Sentences with phrase «love of film really»

But would Soderbergh's love of film really only endure in the features found on his personal website, like lists of films he's watched and recuts of classics like Psycho and Raiders of the Lost Ark?

Not exact matches

This brings me to a third related point, I'm not sure, apart from really understanding the importance of Aslan, as Lewis knew Him and loved him, that it is possible for a film company to get Lewis right.

Nicolas Gonda, To the Wonder's producer, says that «In many ways this story contemplates and explores the aspects of love that I really haven't seen explored on film before.

I love them like I love hair metal power ballads, Teenagers from Outer Space, 1950s educational films and home - edited skateboard videos (actually, never mind, some of those are really GOOD).

I really love your inside sweater it is gorgeous It isn't feeling warmer her yet (thank goodness haha) We are suppose to be getting 30 + cm of snow coming up for the next couple days Also I wont be going to see that movie I might be the only female not interested in this film lol hope you have a good time though

When I think of the criticism I really love, whether it's of books or films or pop culture, it's when someone is a really good observer of things.

Then, over phone calls, not so average first dates of midnight showings of «The Big Lebowski» (Lord knows I love a good weasel in a bathtub scene), actual theatre screenings of my favorite film «Gone with the Wind» accompanied by my most adored meal out — diner grilled cheese with a milkshake (Yes, really.)

It can be tempting when writing your profile to add in that you love working out, or enjoy rock - climbing when really you're more of a film person, as you think that will have a greater appeal.

The soundtrack and songs were really tonally perfect, though I didn't see the film as a love story so much as an off - balance depiction of an already degraded and misunderstood group of people.

It's really good, deserves respect for its treatment of the subject matter, and is a great example of what I love about 70s cinema, but I just didn't get blown away by it, Maybe I just wasn't quite in the right frame of mind, or maybe I've just seen too many films like this already, but I don't think it's quite as good as everyone else does.

I loved the look of the film and it really has a very noir style about it which the original doesn't.

I've never been a fan, as a rule of horror movies, however, the trailer drew me to this one and i'm glad it did, the awful acting we usually get in horror movies wasn't there this time round, in fact, the whole cast were excellent, the special effects were really very good and the humorous, intelligent dialogue (another thing you don't usually get in horrors) was brilliant, loved the film, Chris Hemsworth, although with less to do in this than he does in Thor, was great in it too.

I loved the incorporation of the cute little dog and his subtitles of his thoughts - films never really do that, but it gave us a different perspective of not just human nature.

Got ta love that classic film poster though huh, just like «The Rocketeer» they really capture the essence of the old style crime caper and dare devil hero aspect.

Either way, this film grasped me and made me really realize what Love and pain can do to a person, and Lopez and Anthony have a great chemistry onscreen and set of a blazing fire od charisma and sensational entertainment.

James Woods and Kathleen Turner are sublime as Mr. and Mrs. Lisbon, Kirsten Dunst, Hanna R. Hall, Chelse Swain, A.J. Cook, and Leslie Hayman are all really good as the Lisbon sisters, Josh Hartnett showed some real star potential as Trip the love interest of Dunst's Lux, and Giovanni Ribisi hits all the right notes and puts in fantastic work as the film's narrator, conveying a great sense of both maturity and youthful wonder.

The entire movie is really a metaphor for loving those who are different from us, but for Swanson, the film is literally about a woman who commits the unholy perversion of fucking a fish.

I really wanted to love this film as a longtime fan of the X-men.

What it doesn't really settle is the almost creepy dishonesty of Tim's wooing of Mary, and for all of the rest of the film's Nice Guy Tim - isms, it's hard to look past the SciFi trickery he utilizes to dupe this woman into loving him.

I love the Hunger Games series — both the books and the films — but even I kinda gave Mockingjay, Part 1 some side - eye, because it really felt like the first part of a story, rather than a film in and of itself.

When I met with him, we both had a love of cinema and we both had this idea of making an indie art film in a noir setting with Tommy starring in it and making something really dark and different from «The Room.»

And, because of that, there's a strong sense that, even if they spend very little time together in film, that Rob really does love Megan.

For viewers who really loved the film, there's certainly a lot of interesting material here, but it's a bit much if you just thought the film was mildly entertaining.

I think that's what really got me hooked, beyond the fact that I'm supposed to love this film anyway since it's expected of me as a serious film buff.

Not bad at all.this film keeps you guessing in ways you never do a lot in horror films.Rob Zombie directs theses actors like I've never seen a horror director do before.this movie is truly amazing, people are calling it «terrible» I call it «good» it's the kind of horror film that actually deals with characters and not just pointless blood and guts.I felt like all these characters really did go through something, and this movie is truly just about them overcoming it.I don't consider this a horror film, I consider this a drama / horror film, cause that is what it is, and I love it.this mvie isn't just about a killer killing people, it actually deals with the people he's after anf even deals with himself at times, which I truly loved.Rob Zombie has proved to me again that he could direct.perfect seq...

It's going to take a really, really good film to turn things around, and while I'm not exactly holding my breath, it'd be great if Labor of Love turns out well.

What really impressed by about the film was how intelligent it is, exploring themes of love and friendship and religion and trust.

Mazer, whose main claim to fame is his comedic association with Sacha Baron Cohen, writing for such films as Borat and Bruno, goes one step beyond, by introducing the characters these two seem more of a natural fit to be with, and the result is two people trying their best to stay faithful to their vows with a partner they love but aren't really sure they like, while keeping their feelings for their natural suitors at bay.

I love the package design and transfer of the Blow - Up disc, and the scene in the park where David Hemmings stalks the couple with his camera really comes to life with the new transfer — it's maybe my favorite scene in any film ever made.

is misleading because while draped in Darius Khondji's luxuriant, golden - hued cinematography like the silks of Lady Liberty's gown, and decked in loving period costume and detail, the film is really a small - scale human drama in which those Gray staples, a love triangle and a love / hate brother-esque relationship, play out beat by minutely observed beat.

Master And Commander — It was always going to be hard for me to like this film, since long before it was announced, I'd read all twenty of Patrick O'Brien's Master And Commander books and really loved them.

This is really Tom Tykwer's (Perfume, Paris I Love You) showcase, and what the film lacks in terms of exciting and novel plotlines, it makes up for with the director's more realistic approach to the action, where the hero can get hurt, characters aren't always living or dying on cue, and one bullet isn't enough to kill every nameless henchman instantly.

To say I loved The Shape of Water really would be an understatement, the film inspiring in me such a range of emotions that it left me reeling by its stunning final frame, unsure how to process exactly what I'd seen outside of the fact that I knew from the bottom of my heart that I had witnessed an article of supreme originality that I wouldn't be forgetting anytime soon.

«Magic in the Moonlight» doesn't make you believe in magic, or love, or anything, really, although maybe that's just the cynic in me, eager to expose the film as the fraud that it is, because the whole thing feels less like a genuine Woody Allen comedy (smart and funny with a healthy dash of neurosis) than a pale imitation.

It is a little rough around the edges and there is an argument to be made that the relative lack of directorial flair makes the film feel too conventional but those points are only really relevant when comparing it to Argento's later works, and after all, this was his first movie and there are plenty of filmmakers out there at the twilight of their careers who would love to make a thriller as tight and effective as this with everything available at their disposal, let alone the small budget and restrictions that Dario Argento had to work with.

Fans of The Rock (Be Cool, The Rundown)-- If you love The Rock but aren't really familiar with the game, or you usually eschew zombie films, chances are that you will come away with some very strong mixed feelings about Doom.

A really lovely tale staring two great leads that you fall in love with almost immediately, however, as Ananda states in her review, anyone more concerned with space - time continuums or time travel paradoxes should just bypass this film, as it really is just another Richard Curtis movie and thus all sense of reality should be left at the door.

Lara Croft Tomb Raider: The Cradle of Life earned negative reviews on release but one of Jolie's co-stars, Gerard Butler, loved the film telling IGN he «really enjoyed it.»

Emory Cohen and Domhnall Gleeson are also really good as rival love interests on different sides of the Atlantic, but it's Ronan who gives the film its heart and soul.

I have a soft spot for 2001's Lovely & Amazing (the first of her films that I really fell in love with), but eventually voted for 2010's Please Give, a subtle, heartbreaking wonder that stars Catherine Keener and Oliver Platt as New York antique brokers who want to buy their dying neighbor's apartment, and Rebecca Hall and Amanda Peet as the neighbor's stubborn granddaughters.

Even so, the film hadn't really been on our radar at first, and it was only after failing to get into Susanne Bier's «Love Is All You Need,» and deciding that not having seen its predecessor probably precluded us from seeing Takeshi Kitano's gangster sequel «Outrage Beyond,» that we headed to the late - night press screening of the film.

Following up his 2015 Cannes break - out, the stunning, very original dry comedy The Lobster, a film that we really loved — Greek filmmaker Yorgos Lanthimos enters the official competition at Cannes 2017 with this drama of family matters and other dark materials.

Do we really need another remake of another film that we loved in the first place?

2013 brings two films from the director, and while we're looking forward to «Everyday» too, it's «The Look of Love» that really has our attention.

Refn knows how to make films that really get under the skin of certain people, and that makes me love his work even more.

The Dolby Digital 5.1 surround is more than serviceable for what really amounts to a lot of swelling Enya, K.D. Lang, and Barenaked Ladies tunes narrating the numerous VH1 falling - in - love, cold - hearts - thawing montages that litter the film.

You can tell that the team behind it really love this film and were excited to get a chance to allow people to see the film in a different and new set of eyes.

Hugh Grant's absence is quite keenly felt — never mind no danger, there's not even a hint of the naughtiness that I loved about his character in the earlier films and it's really needed given that both Mark and love - rival Jack are about as square, solid and dependable as you can imagine.

But those are minor complaints compared to its many strengths, because while the film isn't for everyone, fans of Chinese cinema or just really good black comedy will love it.

Before hanging up, she said, «I think that being a film critic is a really great way to spend your life, particularly for people who love movies like I do, and continue to love movies, and continue to expand the kind of movies that I like to watch... I think one of the things I would say to critics, once you have your niche, once you have some kind of security, is: enjoy it.