Sentences with phrase «love with film after»

Dano said he fell in love with film after watching Dazed and Confused and Midnight Cowboy repeatedly.

Not exact matches

I can't argue with his marketing savvy — a month after its release, Love & Friendship had already become Stillman's most successful film — but I also can't help feeling that we Janeites were onto something when we wondered about the aptness of the new title.

Hence at the end of the Asda film we see mum finally get to sit down with a glass of wine after 2 months» graft, as dad delivers the final, inevitable punchline: «What's for tea, love?».

Asking him about his movies after he made LOVE ME with Neat films productions in Accra on his themes, he said Because love conquerors LOVE ME with Neat films productions in Accra on his themes, he said Because love conquerors love conquerors all.

After having a laugh at my expense, we found a suitable substitute and bonded over our love of raw fish and Bradley Cooper films, and I regressed to a high school kid with butterflies in his stomach when she laid her head on my shoulder during the movie.

about me i was born in Barbados came here when i was very young i live in Manchester I'm live alone after 22 yrs relationship i have 3 children 20 30 40 i love life after God i run a very small film company working with the youth as i didn't get my B.A.hons till i was 53 i don't want any child to mak...

The pressure off, they're free to make out like teenagers and fall in love, a happy interlude the film covers with smart economy, so as to spend more time on getting to know this «hot grandma» (she's struggling to keep her middle daughter pregnancy - free through high school), as well as the couple's first big fight, occasioned when she wonders why he still doesn't want to sleep with her after nearly 20 dates.

All in all, though, we don't fall in love with any of these characters, we don't root for the film's one «couple» (who we think all along will unrealistically be granted a predictable Hollywood ending), we can't remember the jokes after the fact and, most important, we aren't consistently entertained.

After Scary Movie she finished shooting the indie film Love's Unlimited Orchestra with Gretchen Mol and Denise Richards, in which she plays a junkie.

Kiki demands that its audience pay attention and listen to its seven main interlocutors, who, in addition to Mizrahi and Pucci Garçon, include Gia Marie Love (shown before and after her transition), the speaker of the film's most sobering assessment: «Our community is on very intimate terms with death.»

The movie picks up shortly after the events of the first film, with our heroine Katniss Everdeen (Jennifer Lawrence, whose skill as an actress is rapidly outgrowing the material) and fellow survivor / unrequited love interest Peeta Mellark (Josh Hutcherson) forced to pretend to be deeply, madly in love while on a national victory tour.

An unfocused, unfunny black comedy, Dr. Strangelove Or: How I Learned to Stop Worrying and Love the Bomb details the chaos that ensues after a nuclear attack is mistakenly triggered against the Soviet Union - with the film following a host of disparate figures, including George C. Scott's Buck Turgidson, Sterling Hayden's Jack D. Ripper, and Peter Sellers» title character, as they attempt to neutralize the threat.

Nicolas Roeg conducts the film in two different, alternate story lines: one, the «love» story of the two characters; the other, the «present», in which Milena is taken into an emergency room with a medication overdose, as Alex waits outside smoking cigarette after cigarette and reluctantly answering a police inspector's questions.

Curtis tells EW.com, «I had this epiphany about a year ago after I realized that the people that love horror films love them with a fervor that I maybe don't even understand.

«I think Elio [the young man played Timothee Chalamet] will be a cinephile and I'd like him to be in a movie theater watching Paul Vecchiali's Once More,» a 1988 film about a man who falls in love with a man after he leaves his wife, which was the first French movie to deal with AIDS.

The film's entire philosophy can be summed up in a scene where Sam, about to have sex with a nubile young woman, realizes that he loves his wife and can't go through with the indiscretion after all.

Ana Lily Amirpour follows up her alt - cult sensation A GIRL WALKS HOME ALONE AT NIGHT with her sand - blasted, dystopian love story THE BAD BATCH; Maren Ade delivers what will be the most uncomfortable film of the festival, the desert - dry black comedy TONI ERDMANN; and Julia Ducournau's directorial debut, RAW, takes us on a cannibalistic coming - of - age shock ride that resonates long after its stunning finale.

Veteran Hungarian writer - director Enyedi returns to feature films after 18 years with this unconventional love story.

Dear Steve Carell, You were pure genius in «Little Miss Sunshine» (one of my all - time favourite films), my brother became obsessed with you in «Anchorman», I wanted to marry you or have you adopt me after «Crazy, Stupid, Love», I hated that guy you played in «The Way Way Back», and then you were mind - blowing in «Foxcatcher».

«Once Upon a Time in Anatolia «After doing tiny, highly personal art films for a little over a decade, Nuri Bilge Ceylan threw a curveball with «Three Monkeys,» an Andrei Tarkovsky - thriller goulash that retained his love for human behavior while combining a meatier plot and a lurking, uncertain anxiety.

A literal minute after dropping their senior - year daughter back at fictional Decatur University (the movie was filmed in the Atlanta area), Deanna (McCarthy) receives news from her husband (Matt Walsh) that he's in love with a real estate agent (Julie Bowen).

Starring Lena Headey and Ian Hart, it was a drama about an 18 - year - old waitress (Headey) who becomes involved with a young raver (Hart) who introduces her to ecstasy and drug dealing.Shortly after making Loved Up, Cattaneo received the script for The Full Monty and, drawn both to its obvious humor and more serious economic undertones, immediately set about getting it made into a film.

Not bad at all.this film keeps you guessing in ways you never do a lot in horror films.Rob Zombie directs theses actors like I've never seen a horror director do before.this movie is truly amazing, people are calling it «terrible» I call it «good» it's the kind of horror film that actually deals with characters and not just pointless blood and guts.I felt like all these characters really did go through something, and this movie is truly just about them overcoming it.I don't consider this a horror film, I consider this a drama / horror film, cause that is what it is, and I love it.this mvie isn't just about a killer killing people, it actually deals with the people he's after anf even deals with himself at times, which I truly loved.Rob Zombie has proved to me again that he could direct.perfect seq...

While the «first movie is a love story masquerading as a comic book movie,» Reynolds says «this one is kind of a family film masquerading as a comic book film again» with the inclusion of X-Force and the young mutant that Josh Brolin's Cable is after.

INDEPENDENT & FOREIGN FILMS The Fairy (Unrated) Romantic fantasy about a hotel's night watchman (Dominique Abel) who falls in love with the magical fairy (Fiona Gordon) who vanishes into thin air after granting him two of his three wishers.

After falling in love with Croft, a fan film I reviewed a month ago, I have been on the look - out Continue reading →

In fact, it so desperately wants to capture that beatnik - y place and tone where crime films and swinging London met that it just seems to try too hard, slathering the movie with music, trippy visuals and other elements that just can't make up for the deficit of a weak and blandly told story about a ex-con (Colin Farrell) hired to look after a reclusive young actress (Keira Knightley) who finds himself falling in love, which of course puts himself in direct confrontation with one of London's most vicious gangsters.

,» after Ronny / Nicolas Cage declares his love, went into the annals of film comedy and she won an Oscar with a sensitive but stylized performance.

The documentary is mainly comprised of interviews, many with the director himself in his apartment, but the highlight for most will be the scene of Tarantino and De Palma talking about the similarities in their careers of having to deal with public attention regarding the violent content in their films (this comes after an extended sequence featuring Tarantino explaining his love for De Palma, which includes a personal scrapbook of printed interviews and a description of the influence that Casualties of War had on certain elements in Reservoir Dogs).

It is a little rough around the edges and there is an argument to be made that the relative lack of directorial flair makes the film feel too conventional but those points are only really relevant when comparing it to Argento's later works, and after all, this was his first movie and there are plenty of filmmakers out there at the twilight of their careers who would love to make a thriller as tight and effective as this with everything available at their disposal, let alone the small budget and restrictions that Dario Argento had to work with.

A film that burrows into you after its ended with its insightful truths about the human condition, Love After Love is strong in its resolve, lyrically composed and poetically captafter its ended with its insightful truths about the human condition, Love After Love is strong in its resolve, lyrically composed and poetically captAfter Love is strong in its resolve, lyrically composed and poetically captured.

«The first [film we made together] was It's Love I'm After with Leslie Howard,» de Havilland continued.

I fell in love with Clarkson after I saw her bravura performance in «High Art,» a great film unjustly overlooked at Oscar time.

It's a film from whose nihilism I would've recoiled just a few years ago, but now I see that as perhaps the definitive trend of the first six years of this brave new world (first five after 9/11, the inciting event of this love affair with apocalyptic cultural reset) and not entirely divorced from our reality besides.

After seeing The Love Witch it got better with every new film I saw.

This summer, Day - Lewis boosted some of the rumors by saying that he was retiring from acting after this film to become a dressmaker, after falling in love with the craft while making this movie.

King would pull off his love letter to «losers» much more convincingly with IT, published just a few years after the novella Silver Bullet is based on, and this may account for some of the film's weaknesses.

About a half - hour into the film, after Allen establishes his standard, complicated love story, this time involving a «genius» philosophy professor named Abe Lucas (played by Joaquin Phoenix, with a heck of a gut), Jill, his brightest pupil (Emma Stone), who says she's in love with her boyfriend, and Rita, a married professor (Parker Posey), who all teach / attend the same Newport, R.I. university, «Irrational Man» takes a rather dark and very welcome turn.

The 1994 film catapulted Hugh Grant (pictured) to fame after the search for love by his clueless Charles character struck a chord with fans.

He talked about his busy year, what he remembers about making Children of Men, how much he learned working with cinematographer Darius Khondji, the reason he agreed to star in Papillon after originally being apprehensive about the project, how the film explores the fundamental nature of love, and more.

Variety reports that IMAX CEO Richard Gelfond has confirmed that Eastwood loves the cameras and in fact it may be the first film that will be released fully IMAX after being made entirely with IMAX «technology».

«Morlando draws great performances out of his two young leads, Quebec's [Sophie] Nélisse and America's [Josh] Wiggins, who are like fugitives out of a French New Wave film, discovering love while also hatching a plan on the run.They've had to suddenly leave their rural homes, in the mythical U.S. state of Great Lakes (according to car licence plates), because Jonas has grabbed a big bag of cash from Casey's abusive bad - cop dad Wayne -LRB-[Bill] Paxton), after furtively witnessing a criminal betrayal that turns into a bloodbath.The two teens take off, with Casey's dog in tow, but Wayne isn't far behind.

Coming to Cannes with such a film the year after «Blue is the Warmest Color» made such an unprecedented splash with its lesbian love story was perhaps part of the reason the film was slow to be embraced, but it's a comparison that isn't really fair: Laurent's film is darker and more unsettling, a tone she conveys masterfully without ever compromising the authenticity of the performances (both of which, from Josephine Japy and Lou de Laage, are superb).

This kind of episodic romantic comedy practically writes itself, with a loser at the center of the film going back to meet all the wildly eccentric women of his past, one after the other, until he finally matures through the experience and can make the leap to find true love.

After winning the Un Certain Regard Grand Jury prize for her 2009 sophomore feature The Father of My Children, Mia Hansen - Love (who is married to Olivier Assayas), has quickly become one of the most notable directors working with her lauded trio of films.

The details: The latest film from French director François Ozon (8 Women, Young & Beautiful) tells the story of a woman (Anaïs Demoustier) who falls in love with her best friend's widower (Romain Duris)-- but only after discovering that he likes to dress in his dead wife's clothes.

The Boat That Rocked was an expensively made film that ended up with a weak # 6.2 m total in the UK — a massive disappointment after the # 36.8 m success of 2003's Love Actually.

This, after all, is a fantasy film (a genre that rarely gets much love from the Academy) featuring a band of outsiders — a gay man, a black woman, a person with a disability — battling authoritarian forces.

We've already raved about the film, and after having its North American Premiere at the Toronto International Film Festival we were able to sit down with Anne Émond (who's already in the middle of production on her third feature) to talk about Our Loved Ones.

Spike Jonze's return to the feature director's chair (and first time bringing a script he wrote entirely by himself with him) after a four year break is a thoroughly layered and personal film that is at times about the awkward nature of new relationships after a break up (and how we cope with that crushing in - between time), and at times about how technology shapes our modern world, and at times about how we demonstrate and understand love and relationships changes with both time and technology.