creighton).

While the films marks Olsen's screen debut and is certainly the most anticipated of her upcoming features, it's hardly the only place she'll appear: The 22 - year - old has already shot four other films, including the dramatic comedy «Peace, Love and Misunderstanding» opposite Jane Fonda and Catherine Keener, and she plays Josh Radnor's younger friend and love interest in the college - set «Liberal Arts.&raLove and Misunderstanding» opposite Jane Fonda and Catherine Keener, and she plays Josh Radnor's younger friend and love interest in the college - set «Liberal Arts.&ralove interest in the college - set «Liberal Arts.»

Including Abdellatif Kechiche's three hour epic Mektoub, My Love, which was abysmal - one of the most vapid, pointless films I have ever seen.

Oh, and I almost forgot Fangoria writer Michael Gringold's loving 40 - page commemorative book that also comes with this set, featuring an efficient history of the franchise and dozens of incredible, rare behind the scenes images, many of which can also be viewed within the still galleries included on the various discs for each film.

The next crop of movies coming with Irish government financing include «A Storm in the Stars,» a Mary Shelley biopic starring Elle Fanning; «The Breadwinner,» an animated film coming out of Moore's Carton Saloon with Angelina Jolie as an executive producer; Sheridan's latest «Secret Scripture,» starring Rooney Mara; and Whit Stillman's «Love & Friendship,» due in May.

Supporting actors, including Oscar winners Lupita Nyong» o (12 Years a Slave) and Forrest Whitaker (The Last King of Scotland), Oscar nominees Angela Bassett (What's Love Got to Do with It) and Daniel Kayuula (Get Out), heavy - hitters Danai Gurira (TV's The Walking Dead) and Sterling K. Brown (TV's This is Us), and scene - stealing Letitia Wright (Steven Spielberg's upcoming Ready Player One), round out the film's impressive lineup.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

His film acting credits also include Steel Magnolias, playing the husband of the beauty shop owner; Terence Malick's Days of Heaven, for which his movie career took off; Resurrection; Frances; Country; Fool for Love; Crimes of the Heart; Baby Boom; Bright Angel; Defenseless; Hamlet; The Notebook; Black Hawk Down; Don't Come Knocking; The Assassination of Jesse James by the Coward Robert Ford; Brothers; Safe House; Mud; August: Osage County; Cold in July; Midnight Special; Ithaca; In Dubious Battle; and You Were Never Here.

In spite of its failings on the dramatic level, Disco is still a very entertaining film, thanks to an appealing cast (which also includes Beckinsale's Much Ado About Nothing love interest, Robert Sean Leonard, and a briefly - seen Jennifer Beals) and those wordy discussions.

Old favourites that still delighted and enthralled included Blake Edwards» Victor / Victoria, Woody Allen's Love and Death, Michael Apted's Coalminer's Daughter and Steve Barron's Electric Dreams, a film that now seems 20 years ahead of its time.

Blu - ray extras include audio commentaries on all three films by writer - producer Bob Gale and producer Neil Canton; a nine - part retrospective documentary; a six - part making - of documentary; deleted scenes; Q&A sessions with Zemeckis, Gale and Fox; a 1989 TV special hosted by Leslie Nielsen; pop - up trivia facts; music videos for «The Power of Love» and (from Part III) ZZ Top's «Doubleback»; and mock 2015 commercials plugging the hoverboard and the release of Jaws 19.

Harold and Lillian: A Hollywood Love Story A film about a married couple rather than by one, Harold Michelson was a production designer for dozens of films, including Who's Afraid of Virginia Woolf?

Lots of stars in attendance, including Alec Baldwin, who appeared in three Woody Allen films (Alice, To Rome With Love and last year's Blue Jasmine).

And it's full of everything we love about the prolific filmmaker, including his stalwart casting of familiars Samuel L. Jackson, Tim Roth, Michael Madsen, and others, including Demian Bichir and Jennifer Jason Leigh, as well as his pithy one - liners, and sprawling Western shots, this time captured on 70 mm film.

The rest of the film, including the titular character, is the invention of Dan Fogelman, who makes his directorial debut here after eight years of writing and contributing to films like Crazy, Stupid, Love., The Guilt Trip, Last Vegas, Cars, and Tangled.

The rest of the DVD includes a commentary with the film's co - writers / directors Friedberg and Seltzer (who continue to showcase their lack of humor), a separate audio track («Breaking Wind») with additional fart and burb sounds, several featurettes of the cast / crew riffing on - set («Everyone Loves the Beaver,» «Epic Porn,» «Hot or Not,» «What Makes Aslo So Irresistible?»)

The film focuses on several key players during this time including; Darlene Love, Merry Clayton and Lisa Fischer taking tremendous care to tell each of their individual stories in turn.

Other films seen over the course of 2013 coming out in 2014, that we saw, but didn't love (or in some cases totally disliked) include: «Hateship Loveship» starring the unlikely pair of Kristin Wiig and Guy Pearce, «Can A Song Save Your Life?»

I've always loved this film's soundtrack, included two music videos for «Trip Like I Do» with Filter & The Crystal Method and «Long Hard Road Out of Hell» with Marilyn Manson & the Sneaker Pimps.

Borrowing from Takashi Miike's Audition (seminal J Horror film) source material, Nicolas Pesce had time to dress, finesse his highly anticipated sophomore film and boy did he deliver with what comes across as a Cronenberg's Crash like love story featured in hotel room spaces rather than car wreckage and works as an homage to a plethora of influential filmmakers including De Palma and the Giallo set.

Directed by Johnny Martin, the film is an adaptation of Joyce Carol Oates» 2003 novel Rape: A Love Story and features a cast that also includes Don Johnson, Deborah Kara Unger, Anna Hutchison, and Talitha Bateman; -LSB-...]

The documentary is mainly comprised of interviews, many with the director himself in his apartment, but the highlight for most will be the scene of Tarantino and De Palma talking about the similarities in their careers of having to deal with public attention regarding the violent content in their films (this comes after an extended sequence featuring Tarantino explaining his love for De Palma, which includes a personal scrapbook of printed interviews and a description of the influence that Casualties of War had on certain elements in Reservoir Dogs).

Did you know that Neeson has appeared in over 70 films, including the Taken trilogy; Joe Carnahan's The Grey; Bille August's Les Misérables; George Lucas» Star Wars: Episode 1 — The Phantom Menace; Christopher Nolan's Batman Begins; Richard Curtis» Love Actually; and Martin Scorsese's Gangs of New York?

The selection of films incorporates some of the most significant (and most discussed) examples of international «art cinema» and off - Hollywood cult cinema from recent years, the bulk of them released between 2000 and 2006; examples include In the Mood for Love (Wong Kar - wai, 2000), Memento (Christopher Nolan, 2000), Mulholland Drive (David Lynch, 2001), Irreversible (Gaspar Noé, 2002), Eternal Sunshine of the Spotless Mind (Michel Gondry, 2004), and Caché (Michael Haneke, 2005).

His journey includes some of the most iconic war scenes put to film, from surf - loving Lt Col Kilgore, and the famous helicopter attack on a Viet Cong village (to the strains of Wagner), the surreal USO jungle show by Playboy Playmates, to the Do Lung Bridge, the US» last outpost, where soldiers are abandoned to their fate and the only sound, besides explosions, is the yelling of the damned for salvation.

Such representations in the film include the scrapbooks kept by Sara, the valentine cards created by all the girls, the love poems they recite in Pre-Raphaelite poses, and the flower pressing of Marion.

Honorable Mentions: Some of the other debuts, sophomore efforts and general step - changes that impressed us this year include: Yuval Adler's Venice 2013 title «Bethlehem ``; E.L. Katz's pitch black, gross - out «Cheap Thrills ``; Eliza Hittman's lovely, heartfelt «It Felt Like Love ``; Anthony Chen's shockingly underseen «Ilo Ilo»; Charlie MacDowell's Sundance favorite «The One I Love»; Tim Sutton's lyrical, abstract «Memphis»; David Wnendt's transgressively icky «Wetlands»; Leigh Janiak's horror debut «Honeymoon»; terrific Israeli film «Policeman» by Nadav Lapid that finally got a release this year; Hong Khao's lovely «Lilting»; Daniel Patrick Carbone's wonderful «Hide Your Smiling Faces»; and Scott Cohen's debut film «Red Knot» with Olivia Thirlby also marks him out as one to watch.

And his additional film credits include «Love in the Time of Cholera,» «Music Within,» «Tortilla Soup,» «Necessary Roughness,» «American Gigolo» and the original version of «The Taking of Pelham One Two Three,» to name a few.

He has worked with Marshall in all of the director's films, beginning with «Young Doctors in Love» and going on to include «The Flamingo Kid,» «Nothing in Common,» «Runaway Bride,» «The Princess Diaries» and «The Princess Diaries 2: Royal Engagement» and last year's hit «Valentine's Day.»

Some of the best - received films at earlier festivals will get their North American launches here, including «Life is Beautiful,» Roberto Begnini's Cannes winner about an Italian clown who fights the Nazis with laughter; Rohmer's heartwarming love story «Autumn Tale,» which charmed Telluride audiences; Ken Loach's «My Name Is Joe,» with Cannes best actor winner Peter Mullen as a recovering alcoholic facing tough times; Theo Angelopoulos» «Eternity and a Day,» this year's Cannes winner; «The General» (1999) which won Boorman the best director prize at Cannes, and the Cannes and Telluride favorite «Claire Dolan,» by Lodge Kerrigan, with Emily Watson («Breaking the Waves») as a prostitute who thinks she can detach from her work.

But all that may change when three tennis films storm the 42nd Toronto International Film Festival this year: Battle of the Sexes (featuring Emma Stone and Steve Carell), Borg / McEnroe (with Shia LaBeouf and Sverrir Gudnason), and Love Means Zero, a documentary about Bollettieri and his world - famous tennis academy, which has produced the sport's biggest stars — including Andre Agassi, Jim Courier, Monica Seles, Maria Sharapova, and Serena and Venus Williams.

I wasn't a big fan of Richard Curtis's sappy - silly «Love, Actually,» but the writer - director's new fact - based film, «Pirate Radio» has moments of gleeful anarchism drawing on many hallowed sources of English comedy, including «The Goon Show,» the «Carry On» movies, and Ealing Studio comedies such as «The Lavender Hill Mob.»

Other highlights in this strand include: the World Premiere of Thierry Poiraud's DO N'T GROW UP, a stylish and inventive film about a group of teens on an unnamed island who wake up to find their youth facility eerily abandoned; the World Premiere of Jon Spira's affectionate documentary ELSTREE 1976 about the bit performers who appeared in George Lucas» box office behemoth Star Wars; GHOST THEATER, the latest film from director Hideo Nakata, the forerunner of J - horror; GREEN ROOM, Jeremy Saulnier's latest exercise in edge of the seat suspense, starring Patrick Stewart, Imogen Poots and Anton Yelchin; returning for the third year running, Sion Sono screens LOVE AND PEACE, his tale of punk rock and talking turtles; and the fantastically prolific Takashi Miike's riotous, unruly gangster vampire concoction YAKUZA APOCALYPSE.

In her episode of Adventures in Moviegoing, the award - winning novelist spoke with programmer Michael Sragow about films she loves, including ones that have influenced her approach to crime fiction.

(Italy) George Harrison: Living In The Material World, music documentary directed by Martin Scorsese (USA) Goodbye First Love, directed by Mia Hansen - Løve, tracks a first love over eight years (France / Germany) Pina, directed by Wim Wenders, which is a 3D dance film and tribute to Pina Bausch (Germany / France / UK) Play, directed by Ruben Östlund, which is a provocative movie about African immigrants taking advantage of Swedish peacefulness (Sweden) Policeman, directed by Nadav Lapid, which includes wealthy anarchists and anti-terrorist police (Israel / France) Sleeping Sickness, directed by Ulrich Köhler who won Best Director at the Berlin Film FestiLove, directed by Mia Hansen - Løve, tracks a first love over eight years (France / Germany) Pina, directed by Wim Wenders, which is a 3D dance film and tribute to Pina Bausch (Germany / France / UK) Play, directed by Ruben Östlund, which is a provocative movie about African immigrants taking advantage of Swedish peacefulness (Sweden) Policeman, directed by Nadav Lapid, which includes wealthy anarchists and anti-terrorist police (Israel / France) Sleeping Sickness, directed by Ulrich Köhler who won Best Director at the Berlin Film Festilove over eight years (France / Germany) Pina, directed by Wim Wenders, which is a 3D dance film and tribute to Pina Bausch (Germany / France / UK) Play, directed by Ruben Östlund, which is a provocative movie about African immigrants taking advantage of Swedish peacefulness (Sweden) Policeman, directed by Nadav Lapid, which includes wealthy anarchists and anti-terrorist police (Israel / France) Sleeping Sickness, directed by Ulrich Köhler who won Best Director at the Berlin Film Festival.

Other titles in this section include: Naomi Kawase's sweet, light and leisurely AN; Tom Geens» COUPLE IN A HOLE, about a couple living in an underground forest dwelling to be left alone to deal with their mysterious grief; DEPARTURE, Andrew Steggall's delicate first feature about longing, loneliness and nostalgia for a sense of family that may have never existed; Jacques Audiard's Palme d'Or - winner about a makeshift family trying to cement their bonds, DHEEPAN; the World Premiere of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof family that may have never existed; Jacques Audiard's Palme d'Or - winner about a makeshift family trying to cement their bonds, DHEEPAN; the World Premiere of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mystilove and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaOF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaOF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mystiLOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof love, loss, memory and the mystilove, loss, memory and the mystical.