Sentences with phrase «love with the living dead»

Not exact matches

They will know that whatever may be the real and ultimate truth of God's being and purpose (and it must be, in the nature of the case, far beyond our knowing), we never approach so near to that truth as when we say with Paul, «God commendeth his love toward us, in that, while we were yet sinners, Christ died for us,» or with the author of the Fourth Gospel, «God so loved the world that he gave his only begotten son,» or with still another of those upon whom the light first shone,» Because of the great love wherewith he hath loved us, God hath made us, who were dead in sins, to live again with Christ.»

Yes, when people in the church remind you that Christ loves to raise people from the dead and give them eternal life with Himself... it's just awful.

would love to see viera to be no. 2 so he could take over in a few years after he had learnt the finer tricks of the trade but couldn't see him there as a 2 Out with the old in with the new The king is dead long live the king

They buried their dead, most likely with grave goods, and cared for their living: A child born with hydrocephalus, sometimes called water on the brain, lived with profound disability until the age of 3 or so, a feat only possible with patient, loving care.

Yes, I want to be surrounded by everyone I love in a drop - dead - gorgeous wedding venue with the love of my life.

PRNEWSWIRE — Showtime Networks is teaming up with love.com to promote the new season of the quirky and darkly comic SHOWTIME Original Series, DEAD LIKE ME (TM), which premieres on July 25th at 10PM (ET / PT)... The promotion features a «Love of Your Life» Sweepstakes in which the grand prize winner will receive a trip to the Aventura Spa Palace in Mexico, courtesy of Orbitz... During the course of the series, characters in the show will search for love through the love.com service... SHOWTIME will promote the series and the sweepstakes via on air spots and links to love.com on the SHOWTIME homepage, SHO.com, as well as the DEAD LIKE ME (TM) homeplove.com to promote the new season of the quirky and darkly comic SHOWTIME Original Series, DEAD LIKE ME (TM), which premieres on July 25th at 10PM (ET / PT)... The promotion features a «Love of Your Life» Sweepstakes in which the grand prize winner will receive a trip to the Aventura Spa Palace in Mexico, courtesy of Orbitz... During the course of the series, characters in the show will search for love through the love.com service... SHOWTIME will promote the series and the sweepstakes via on air spots and links to love.com on the SHOWTIME homepage, SHO.com, as well as the DEAD LIKE ME (TM) homepLove of Your Life» Sweepstakes in which the grand prize winner will receive a trip to the Aventura Spa Palace in Mexico, courtesy of Orbitz... During the course of the series, characters in the show will search for love through the love.com service... SHOWTIME will promote the series and the sweepstakes via on air spots and links to love.com on the SHOWTIME homepage, SHO.com, as well as the DEAD LIKE ME (TM) homeplove through the love.com service... SHOWTIME will promote the series and the sweepstakes via on air spots and links to love.com on the SHOWTIME homepage, SHO.com, as well as the DEAD LIKE ME (TM) homeplove.com service... SHOWTIME will promote the series and the sweepstakes via on air spots and links to love.com on the SHOWTIME homepage, SHO.com, as well as the DEAD LIKE ME (TM) homeplove.com on the SHOWTIME homepage, SHO.com, as well as the DEAD LIKE ME (TM) homepage.

musical and artistic — I play percussion in a band — been a glassblower on and off for 17 years — I love gardening and the grateful dead — I am writing a book about my experience touring with the band in the late 80s and playing drums in drum circles across the country as a teenager — I live...

Because of my unquenchable optimism, though I have gone down many dead ends, I continue to seek the love of my life, someone with who I can share abundant tender affection and intense concern for each other's...

Hi my name is Krystal I'm white I'm 27 yrs old I live in Nc I have blue eyes and brown hair I love the color pink I live with my cousin both my parents are dead I love watching movies and tv my favorite food is anything Italian.

The old fashioned days of graduating, getting a job and then settling down with the love of your life seems to be dead and buried.

intelligent lovable interesting human being with the soal of a clown grateful dead tour 6 years live in the rockies love the wilderness life style

Sam Shepard's ailing young farmer, with evidently just a year to live, falls in love with Abby; Bill then persuades her to take up with him, give him some happiness in what little time remains, and then they can be rich together with his money after he's dead.

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Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

, a dead girl with a stake through her chest, and a mysterious cadre of Goth kids who live in some sort of free - love commune across the lake, and who are led by a Byronic clown named Flamingo (Alden Ehrenreich).

Emma Stone, fresh from her role as Sophie in «Magic in the Moonlight,» about an Englishman called in to unmask a charlatan, is incredibly charming as a student in love with her much older teacher now serving as his confidante, while Joaquin Phoenix is ideal as a man who for half the movie is dead from the next down and who finds meaning in life only when he contemplates murder.

According to the website www.celebrate-day-of-the-dead.com, the Day of the Dead «serves as a positive affirmation of the cycle of life and death, allowing people to reconnect with the spirits of their loved ones on the Other Side».

The Book of Life is a film based on the images and stories about the Day of the Dead, and features a man, recently deceased, who hopes to journey back to the land of the living to be with the woman he loves.

It was back in the summer of 2004 when a little film called Shaun of the Dead came into my life and with that came a love and appreciation of the man behind the film, Edgar Wright.

Dominic is hesitant until Hobbs reveals that Letty (Michelle Rodriguez), the love of Dominic's life who was presumed dead, is still alive and working with Shaw (Her convenient non-death raises more questions than her convenient amnesia).

Special Features HD Master Derived From The Digital Intermediate Archival Negative Take A Chance On Me — An Interview With Actor Ty Burrell Gunn For Hire — An Interview With Writer James Gunn Punk, Rock, & Zombie — An Interview With Actor Jake Weber Killing Time At The Mall: The Special Effects Of Dawn Of The Dead — An Interview With Special Makeup Effects Artists David Anderson And Heather Langenkamp Anderson Deleted Scenes With Optional Commentary By Director Zach Snyder And Producer Eric Newman Theatrical Trailer Still Gallery Audio Commentary With Director Zach Snyder And Producer Eric Newman Splitting Headaches: Anatomy Of Exploding Heads Attack Of The Living Dead Raising The Dead Andy's Lost Tape Special Report: Zombie Invasion Undead And Loving It: A Mockumentary Drawing The Dead Featurette Storyboard Comparisons Hidden Easter Egg

«Admission,» Stephen Trask, composer «Ain't Them Bodies Saints,» Daniel Hart, composer «All Is Lost,» Alex Ebert, composer «Alone Yet Not Alone,» William Ross, composer «The Armstrong Lie,» David Kahne, composer «Arthur Newman,» Nick Urata, composer «At Any Price,» Dickon Hinchliffe, composer «Austenland,» Ilan Eshkeri, composer «Before Midnight,» Graham Reynolds, composer «The Best Man Holiday,» Stanley Clarke, composer «The Book Thief,» John Williams, composer «The Butterfly's Dream,» Rahman Altin, composer «The Call,» John Debney, composer «Captain Phillips,» Henry Jackman, composer «Closed Circuit,» Joby Talbot, composer «The Company You Keep,» Cliff Martinez, composer «The Conjuring,» Joseph Bishara, composer «Copperhead,» Laurent Eyquem, composer «The Counselor,» Daniel Pemberton, composer «The Croods,» Alan Silvestri, composer «Despicable Me 2,» Heitor Pereira, composer «Elysium,» Ryan Amon, composer «Ender's Game,» Steve Jablonsky, composer «Enough Said,» Marcelo Zarvos, composer «Epic,» Danny Elfman, composer «Ernest & Celestine,» Vincent Courtois, composer «Escape from Planet Earth,» Aaron Zigman, composer «Escape from Tomorrow,» Abel Korzeniowski, composer «Evil Dead,» Roque Baños, composer «47 Ronin,» Ilan Eshkeri, composer «42,» Mark Isham, composer «Free Birds,» Dominic Lewis, composer «Free China: The Courage to Believe,» Tony Chen, composer «Fruitvale Station,» Ludwig Goransson, composer «G.I. Joe: Retaliation,» Henry Jackman, composer «Gangster Squad,» Steve Jablonsky, composer «Gravity,» Steven Price, composer «The Great Gatsby,» Craig Armstrong, composer «The Hangover Part III,» Christophe Beck, composer «Hansel & Gretel Witch Hunters,» Atli Örvarsson, composer «Haute Cuisine,» Gabriel Yared, composer «Her,» William Butler and Owen Pallett, composers «The Hobbit: The Desolation of Smaug,» Howard Shore, composer «Hollywood Seagull,» Evgeny Shchukin, composer «Hours,» Benjamin Wallfisch, composer «How Sweet It Is,» Matt Dahan, composer «The Hunger Games: Catching Fire,» James Newton Howard, composer «Identity Thief,» Christopher Lennertz, composer «The Incredible Burt Wonderstone,» Lyle Workman, composer «Insidious: Chapter 2,» Joseph Bishara, composer «Instructions Not Included,» Carlo Siliotto, composer «The Internship,» Christophe Beck, composer «The Invisible Woman,» Ilan Eshkeri, composer «Iron Man 3,» Brian Tyler, composer «Jack the Giant Slayer,» John Ottman, composer «Jobs,» John Debney, composer «Kamasutra 3D,» Sreejith Edavana and Saachin Raj Chelory, composers «Labor Day,» Rolfe Kent, composer «Lee Daniels» The Butler,» Rodrigo Leão, composer «Live at the Foxes Den,» Jack Holmes, composer «Love Is All You Need,» Johan Söderqvist, composer «Mama,» Fernando Velázquez, composer «Man of Steel,» Hans Zimmer, composer «Mandela: Long Walk to Freedom,» Alex Heffes, composer «The Missing Picture,» Marc Marder, composer «Monsters University,» Randy Newman, composer «The Mortal Instruments: City of Bones,» Atli Örvarsson, composer «Mud,» David Wingo, composer «Murph: The Protector,» Chris Irwin and Jeff Widenhofer, composers «Now You See Me,» Brian Tyler, composer «Oblivion,» Anthony Gonzalez and Joseph Trapanese, composers «Oldboy,» Roque Baños, composer «Olympus Has Fallen,» Trevor Morris, composer «Oz The Great and Powerful,» Danny Elfman, composer «Pacific Rim,» Ramin Djawadi, composer «Pain & Gain,» Steve Jablonsky, composer «Percy Jackson: Sea of Monsters,» Andrew Lockington, composer «Philomena,» Alexandre Desplat, composer «The Place beyond the Pines,» Mike Patton, composer «Planes,» Mark Mancina, composer «Prisoners,» Jóhann Jóhannsson, composer «R.I.P.D.,» Christophe Beck, composer «Reaching for the Moon,» Marcelo Zarvos, composer «Romeo & Juliet,» Abel Korzeniowski, composer «Runner Runner,» Christophe Beck, composer «Rush,» Hans Zimmer, composer «Safe Haven,» Deborah Lurie, composer «Salinger,» Lorne Balfe, composer «Saving Mr. Banks,» Thomas Newman, composer «The Secret Life of Walter Mitty,» Theodore Shapiro, composer «Short Term 12,» Joel P. West, composer «Side Effects,» Thomas Newman, composer «The Smurfs 2,» Heitor Pereira, composer «The Spectacular Now,» Rob Simonsen, composer «Star Trek Into Darkness,» Michael Giacchino, composer «Stoker,» Clint Mansell, composer «Thor: The Dark World,» Brian Tyler, composer «Tim's Vermeer,» Conrad Pope, composer «Trance,» Rick Smith, composer «Turbo,» Henry Jackman, composer «12 Years a Slave,» Hans Zimmer, composer «2 Guns,» Clinton Shorter, composer «The Ultimate Life,» Mark McKenzie, composer «Unfinished Song,» Laura Rossi, composer «Wadjda,» Max Richter, composer «Walking with Dinosaurs,» Paul Leonard - Morgan, composer «Warm Bodies,» Marco Beltrami and Buck Sanders, composers «We Steal Secrets: The Story of WikiLeaks,» Will Bates, composer «We're the Millers,» Theodore Shapiro and Ludwig Goransson, composers «What Maisie Knew,» Nick Urata, composer «Why We Ride,» Steven Gutheinz, composer «The Wind Rises,» Joe Hisaishi, composer «Winnie Mandela,» Laurent Eyquem, composer «The Wolverine,» Marco Beltrami, composer

The story of a young man who travels to Italy in order to escape his dead end life and ailing mother only to fall in love with a mysterious sexy stranger who approaches him at a waterside cafe plays fast and loose with quite a few genres but never fails to remain grounded.

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He droned on at length, reminding us how much we had in common with the dead: We all had dreams, regrets, accomplishments, people we'd loved and disappointed, and at some point, for each of us, those earthly concerns would fall away, our lives replaced in an instant by darkness or — if you believed — light.

I've written about libraries and refugees and being mournful at the Oscars, written about books I loved and why comics were not tulip bulbs, written about my friends, living and dead, written about the things and people who have kept me going in the dark times... Now I've assembled a thick book, filled with non-fiction.

As someone who in his adult life has started appreciating games with good stories, such as The Last of Us, The Walking Dead and Undertale, I love that my favorite childhood game franchise has started heading in this direction as well.

The enviroments you are faced with does not want Sebastian to live to tell the tale so everything and everyone wants you dead, and this is why we love this genre, you against the world basically, the undead world that is.

Le souci de soi, Don't Projects, Paris, France The living and the dead, Gavin Brown's enterprise, New York Frenz, Fleisher / Ollman, Philadelphia From NY with Love, Galeria Candela, San Juan, Puerto Rico (curated by Glorimarta Linares)

, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,

Arriola has curated Alibis, Mexican Cultural Institute, Paris, and Witte de With, Rotterdam (2002), How to Learn to Love the Bomb and Stop Worrying about It, CANAIA, México City, and Central de Arte at WTC, Guadalajara, Mexico (2003 — 04), What once passed for a future, or Landscapes of the living dead at Art2102, Los Angeles (2005), Prophets of Deceit at Wattis Institute for Contemporary Art, San Francisco (2006), and the 8th Panama Biennial (2008).

Read the rest here, including my answer to Crawford's question about which composer (living or dead) I'd love to work with on a climate composition.

After years of hating myself, years thinking that I wasn't good enough, years thinking that my life was worthless, years of wishing I would just be dead, Dawn helped me love myself and made me realize that there is nothing wrong with me and from there life got beautiful.

The children — most of whom would be dead or living on the streets without Village Hope — now live in a family setting with loving house parents.

They live somewhere between «I would love to do some business with you today» to «I thought you were dead.»