Sentences with phrase «love with a film because»

Because it was a sneak - peek, I think it's easier to jump to conclusions and either be immediately in love with a film because you saw it ahead of time, or immediately take a dislike to it and want to warn others because you saw it ahead of time.

Not exact matches

This is because her life radiates beauty: through her hospitality to friends and strangers alike, through her joyful laugh, through her care of those in need, through her passion for education, through her love of framing things on film through the lens of a camera, through her ability to be patient with her doofus husband, through her genuine love for God, through her sacrificial generosity to those with less than we have, and even through her stubborn refusal to let me get away with any of my trademark snark.

Asking him about his movies after he made LOVE ME with Neat films productions in Accra on his themes, he said Because love conquerors LOVE ME with Neat films productions in Accra on his themes, he said Because love conquerors love conquerors all.

from Michelle Jorgenson (more this week)-- congrats to her for being so creative and resourceful with her spectacular garden (which will be featured on the GreenSmoothieGirl Makeover TV show, which we are almost done filming): I love summer eating, because I try and use as much from the garden as I can.

I filmed a quick little haul video, because I wanted to share these purchases with you, I'm truly in love with some of these beauty products, plus, they're all so inexpensive!

I have to admit that I have always gotten a kick out of whatever sick gag they have come up with for each film and this film has perhaps the grossest of all three films but again, I love the movies because of the characters.

And that's important, because despite being a fairly serious film about love, loss and family, «Kubo and the Two Strings» goes about telling its simple but layered story with such child - like optimism that it resonates even stronger as a result.

Presented in 70 mm and with a running time of 187 minutes (because Tarantino), the film continues his love for old school cinema, right down to the three minute «overture» that opens the film, something I don't think I've seen since Dancer in the Dark.

It's a film that bothered a lot of people, if I remember correctly, because like a lot of films I fell in love with this year it almost seemed to change genres mid way through its runtime.

However, it's still too overly detailed with useless subplots (Dwarf / Elf love triangle), extra characters that were not in the book, and the sense that this last film was just unnecessarily stretched out just because the studio decided to make three films instead of just two.

I don't know if I truly want to hold the ending against the film because prior to this scene I was always invested and loved every moment of my time with Nancy.

Has some great cameos and cross-overs with Marvel's other films (Avengers especially) and sit around because it has TWO post-credit scenes (geeks love that shit).

The film This biographical film tells the story of how Jane Austen (Anne Hathaway) fell in love with bad boy lawyer Thomas Lefroy (James McAvoy) before they were forced to break up because of money problems.

And I'm glad I did because some of the issues I'd had the first time (I'd found its metaphor a little scattered) came more into focus, and I was reminded of its many strengths - Peele juggles all sorts of genre and tonal trickery with ease, and I love every single performance in the film (yes even whatever Caleb Landry Jones is doing).

I love talking with Derek, especially because his ideas in his films are so deep and personal, and he gets into that in even greater detail.

«Magic in the Moonlight» doesn't make you believe in magic, or love, or anything, really, although maybe that's just the cynic in me, eager to expose the film as the fraud that it is, because the whole thing feels less like a genuine Woody Allen comedy (smart and funny with a healthy dash of neurosis) than a pale imitation.

The early posts on the trailers and immodest promotional posters for Love have labeled it simply as a «3D porno,» both because the idea of a film that climaxes with a literal climax off of the screen and into the audience's face infiltrating an arena as prestigious as Cannes is kind of hilarious, and because that's what it is.

Sam went on to do another Bond film [2015's «Spectre»] but I was quite honest with him and said I didn't really want to do another one, which was a shame because I really love working with Sam.

Jim Jarmusch's Paterson is already one of my all - time favorites, seriously, it's a perfect film and I went to see it twice because I'm so in love with it.

«I not only love the films going back to my childhood but also have a very long relationship with Kathleen Kennedy and Frank Marshall because they did «Empire of the Sun» many years back.»

«It's a shocking waste because Jim Carrey's a good actor which he proved in that wonderful film I Love You Philip Morris where he played a gay con artist in love with Ewan McGreLove You Philip Morris where he played a gay con artist in love with Ewan McGrelove with Ewan McGregor.

Absolutely loved it, no horror film has ever actually scared me because I know the in and outs of how most of them are based but this film started like I would not have expected, it works based on the primal fears of people and it's so simple but Wan works with that and terrifies you.

I was letdown with Part 6 because I absolutely loved the fifth film and this felt sub par at best but with the added factor of going from such a high with Part 5 to a low makes it feel even worse than it is.

My next screening looms, so very quickly: Takashi Miike's For Love's Sake, playing here as a midnight movie, may or may not be his first musical since 2001's The Happiness of the Katakuris — I can't be sure because the dude makes three films a year on average and I can only keep up with about half of his output.

Princess Raccoon — This bizarre little pan-Asian film stars Favorite Actress © Zhang Ziyi, as, well, Princess of the Raccoons who falls in love, against natural law, with a human, who's on the run from his villainous father, the King of a neighboring Mountain, who's trying to kill him because a magic mirror claimed that the son would one day become more beautiful than the king.

Perhaps the courtship here holds up better than so many films like it because of Sandler's inherent everyman charm — I'd wager this is one of his best performances, yes, even up there with Punch - Drunk Love.

«Morlando draws great performances out of his two young leads, Quebec's [Sophie] Nélisse and America's [Josh] Wiggins, who are like fugitives out of a French New Wave film, discovering love while also hatching a plan on the run.They've had to suddenly leave their rural homes, in the mythical U.S. state of Great Lakes (according to car licence plates), because Jonas has grabbed a big bag of cash from Casey's abusive bad - cop dad Wayne -LRB-[Bill] Paxton), after furtively witnessing a criminal betrayal that turns into a bloodbath.The two teens take off, with Casey's dog in tow, but Wayne isn't far behind.

When a series about a handsome and charming male stripper serves up two dud love stories in a row, you have to assume it's intentional — that the films are genuflecting to the idea of including a «love interest,» but not trying too hard to make a convincing one, because it might interfere in with the films» true, great, ongoing romance, between the audience's eyeballs and Channing Tatum's body.

A serious - minded and decidedly adult fairy tale about a virginal young woman who learns from her brother (Malcolm McDowell) that they are descended from a race of human - panther hybrids doomed to revert to their murderous feline state while making love to anyone outside of their own bloodline — a problem as she has just fallen in love with a sweet - natured zookeeper (John Heard) who specializes in big cats — this is a film swimming in sex, violence, poetry, philosophy and swanky visuals in such extremes that it always seems to be on the verge of becoming utterly ridiculous but it somehow never goes over the edge into camp because of Schrader's serious - minded handling of the material; it may be nonsense but he never treats it as such.

Having a two year old at home, even though some parts a little scary, I am excited to be able to share this film with her because she absolutely loves the character Aurora already.

The 84 - year - old actress is not a fan of fake romping for the camera, unlike fellow actress Dame Judi Dench who loves filming nude, because she had bad experiences of it in the past, including the time she had to pretend to make out with the late US actor George Peppard in «The Executioner», which got awkward because they both disliked one another.

Despite Thomas Pynchon's knack for vivid, cinematic language and his own avowed love of film, his novels haven't exactly proved easy to adapt for the big screen, primarily because they're so densely constructed that any adaptation would be, by its very nature, a dumbing down — and even then you'd still run the risk of ending up with something completely incomprehensible.

Because Oscar loves drama, a powerhouse performance and the film Mo'Nique has performed in, Precious, is already agog with Oscar love.

That's because the Shakespeare and Milton work in question are two big budget studio films with CGI - loving directors at the helm, and in the former's case it's more of an unraveling of the lore surrounding William Shakespeare than an adaptation.

Sitting with the creative team behind new indie «The One I Love,» genial actor - producer - writer - director - cool - guy Mark Duplass says of his breakthrough film, «My first movie [«The Puffy Chair»] was shot on VHS - C with a dead pixel in the middle of it, and it looked and sounded like shit, but it went to Sundance because of the spirit.

Todd: I would suggest this movie struck a chord because fashion is less the point (though I think looking at the film through the lens of food and fashion yields plenty of rewards) than it is the vehicle to talk about something Hollywood loves: the difficulty of being in a relationship with a demanding person.

The disc opens with promos for Blu - ray / BD - Live (because that's how Dear John is most likely to be enjoyed), The Bounty Hunter, The Runaways, and Julia Roberts» intended comeback film Eat Pray Love.

«I didn't know what to do so I said: «Ok, let's screen the world premiere in Turin, a city I love because that is where I filmed Deep Red; if it doesn't do well there, we can do away with it.»

In the film, he develops a seemingly innocent friendship with Antonina Żabińska (played by Chastain) because of a shared love of animals.

Because if there's one thing the Oscars love it's Dench playing dead queens (she's nabbed one nomination and one win for doing this in the past) and she's playing Queen Victoria again in a Stephen Frears - directed film about her relationship with a young Indian clerk.

Game Informer recently spoke with horror director John Carpenter in an interview where he revealed that he would love to adapt Dead Space into a film because it's «ready - made».

His first huge success was Kinky Boots, a film about British drag queens and shoemakers which dealt with the issue of Britain's long - standing textile industry losing out to foreign competition, then there was Brideshead revisited, another story about a commoner and a member of the elite upper - classes falling in love, because apparently we can't get enough of those.

I'm planning to catch the world premiere of this film just because it sounds so wonderful, and I want to be one of the first to (hopefully) fall in love with it at the festival.

His all time favourite film is Memento, with Garden State running a close second, because who doesn't love Zach Braff Natalie Portman and the Shins together in one film.

The first third of the film is the most interesting as we watch singletons check into a hotel in which they must find love or risk being transformed into an animal of their choosing but if you asked me with mild curiosity why this is, I couldn't tell you because after two hours of this drivel, I neither knew nor cared.

Like many other surfers, Verdone fell in love with surfing because of the film, which in a few months is slated to be accepted into the Smithsonian Institution.

It's a shame because the film met with great reviews from critics, and the vast majority of the public who went and saw it loved it.